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The frontier in American culture : an exhibition at the Newberry Library, August 26, 1994-January 7, 1995
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ISBN: 1283382121 9786613382122 0520915321 0585115508 9780520915329 9780585115504 9780520088436 0520088433 9780520088443 0520088441 0520088433 0520088441 9781283382120 6613382124 Year: 1994 Publisher: Berkeley, Calif. University of California Press

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Log cabins and wagon trains, cowboys and Indians, Buffalo Bill and General Custer. These and other frontier images pervade our lives, from fiction to films to advertising, where they attach themselves to products from pancake syrup to cologne, blue jeans to banks. Richard White and Patricia Limerick join their inimitable talents to explore our national preoccupation with this uniquely American image. Richard White examines the two most enduring stories of the frontier, both told in Chicago in 1893, the year of the Columbian Exposition. One was Frederick Jackson Turner's remarkably influential lecture, "The Significance of the Frontier in American History"; the other took place in William "Buffalo Bill" Cody's flamboyant extravaganza, "The Wild West." Turner recounted the peaceful settlement of an empty continent, a tale that placed Indians at the margins. Cody's story put Indians-and bloody battles-at center stage, and culminated with the Battle of the Little Bighorn, popularly known as "Custer's Last Stand." Seemingly contradictory, these two stories together reveal a complicated national identity.Patricia Limerick shows how the stories took on a life of their own in the twentieth century and were then reshaped by additional voices-those of Indians, Mexicans, African-Americans, and others, whose versions revisit the question of what it means to be an American.Generously illustrated, engagingly written, and peopled with such unforgettable characters as Sitting Bull, Captain Jack Crawford, and Annie Oakley, The Frontier in American Culture reminds us that despite the divisions and denials the western movement sparked, the image of the frontier unites us in surprising ways.


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The poetic world of Boris Pasternak
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ISBN: 0691062625 1322885079 0691618259 1400869544 0691645264 9781400869541 9780691618258 Year: 1974 Publisher: Princeton (N.J.) : Princeton university press,

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The dramatic political struggle of Boris Pasternak and the continued success of his novel. Dr. Zhivago, have often taken center stage in discussions of this writer. Olga Raevsky Hughes chooses instead to focus on the aesthetics underlying Pasternak's snuggles and successes to explore the ways in which his views of art and the artist were applied in his writings. Professor Hughes examines those aspects of Pasternak's views on art that he himself considered crucial: the beginnings of poetry in his life, the relation of his art to life, his relationship to his time, and his responsibility to lite and to society.Pasternak's views on art are analyzed as he himself saw them in his autobiographies, critical essays, and letters; and also as they were reflected in his work.Pasternak is allowed to speak for himself: accordingly, all of his published works are used, including letters, little-known works, and available variants of his early poems.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


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The marsh of gold : Pasternak's writings on inspiration and creation
Authors: --- ---
ISBN: 1618111396 1618110071 9781618110077 9781618116987 1618116983 1934843237 9781934843239 9781618111395 Year: 2008 Publisher: Boston : Academic Studies Press,

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Major statements by the celebrated Russian poet Boris Pasternak (1890-1960) about poetry, inspiration, the creative process, and the significance of artistic/literary creativity in his own life as well as in human life altogether, are presented here in his own words (in translation) and are discussed in the extensive commentaries and introduction. The texts range from 1910 to 1946 and are between two and ninety pages long. There are commentaries on all the texts, as well as a final essay on Pasternak's famous novel, Doctor Zhivago, which is looked at here in the light of what it says on art and inspiration. Although universally acknowledged as one of the great writers of the twentieth century, Pasternak is not yet sufficiently recognized as the highly original and important thinker that he also was. All his life he thought and wrote about the nature and significance of the experience of inspiration, though avoiding the word "inspiration" where possible as his own views were not the conventional ones. The author's purpose is (a) to make this philosophical aspect of his work better known, and (b) to communicate to readers who cannot read Russian the pleasure and interest of an "inspired" life as Pasternak experienced it.


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Ob iskusstve : "Okhrannai︠a︡ gramota" i zametki o khudozhestvennom tvorchestve

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