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Dieux égyptiens --- Goden [Egyptische ] --- Gods [Egyptian ] --- Symboliek --- Symbolism --- Symbolisme --- Mythology, Egyptian --- Egypt --- Religion --- Nile River --- Religious aspects --- Representation, Symbolic --- Symbolic representation --- Egyptian mythology --- Mythology --- Emblems --- Signs and symbols --- Symbolism - Egypt

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Manuscripts, Coptic --- Illumination of books and manuscripts, Coptic --- Christian art and symbolism --- 091 <44 PARIS> --- 091 =932 --- 091 <064> --- 281.71 --- #BIBC:ruil --- 281.71 Koptische monofysitische Kerk --- Koptische monofysitische Kerk --- 091 <064> Handschriftenkunde. Handschriftencatalogi--Tentoonstellingscatalogi. Museumcatalogi --- Handschriftenkunde. Handschriftencatalogi--Tentoonstellingscatalogi. Museumcatalogi --- 091 =932 Handschriftenkunde. Handschriftencatalogi--Koptisch --- Handschriftenkunde. Handschriftencatalogi--Koptisch --- 091 <44 PARIS> Handschriftenkunde. Handschriftencatalogi--Frankrijk--PARIS --- Handschriftenkunde. Handschriftencatalogi--Frankrijk--PARIS --- Manuscripts [Coptic ] --- Exhibitions --- Manuscripts, Coptic - Egypt - Exhibitions --- Illumination of books and manuscripts, Coptic - Egypt - Exhibitions --- Christian art and symbolism - Egypt - Exhibitions --- Manuscrits coptes --- Paris --- Bibliothèque nationale de France

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The first comprehensive study of the monastery of St Catherine at Mt Sinai in its full historical, art historical, and religious dimensions, the nineteen collected essays in Approaching the Holy Mountain provide a unique view of the longest continuously inhabited Christian monastery. As an important pilgrimage site, Sinai enjoyed an international reputation in the Middle Ages. The monastery also benefited from regional connections to Egypt and the Holy Land. The essays in this volume examine the pilgrims, monks, artists, builders, and scholars who came to the mountain and left their marks on the monastery and its holdings, as well as the image of the monastery that was promoted outside of Sinai. Because of its dry, isolated location in the Sinai desert, the monastery possesses the world’s greatest collection of Byzantine icons. These icons have been celebrated in highly popular exhibitions in Athens, London, St Petersburg, New York, and Los Angeles though few longer studies of the icons have been attempted. In this volume authors investigate icons from the sixth to the sixteenth centuries and offer new interpretations of their meaning, provenance, and function. Essays also explore celebrated illuminated Byzantine manuscripts in the library of St Catherine’s, pilgrim’s accounts of the monastery, a recently excavated early church on the summit of Mt Sinai, liturgy at Sinai during the first Christian millennium, the influence of Sinai on later paintings and engravings, and the recent history of Sinai studies. The result is a significant advance in our understanding of one of the most important centres of early Christianity.

Christian art and symbolism --- Icons, Byzantine --- Illumination of books and manuscripts, Byzantine --- Christian pilgrims and pilgrimages in art --- Christian antiquities --- Art et symbolisme chrétiens --- Icônes byzantines --- Enluminure byzantine --- Pèlerins et pèlerinages chrétiens dans l'art --- Antiquités chrétiennes --- Egypte --- Saint Catherine (Monastery : Mount Sinai) --- Orthodox Eastern Church --- Liturgy --- Sinai (Egypt) --- Sinaï (Egypte) --- Antiquities --- Antiquités --- Religion --- Philosophy & Religion --- Christianity --- Art et symbolisme chrétiens --- Icônes byzantines --- Pèlerins et pèlerinages chrétiens dans l'art --- Antiquités chrétiennes --- Sinaï (Egypte) --- Antiquités --- Byzantine illumination of books and manuscripts --- Byzantine icons --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Antiquities, Christian --- Antiquities, Ecclesiastical --- Archaeology, Christian --- Christian archaeology --- Church antiquities --- Ecclesiastical antiquities --- Monumental theology --- Byzantine antiquities --- Dayr al-Qiddīsah Kātrīn (Mount Sinai) --- Sinaĭskiĭ monastyrʹ --- Dayr Sānt Kātrīn (Mount Sinai) --- Convent of St. Catherine (Mount Sinai) --- Monē tou Sina --- Sinai-Kloster --- Katharinenkloster auf dem Sinai --- Monē tēs Hagias Aikaterinēs (Mount Sinai) --- Hiera Monē Hag. Aikaterinēs Sina --- Monastery of Saint Catherine (Mount Sinai) --- Monastery of Sinai --- Monastery of St. Catherine (Mount Sinai) --- Hiera Monē tou Sinai (Mount Sinai) --- Holy Monastery of St. Catherine (Mount Sinai) --- St. Catherine (Monastery : Mount Sinai) --- St. Catherine's Monastery at Mount Sinai --- Holy Monastery of Sinai --- Sinai --- Sīnāʼ (Egypt) --- Sinai Peninsula (Egypt) --- Sinaitic Peninsula (Egypt) --- Shibh Jazīrat Sīnāʼ (Egypt) --- Shamāl Sīnāʼ (Egypt) --- Janūb Sīnāʼ (Egypt) --- Congresses --- Egypt --- Sinai [Mount ] (Egypt) --- Icons [Byzantine ] --- Illumination of books and manuscripts --- Symbolism in art --- Hiera Monē tou Theovadistou Horous Sina --- Christian art and symbolism - Egypt - Sinai, Mount - Congresses --- Icons, Byzantine - Egypt - Sinai, Mount - Congresses --- Illumination of books and manuscripts, Byzantine - Egypt - Sinai, Mount - Congresses --- Christian pilgrims and pilgrimages in art - Congresses --- Christian antiquities - Egypt - Sinai, Mount - Congresses --- Sinaï --- Monastère Sainte-Catherine (Sinaï) --- Sinai (Egypt) - Antiquities - Congresses