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Mike Brake suggests that subcultures develop in response to social problems which a group experiences collectively, and shows how individuals draw on collective identities to define themselves.

Youth --- Subculture. --- Subcultures --- Culture --- Ethnopsychology --- Social groups --- Counterculture

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Tracing subculture back to its foundations in the works of Tonnies and Durkheim and, to a lesser extent, Marx and Weber this work provides an analysis of subculture in American urban sociology and criminology, through the traditions of the Chicago School and structural functionalism.

#SBIB:054.AANKOOP --- Subculture. --- Subcultures --- Culture --- Ethnopsychology --- Social groups --- Counterculture --- Subculture

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Developmental psychology --- Sociology of culture --- Graphic arts --- International --- Girls --- Visual arts --- Book --- Subcultures

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Fan Culture: Theory/Practice brings together the most current scholarship on fan studies, in a way that makes it accessible and usable for both students and teachers. The essays in this collection explore the relative influence of academic and fan perspectives in the current group of scholar-fans and the ethical dilemmas that sometimes emerge from this interplay of identities, the impact of the increasingly reciprocal relationship between textual producers and consumers, and gender difference...

Fans (Persons) --- Subculture. --- Subcultures --- Culture --- Ethnopsychology --- Social groups --- Counterculture --- Aficionados --- Devotees --- Enthusiasts (Fans) --- Supporters (Persons) --- Persons --- Hobbyists

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In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from traditional high-art institutions. Until now there has been little scholarly discussion of underground music and its cultural, political, and aesthetic importance. In addition to providing a much-needed historical outline of this diverse scene, Stephen Graham focuses on the digital age, showing the underground and its fringes as based largely in radical anti-capitalist politics and aesthetics, tied to the political contexts and structures of late-capitalism. Sounds of the Underground explores these various ideas of separation and capture through interviews and analysis, developing a critical account of both the music and its political and cultural economy.

Underground music --- Subculture. --- Social aspects. --- Political aspects. --- History and criticism. --- Subcultures --- Culture --- Ethnopsychology --- Social groups --- Counterculture --- Music