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Als Schlüsseltechnologie des 21. Jahrhunderts ist Künstliche Intelligenz (KI) längst in der Mitte der Gesellschaft angekommen. In Verbindung mit anderen wissenschaftlichen Methoden nimmt die Technologie bereits heute schon Einfluss auf politische, wirtschaftliche und soziale Prozesse. Flankiert von weiterführenden Essays aus verschiedenen wissenschaftlichen Disziplinen stellt diese Publikation neun internationale künstlerische Positionen vor, die die komplexen gesellschaftlichen Zusammenhänge von KI reflektieren und begreifbar machen. Der Begriff »SHIFT« (engl. shift "verschieben", "Übergang", "Wechsel") unterstreicht dabei die These, dass diese Digitaltechnologie nachhaltig die Idee von einer Gemeinschaft verändert, in der Mensch, Natur und Technik in einem idealerweise kooperativen Verhältnis zueinander stehen
Art --- installations [visual works] --- multimedia works --- technology [general associated concept] --- artificial intelligence --- digital art [visual works] --- Parreno, Philippe --- Faulhaber, Christoph --- Steyerl, Hito --- Dewey-Hagborg, Heather --- Sutela, Jenna --- Kosmas Mayer, Christian --- Clement, Louisa --- kennedy+swan [Berlijn] --- Knowbotiq [Zurich] --- kennedy+swan [Berlin]
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"Essays, conversations, selected texts, and a rich collection of thought-provoking artworks celebrate a revolution in bio art. Expertly designed by Omnivore and printed on special papers, including chlorophyll cover and crush citrus and crush cocoa pages...The texts and artworks in Symbionts provoke a necessary conversation about our species and its relation to the planet. Are we merely "mammalian weeds," as evolutionary biologist Lynn Margulis put it? Or are we partners in producing and maintaining the biosphere, as she also suggested? Symbionts reflects on a recent revolution in bio art that departs from the late-1990s code-oriented experiments to embrace entanglement and symbiosis ("with-living"). Combining documentation of contemporary artworks with texts by leading thinkers, Symbionts, which accompanies an exhibition at MIT List Visual Arts Center, offers an expansive view of humanity's place on the planet. Color reproductions document works by international artists that respond to the revelation that planetary microbes construct and maintain our biosphere. A central essay by coeditor Caroline Jones sets their work in the context of larger discussions around symbiosis; additional essays, an edited roundtable discussion, and selected excerpts follow. Contributors explore, among other things, the resilient ecological knowledge of indigenous scholars and artists, and "biofiction," a term coined by Jones to describe the work of such theoretical biologists as Jacob von Uexküll as well as the witty parafictions of artist Anicka Yi. A playful glossary puts scientific terms in conversation with cultural ones." --
Art --- art [discipline] --- biology --- ecology --- physics --- Nature --- floras [documents] --- fauna --- bioart --- Michelson, Alan --- Pentecost, Claire --- Rosenkranz, Pamela --- Petrič, Špela --- Yi, Anicka --- Esparza, Gilberto --- Fan, Jes --- Campbell, Crystal Z. --- Lin, Candice --- Mobarak, Nour --- Simun, Miriam --- Sutela, Jenna --- Williams, Kiyan --- Huyghe, Pierre --- Art, Modern --- Art and biology
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