Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In Paris, a static video camera keeps watch on a bourgeois home. In Portland, a webcam documents the torture and murder of kidnap victims. And in clandestine intelligence offices around the world, satellite technologies relentlessly pursue the targets of global conspiracies. Such plots represent only a fraction of the surveillance narratives that have become commonplace in recent cinema. Catherine Zimmer examines how technology and ideology have come together in cinematic form to play a functional role in the politics of surveillance. Drawing on the growing field of surveillance studies and the politics of contemporary monitoring practices, she demonstrates that screen narrative has served to organize political, racial, affective, and even material formations around and through surveillance. She considers how popular culture forms are intertwined with the current political landscape in which the imagery of anxiety, suspicion, war, and torture has become part of daily life. From Enemy of the State and The Bourne Series to Saw, Caché and Zero Dark Thirty, Surveillance Cinema explores in detail the narrative tropes and stylistic practices that characterize contemporary films and television series about surveillance.

Electronic surveillance in motion pictures. --- SOCIAL SCIENCE / Media Studies.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

When Ridley Scott envisioned Blade Runner's set as "Hong Kong on a bad day," he nodded to the city's overcrowding as well as its widespread use of surveillance. But while Scott brought Hong Kong and surveillance into the global film repertoire, the city's own cinema has remained outside of the global surveillance discussion. In Arresting Cinema, Karen Fang delivers a unifying account of Hong Kong cinema that draws upon its renowned crime films and other unique genres to demonstrate Hong Kong's view of surveillance. She argues that Hong Kong's films display a tolerance of—and even opportunism towards—the soft cage of constant observation, unlike the fearful view prevalent in the West. However, many surveillance cinema studies focus solely on European and Hollywood films, discounting other artistic traditions and industrial circumstances. Hong Kong's films show a more crowded, increasingly economically stratified, and postnational world that nevertheless offers an aura of hopeful futurity. Only by exploring Hong Kong surveillance film can we begin to shape a truly global understanding of Hitchcock's "rear window ethics."

Surveillance in motion pictures. --- Crime films --- Motion pictures --- Criminal films --- Caper films --- Thrillers (Motion pictures) --- History and criticism. --- History.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

How might we grasp the scope and variety of contemporary surveillance, its possibilities and threats? How have scholars addressed the topic? How has surveillance been understood in the past, and what can this awareness tell scholars and the public about the shape of things to come? Monitoring the Future addresses these questions by critically considering the utopian and dystopian literature and film that for decades has supplied provocative and illuminating depictions of surveillance, and responses to it. It goes beyond Orwell and Snowden to speculate on the shape of surveillance to come. Key Features:The first sustained account of the representation of surveillance in eutopian and dystopian literature and film * Charts surveillance's historical development and creative responses to that development * Provides a detailed critical account of the ways that surveillance studies has utilised utopias to formulate its ideas * Offers new readings of literary texts and films from More's Utopia through George Orwell's Nineteen Eighty-Four to Margaret Atwood' Oryx and Crake; and films from Fritz Lang's Metropolis to Neil Blomkamp's Elysium and beyond.

Utopias in literature --- Utopias in motion pictures --- Electronic surveillance in literature --- Electronic surveillance in motion pictures --- Electronic surveillance. --- Dystopias in literature. --- Dystopian films. --- Utopias in literature. --- Utopias in motion pictures. --- Motion pictures --- Utopian literature --- Dystopia films --- Electronics in surveillance --- SIGINT (Electronic surveillance) --- Signals intelligence --- Surveillance, Electronic --- Remote sensing --- Electronic surveillance in literature. --- Electronic surveillance in motion pictures.