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Moke --- Syms --- Ledy, Cheik --- Kingelez, Bodys Isek --- Samba, Cheri --- Bodo --- Ntoko, Vuza --- Painting --- Peinture --- Exhibitions --- Exposition --- Zaïre --- Congo (Democratic Republic)
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Art --- installations [visual works] --- multimedia works --- racial discrimination --- video art --- golf --- races [events] --- artificial intelligence --- gender --- narrative art --- Syms, Martine
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"This book documents Publishing as Practice, a residency at Ulises--a curatorial platform based in Philadelphia--that explores publishing as an incubator for new forms of editorial, curatorial and artistic practice. Over the course of two years, three publishers activated Ulises as an exhibition space and public programming hub, engaging the public through workshops, discussions and projects. Residents included Hardworking Goodlooking, the publishing arm of Philippines-based, social-practice platform The Office of Culture and Design; Dominica, an imprint run by Martine Syms dedicated to exploring Blackness as a topic, reference, marker and audience in visual culture; and Bidoun, a non-profit organization focused on art and culture from the Middle East and its diasporas. The book features a preface by David Senior, an essay by Gee Wesley and Ulises Carrión's 1975 publishing manifesto "The New Art of Making Books," alongside documentation of the works produced."--
Hardworking Goodlooking --- Martine Sym/Dominica --- Bidoun --- Art publishing --- Artists' books. --- Art publishing. --- United States. --- Artists' books --- Conceptual art --- Installations (Art) --- Video art --- Carrión, Ulises, --- Syms, Martine --- Hardworking Goodlooking (Publisher)
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Post-Capital: A Reader is published as both a reader and a catalogue accompanying the exhibition Post-Capital: Art and the Economics of the Digital Age, curated by Michelle Cotton at Mudam Luxembourg. This richly illustrated volume documents works of sculpture, painting, photography, video, and performance by more than twenty artists from different parts of the world, all addressing production, consumption, and wealth. The images cohabit with excerpts from longer texts by some of today’s most influential thinkers on the subject of our digital age, its consequences concerning human freedoms, and the largely invisible dynamics that are driving an evolving and unequal world order. Texts by Sarah Beaumont, James Bridle, Michelle Cotton, Heike Geissler, Clémentine Proby, Richard Seymour, Chloe Stead, Hito Steyerl, Joel Valabrega, McKenzie Wark, Lauren Wetmore, Shoshana Zuboff
kunst --- 7.039 --- information design --- informatietechnologie --- 7.01 --- kunst en politiek --- kunst en economie --- economie --- neoliberalisme --- kapitalisme --- postkapitalisme --- eenentwintigste eeuw --- Exhibitions --- Art --- sculpture [visual works] --- photography [process] --- capitalism --- wealth --- video art --- performance art --- easel paintings [paintings by form] --- globalization --- consumers --- Arakawa, Ei --- Bourouissa, Mohammed --- Cao Fei --- Denny, Simon --- Favaretto, Lara --- Hiorns, Roger --- Laric, Oliver --- Relph, Nick --- Steyerl, Hito --- Guan, Xiao --- Novitskova, Katja --- Perry, Sondra --- Turato, Nora --- Syms, Martine --- Allah, Shadi Habib --- Laser, Liz Magic --- Pattison, Yuri --- Pryde, Josephine --- Rowland, Cameron --- Owens, Laura --- GCC --- anno 2010-2019 --- anno 2020-2029 --- paintings [visual works]
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Arcangel, Cory ; Ascott, Roy ; Bailey, Jeremy ; Barry , Judith ; Bilal, Wafaa ; Blas , Zach ; Breuning , Olaf ; Bridle , James ; Bunting, Heath ; Bureau of inversive Technology ; Catala, Antoine ; Chernyshev, Aristarkh ; Cortright, Petra ; Cosic, Vuk ; Coupland, Douglas ; CTG ; Cybernetic Serendipity ; Domanovic, Aleksandra ; Dulaart, Constant ; Experiments in Art and technology ; Farocki, Harun ; Hadjithomas, Joana ; Joreige, Khalil ; Hempton, Celia ; Henrot, Camille ; Hill, Gary ; Hirsch, Ann ; JODI ; Kac, Eduardo ; Kaprow, Allan ; Kawano, Hiroshi ; Khaled, Mahmoud ; Laric, oliver ; Leegte, Jan robert ; Lialina, Olia ; Longson, Tony ; Lund, Jonas ; Magid, Jill ; Model Court ; Mohr , Manfred ; Molnar, vera ; Mouchette ; Musson, Jayson ; Nake, Frieder ; Nathanson, Joshua ; Novitskova, Katja ; Oehlen, Albert ; Paglen, Trevor ; Rafman, Jon ; Roth, Evan ; Ruff, Thomas ; Ruthner, Alex ; Satterwhite, Jacobly ; Schwartz, Lilian ; sedgley, Peter ; Simon, terry ; Stark, Frances ; Steyerl, Hito ; Sturtevant ; Syms, Martine ; Trecartin, Ryan; Ulman, Amelia ; VanDerBeek, stan ; Wagenknecht, Addie ; Weiner, lawrence; Wiggen Ulla ; the Yes Men ; Young-Hae Chang Heavy Industries --- MAD-faculty 16 --- kunst en technologie --- hedendaagse kunst
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"Congo Stars" does not attempt to trace the historic development or even deliver a definition of what popular painting in the Congo is. It is in fact much more about the dimension of fiction in the writing of its history. Processes of nation building, facets of social order or the realities of everyday life are the major themes of popular art in the Congo. Painters see themselves as reporters or chroniclers of the everyday. They tell stories and thus offer an alternative historiography, confronting the traditional colonial narrative. "Congo Stars" places these popular painters alongside artists who work with installations and conceptually with photo and film, while often tackle the same themes.With works by : Abis, Alfi Alfa, Sammy Baloji, Gilbert Banza Nkulu, Chéri Benga, Bodo, Vitshois Mwilambwe Bondo, Burozi, Dominique Bwalya Mwando, Chéri Cherin, Trésor Cherin, Djilatendo, Ekunde, Sam Ilus, Jean Kamba, Lady Kambulu, Eddy Kamuanga Ilunga, Kasongo, Jean Mukendi Katambayi, Aundu Kiala, J.P. Kiangu, Bodys Isek Kingelez, Ange Kumbi, Hilaire Balu Kuyangiko, Londe, Albert et Antoinette Lubaki, Gosette Lubondo, Ernest Lungieki, George Makaya Lusavuvu, Tinda Lwimba, Michèle Magema, Maurice Mbikayi, Maman Masamba, Matanda, Mbuëcky Jumeaux, JP Mika, Mega Mingiedi Tunga, Moke, Moke-Fils, Gedeon Ndonda, Nkaz Mav, Vincent Nkulu, Vuza Ntoko, Chéri Samba, SAPINart, Monsengo Shula, Sim Simaro, Maître SYMS, Tambwe, Tshibumba Kanda Matulu, Pathy Tshindele Kapinga, Tuur Van Balen & Revital Cohen and many more.In cooperation with the Royal Museum for Central Africa in Tervuren, the Kunsthalle Tübingen, the Iwalewahaus in Bayreuth and PICHA in Lubumbashi.
Art africain --- Congo --- Art --- sculpture [visual works] --- installations [visual works] --- painting [image-making] --- photography [process] --- bars [commercial buildings] --- video art --- dwellings --- public spaces --- Matulu, Tshibumba Kanda --- Baloji, Sammy --- Chérin, Chéri --- Magema, Michèle --- Simaro, Sim --- Cohen, Revital --- Balen, van, Tuur --- Katambayi Mukendi, Jean --- Alfi Alfa --- Apollo --- Prince Badra --- Bernatchez, David N. --- Katembo, Kiripi --- Banza Nkulu, Gilbert --- Benga, Chéri --- Bilaka, Junior --- Bosana, Claude --- Mwando, Dominique Bwalya --- Cherin, Trésor --- Edisak --- Ekunde --- Ilus, Sam --- Kamba, Jean --- Kamuanga, Eddy Ilunga --- Kasongo --- Kayembe F --- Kiala, Aundu --- Kumbi, Ange --- Kuyangiko, Hilaire Balu --- Lady Kambulu --- Lubondo, Gosette --- Lukany --- Lungieki, Ernest --- Lusavuvu, George Makaya --- Lwimba, Tinda --- Zaire, Maho --- Mampela --- Mani, Manuva --- Mbikayi, Maurice --- Mbuëcky Jumeaux --- Micha --- Mika, JP --- Mingiedi Tunga, Mega --- Moke-Fils --- SAPINart --- Mson Becha Sherif décor --- Musondo --- Mwilambwe Bondo, Vitshois --- Mav, Nkaz --- Nkulu, Vincent --- Shula, Monsengo --- Soku Ldj --- Maître SYMS --- Tajho, Marciano --- Tambwe --- Tshindele Kapinga, Pathy --- Turbo --- Kingelez, Bodys Isek --- Bodo --- Moke --- Samba, Cheri --- anno 1900-1999 --- anno 2000-2099 --- Demokratische Republik Kongo.
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