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Symbolism in music --- Music --- Bach, Johann Sebastian --- Criticism and interpretation. --- Symbolism of numbers in music. --- Bach, Jean-Sébastien --- Symbolism of numbers in music --- Bach, Johann Sebastian, --- Bakh, Iogann Sebastian, --- Bakh, Y. S., --- Bach, Jean Sébastien, --- Bach, G. S., --- Bach, Jan Sebastian, --- Bachas, J. S., --- Bach, J. S. --- Bahs, Johans Sebatjans, --- Pa-ha, Te, --- Bakh, Ĭ. S. --- Bakh, Ĭokhan Sebastian, --- Bach, Joh. Seb. --- Bakh, Yohan Sebasṭyan, --- Bach, Iohann Sebastian, --- Bahha, J. S., --- Bahha, Yohan Sebasutian, --- Bach, I. S., --- Bach, Juan S., --- Bach, John Sebastian, --- Bach, Giovanni Sebastiano, --- באך, יוהן סבסטיאן --- Criticism and interpretation --- Bach, Johann Sebastian, 1685-1750 - Criticism and interpretation. --- Symbolism in music.
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In eighteenth-century Germany the universal harmony of God's creation and the perfection of its proportions still held philosophical, moral and devotional significance. Reproducing proportions close to the unity (1:1) across compositions could render them beautiful, perfect and even eternal. Using the principles of her groundbreaking theory of proportional parallelism and the latest source study research, Ruth Tatlow reveals how Bach used the number of bars to create numerical perfection across his published collections, and explains why he did so. The first part of the book illustrates the wide-ranging application of belief in the unity, showing how planning a well-proportioned structure was a normal compositional procedure in Bach's time. In the second part Tatlow presents practical demonstrations of this in Bach's works, illustrating the layers of proportion that appear within a movement, a work, between two works in a collection, across a collection and between collections.
Symbolism of numbers in music. --- Bach, Johann Sebastian, --- Bach, Johann Sebastian --- Bach, Jean-Sébastien --- Criticism and interpretation. --- Bakh, Iogann Sebastian, --- Bakh, Y. S., --- Bach, Jean Sébastien, --- Bach, G. S., --- Bach, Jan Sebastian, --- Bachas, J. S., --- Bach, J. S. --- Bahs, Johans Sebatjans, --- Pa-ha, Te, --- Bakh, Ĭ. S. --- Bakh, Ĭokhan Sebastian, --- Bach, Joh. Seb. --- Bakh, Yohan Sebasṭyan, --- Bach, Iohann Sebastian, --- Bahha, J. S., --- Bahha, Yohan Sebasutian, --- Bach, I. S., --- Bach, Juan S., --- Bach, John Sebastian, --- Bach, Giovanni Sebastiano, --- באך, יוהן סבסטיאן
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Bibliothèque nationale de France. --- Manuscrit. Latin 12044. --- 091.31:7.04 --- 091:264-17 --- 091 "11" --- Handschriftenkunde. Handschriftencatalogi--12e eeuw. Periode 1100-1199. --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- 091:264-17 Antiphonaria--(handschriften) --- Antiphonaria--(handschriften) --- Handschriftenkunde. Handschriftencatalogi--12e eeuw. Periode 1100-1199 --- Church music --- Antiphonaries --- Symbolism of numbers in music --- Desire for God --- Spiritual life --- Catholic Church --- Illustrations --- Bibliothèque nationale de France. --- Liturgy --- Church music - Catholic Church - 500-1400 --- Antiphonaries - France - Saint-Maur-des-Fossés --- Church music - France - Saint-Maur-des-Fossés --- Antiphonaries - Illustrations --- Spiritual life - Catholic Church
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