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Landschaft --- Raumdarstellung. --- Zeichnung. --- Stybor, Lisa M. --- Italien.

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The further World War II retreats itself into the history books, the more abstract it becomes for us. There are only a few eyewitnesses who can vividly describe their terrible experiences. Nowadays, people have often got used to horror and bad news. The facts, whether they are terrible news or horrific sums of money that are "thrown around", we can often only understand in an abstract way, but not assign them emotionally. That is exactly my concern in this book - that people begin to perceive issues in a less abstract way. This means for World War II that pain and suffering should remain comprehensible even in their dimension of destruction and dehumanization. For this reason, the word is confronted here with artistic expression, so that dialogues arise that allow access in another wise than purely rational.

Art allemand --- Art, German --- Camps de concentration nazis dans l'art. --- Femmes artistes --- Holocaust memorials. --- Holocaust, Jewish (1939-1945) in art. --- Holocaust, Jewish (1939-1945), in art. --- Holocauste, 1939-1945, dans l'art. --- Landscape painting, German --- Landscape painting, German. --- Monuments de l'Holocauste. --- Nazi concentration camps in art. --- Painting, German --- Painting, German. --- Peinture allemande --- Peinture de paysages allemande --- Women artists --- Women artists. --- Stybor, Lisa M.,