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Considérée comme l'inspiratrice du mouvement appropriationniste, pionnière dans les débats relatifs à la reprise, Elaine Sturtevant (née en 1930 à Lakewood, Ohio, vit et travaille à Paris) pose la question de l'originalité, de l'aura et du pouvoir de l'art.

Sturtevant, Elaine

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Sturtevant, Elaine

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Starting in 1964, Sturtevant (1924–2014) used some of the most iconic artworks of her generation as sources and catalysts to explore originality and authorship. Beginning with her versions of works by Jasper Johns and Andy Warhol, Sturtevant turned the visual logic of Pop art back on itself, probing the workings of art history in real time. Yet, as a woman making versions of works by better-known male artists, she passed almost unnoticed through the hierarchies of mid-century modernism and postmodernism, absent from these histories while nevertheless articulating their structures.Published to accompany the first major exhibition of her work organized by a US museum, this book presents Sturtevant as an artist who adopts style as her medium to expose aspects of art's making, circulation, and canonization. It features works from all periods of Sturtevant's career and previously unpublished documents from her archive, linking her earliest repetitions to the video works she produced after 1998. The result is a comprehensive overview of her unique practice that is situated firmly within postwar American culture. Known for her early repetitions of the work of her contemporaries including Jasper Johns, Roy Lichtenstein, Claes Oldenburg, James Rosenquist and Andy Warhol, Elaine Sturtevant (1924-2014) turned the visual logic of Pop art back on itself, using Duchamp's model of the readymade to probe uncomfortably at the workings of art history in real time. Yet the aspect of her work that allowed her to be described as the one artist who can't be copied--her chameleon-like embrace of other artists' art--is also what has allowed her to be largely overlooked in the history of postwar American art. Featuring previously unpublished drawings and sketches from the artists archive, the book includes an essay by the exhibition curator that provides a comprehensive overview of the artist's practice while situating it more concretely within American culture.

Sturtevant, --- Sturtevant, Elaine --- Sturtevant, - 1924-2014 - Exhibitions --- Sturtevant, - 1924-2014

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hedendaagse kunst --- Sturtevant, Elaine --- Art --- installations [visual works] --- video art --- haunted houses --- Gesamtkunstwerk --- violence --- interactive art --- sound art --- hedendaagse kunst. --- Sturtevant, Elaine.

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herausgegeben von = edited by Udo Kittelman, Mario Kramer --- kunst --- twintigste eeuw --- Verenigde Staten --- Sturtevant Elaine --- postmodernisme --- citatisme --- 7.071 STURTEVANT