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The concept of the Sublime has influenced aesthetic and theoretical debate ever since it was first widely invoked in the eighteenth century. However, the unavailability of many crucial early texts has resulted in a conception of the Sublime often limited to the definitions of its most famous theorist Edmund Burke. Andrew Ashfield and Peter de Bolla's valuable anthology, which includes an introduction, and headnotes to each entry, now offers students and scholars ready access to a deep and complex tradition of writing on the Sublime, many of them never before reprinted in modern editions.

Sublime, The --- History --- Sublime, The - History - 18th century

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L'histoire du sublime, presque aussi ancienne que la philosophie, concerne, de nos jours, la plupart des disciplines qui la constituent : esthétique, politique, éthique, anthropologie. Les philosophes ont d'abord pensé le sublime dans la sphère du discours. Ils ont étendu ensuite son domaine aux différents arts et aux grands phénomènes de la nature, pour étudier, enfin, son apparition dans diverses formes d'activité humaine, comme les sciences et les techniques. Le sublime confronte la philosophie aux limites de son pouvoir, en vue de la mettre en échec ou de lui permettre d'aller plus loin. Il opère à la fois comme principe de connaissance et comme principe de métamorphose. D'une part, il subvertit les valeurs du beau, du vrai et du bon, d'autre part, il me transcende ou me sublime, au sens très général où la sublimation est dépassement de soi. Le présent livre vise à redonner au sublime la place qu'il mérite dans notre système éducatif et dans nos vies : celle d'une épreuve initiatrice, susceptible d'insuffler la vie à des connaissances qui resteraient sinon formelles et tronquées. Il cherche également à nous orienter vers une science possible du sujet qui prenne en compte la vocation de l'homme à se transcender lui-même.

Sublime, The --- Aesthetics --- Esthétique --- Histoire --- Philosophie de l'art --- Sublime --- History --- Philosophy --- Philosophy - The Sublime - Aesthetics. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- History. --- Radio broadcasting Aesthetics --- Sublime, The - History --- Aesthetics - Philosophy --- Histoire.

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Comparative literature --- Thematology --- anno 500-1499 --- Literature, Medieval --- Sublime, The --- Sublime, The, in literature. --- Tragic, The, in literature. --- History and criticism. --- History --- -Sublime, The, in literature --- Tragic, The, in literature --- European literature --- Medieval literature --- History and criticism --- Sublime, The, in literature --- Aesthetics --- Literature, Medieval - History and criticism. --- Sublime, The - History - To 1500.

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Adorno, Theodor W. --- Heidegger, Martin --- Sublime, The --- History --- Heidegger, Martin, --- Adorno, Theodor W, --- #BIBC:ruil --- Aesthetics --- Adorno, Theodor W., --- Wiesengrund, Theodor, --- Wiesengrund-Adorno, Theodor, --- Adorno, Teodor V., --- Adorŭno, --- אדורנו, תאודור --- אדורנו, ת. ו. --- Adorno, Th. W. --- Contributions in concept of the sublime --- Adorno, Theodor Wiesengrund --- Sublime [The ] --- 20th century --- Heidegger, Martin, - 1889-1976 - Contributions in concept of the sublime. --- Adorno, Theodor W., - 1903-1969 - Contributions in concept of the sublime. --- Sublime, The - History - 20th century. --- Khaĭdegger, Martin, --- Haĭdegger, Martin, --- Hīdajar, Mārtin, --- Hai-te-ko, --- Haidegŏ, --- Chaitenger, Martinos, --- Chaitenker, Martinos, --- Chaintenger, Martin, --- Khaĭdeger, Martin, --- Hai-te-ko-erh, --- Haideger, Marṭinn, --- Heidegger, M. --- Haideger, Martin, --- Hajdeger, Martin, --- הייגדר, מרתין --- היידגר, מרטין --- היידגר, מרטין, --- 海德格尔, --- Chaintenker, Martin, --- Hāydigir, Mārtīn, --- Hīdigir, Mārtīn, --- هاىدگر, مارتين, --- هىدگر, مارتين, --- Sublime, The - History - 20th century --- Heidegger, Martin, - 1889-1976 --- Adorno, Theodor W, - 1903-1969

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Aesthetics --- Kant, Immanuel --- Sublime, The --- Judgment (Logic) --- Aesthetics. --- Teleology. --- Sublime --- Jugement (Logique) --- Esthétique --- Finalité --- History --- Histoire --- Kant, Immanuel, --- Teleology --- -Judgment (Logic) --- Design in natural phenomena, Study of --- Final cause --- Philosophy --- Causation --- Evolution --- Necessity (Philosophy) --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Impersonal judgment --- Logic --- Reasoning --- -Psychology --- -Contributions in concept of the sublime --- -Kant, Immanuel --- Judgment (Logic). --- Esthétique --- Finalité --- Psychology --- Radio broadcasting Aesthetics --- Sublime, The - History - 18th century