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Pop Art and the Origins of Post-Modernism examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of a group of New York-based critics, including Leo Steinberg, Susan Sontag, and Max Kozloff, among others, Sylvia Harrison demonstrates how their ideas - broadly categorized as either sociological or philosophical - bear a striking similarity to the body of thought and opinion which is now associated with deconstructive post-modernism. Perceived through these disciplinary lenses, Pop Art arises as not only a reflection of the dominance of mass communications and capitalist consumerism in post-war American society, but also a subversive commentary on worldviews and the factors necessary for their formation.
Pop art --- Postmodernism --- Art, Pop --- Neo-Dadaism --- New super-realism --- Art, Modern --- Dadaism --- Surrealism --- Influence. --- Arts and Humanities --- General and Others
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Pop art --- Art, Pop --- Neo-Dadaism --- New super-realism --- Art, Modern --- Dadaism --- Surrealism --- Lichtenstein, Roy --- -Criticism and interpretation --- Lichtenstein, Roy, --- Luoyi Liqidengsitan, --- 羅伊·李奇登斯坦, --- Criticism and interpretation. --- Criticism and interpretation --- Painting --- United States
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Art [Pop ] --- Neo-Dadaism --- New super-realism --- Pop art --- Painting, Modern --- Pop art. --- Peinture --- Pop'art --- Painting [Modern ] --- 20th century --- Lichtenstein, Roy --- Criticism and interpretation --- Warhol, Andy --- Richter, Gerhard --- Ruscha, Edward --- Hamilton, Richard William
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7.039 --- 7.039 Hedendaagse kunststromingen.Post-moderne kunst --- Hedendaagse kunststromingen.Post-moderne kunst --- Art, Modern --- Pop art --- Art --- Pop'art --- History --- Histoire --- pop-art --- Art, Pop --- Neo-Dadaism --- New super-realism --- Dadaism --- Surrealism --- Art [Modern ] --- 20th century --- History.
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British Pop Art was seen as an integral, even central, part of social change in the Sixties. It was a movement that developed innovative ways of dealing with reality, both reflecting on and participating in the culture. Its aesthetics was often homogeneous with the industrial, with the mass-produced, and, hence, with the artificial, manufactured character of the urban environment. This discontinuity in the traditional approach towards artistic creation furthered the globalization of diversity, which constitutes the abiding concerns of postmodern art. Drawing from postmodern thought and cultura
Pop art --- Postmodernism. --- Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- Art, Pop --- Neo-Dadaism --- New super-realism --- Art, Modern --- Dadaism --- Surrealism --- Pop'art --- Postmodernisme. --- Great Britain.
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This book is based on the proceedings of the forum of the same name at the Royal Academy of Arts in London, where the participants discussed Popular Architecture and the various notions surrounding it, especially the ideas of "the popular" and "pop art". Speakers included Charles Jencks, Robert Maxwell, Terry Farrell, James Wines, Piers Gough, Geoffrey Broadbent and many other internationally renowned architects and critics. Examples of this kind of architecture are presented, including recent projects by Robert Stern, particularly his work at Euro Disney, the Chiat/Day/Mojo building by Claes Oldenburg and Frank Gehry, and the work of Basil Bayati and Tomas Taveira. There is also an exclusive interview of Robert Venturi and Denise Scott Brown by Robert Maxwell.
Architecture, Modern --- Architecture, Postmodern --- Deconstructivism (Architecture) --- Pop art --- Postmodern architecture --- Postmodernism --- Architecture --- Architecture, Deconstructivist --- Deconstructionism (Architecture) --- Deconstructivist architecture --- Art, Pop --- Neo-Dadaism --- New super-realism --- Art, Modern --- Dadaism --- Surrealism --- Influence --- History --- Architecture, Postmodern. --- Deconstructivism (Architecture). --- Influence.
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Axell, Evelyne --- Pop art --- 75.07 --- 7.07 --- Schilderkunst ; 20ste eeuw ; Evelyne Axell --- Belgische kunstenaars --- Vrouwelijke kunstenaars --- Pop-Art --- Axell, Evelyne (pseudoniem van Evelyne Devaux) 1935-1972 (°Namen, België) --- Psychedelische kunst --- Psychedelisch - erotische kunst --- Art, Pop --- Neo-Dadaism --- New super-realism --- Art, Modern --- Dadaism --- Surrealism --- Schilderkunst ; schilders A-Z --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Axell, Evelyne, --- Exhibitions --- Painting
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kunst --- twintigste eeuw --- pop art --- Lichtenstein Roy --- Warhol Andy --- Oldenburg Claes --- Rosenquist James --- Wesselmann Tom --- Indiana Robert --- D'Arcangelo Allan --- Strider Marjorie --- Wesley John --- Dine Jim --- Segal George --- Marisol --- Bengston Billy Al --- Ruscha Edward --- Foulkes Llyn --- Thiebaud Wayne --- Ramos Mel --- 7.038 --- Pop art --- Art, Pop --- Neo-Dadaism --- New super-realism --- Art, Modern --- Dadaism --- Surrealism
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Fonds Suzan Daniel (FSD)
Pop art --- Portrait photography --- 7.071 PIERRE & GILLES --- 77.071 PIERRE ET GILLES --- fotografie --- fotografie en homoseksualiteit --- Frankrijk --- heiligen --- homoseksualiteit --- kitsch --- kunst --- naaktfotografie --- Pierre et Gilles --- Pierre & Gilles --- portretfotografie --- Text : --- twintigste eeuw --- Art, Pop --- Neo-Dadaism --- New super-realism --- Art, Modern --- Dadaism --- Surrealism --- Gilles. --- Pierre. --- Polonelli, Luciano --- Riccò, Bruno
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Among the most innovative work of the second half of the 20th century, Evelyne Axell's oeuvre is firmly rooted in the 1960's. This shining star of Pop Art used the violent imagery and colors of advertising to shape a style and a technique that were unmistakably her own, finding her full impact in a thrusting eroticism that spoke unambiguously of the right to pleasure and choice and abolished the woman-as-object forever. "Life incarnate", as critic Pierre Restany put it, shed died tragically in a car accident in 1972, aged thirty-seven.
Axell, Evelyne --- Catalogues d'expositions --- Peinture --- Pop art --- Pop-art --- Schilderkunst --- Tentoonstellingscatalogi --- Erotic art --- Pop art - Belgium --- Exposition --- Jambes --- Namur --- Peintres --- kunst --- kunstenaars --- 20e eeuw (twintigste eeuw) --- België --- popart --- 706.8 --- Art, Erotic --- Art, Immoral --- Erotic art, Primitive --- Art --- Erotica --- Sex in art --- Art, Pop --- Neo-Dadaism --- New super-realism --- Art, Modern --- Dadaism --- Surrealism --- kunstgeschiedenis, België, 20e eeuw --- Axell, Evelyne, --- 7.071 AXELL --- Pop art - Belgium - Exhibitions. --- Erotic art - Belgium - Exhibitions. --- Painting, Belgian --- Pop'art --- Art érotique
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