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Quatrième de couverture J'ai voulu replacer la cathédrale de Strasbourg dans l'écrin qui était le sien, au milieu de toutes les manifestations de la vie spirituelle et matérielle des hommes qui la bâtirent, la restituer au coeur du Moyen Age où elle est née. Dans toute cette imagerie de pierre jadis polychromée et rehaussée d'or, comme un immense livre ouvert offrant au regard de tous les merveilles de ses enluminures, Notre-Dame est là qui manifeste à jamais la vie éternellement féconde, le mystère de la Vierge Marie, le mystère de Marie, le mystère de Stella. De maître Erwin à Jean-Richard Haesser, à travers une chaîne ininterrompue depuis des siècles, les maîtres de l'oeuvre Notre-Dame ont pu penser les blessures de la cathédrale. Grâce à ses hommes, malgré la marche inéluctable du temps destructeur, malgré les outrages des guerres et des révolutions, malgré les iconoclastes de toutes les époques, aujourd'hui Notre-dame reste le témoin silencieux mais bien vivant de l'ésotérisme et du savoir-faire des bâtisseurs qu'elle cache dans ses vêtements de pierre et de verre. (Price minister le 21/12/2010)
Architecture gothique --- Architecture religieuse --- Sculpture, French --- Sculpture, Gothic --- Bestiaries --- Cathédrale de Strasbourg --- Strasbourg --- Gothic sculpture --- Sculpture, Medieval --- French sculpture --- Illustrated books --- Cathédrale de Strasbourg. --- Cathédrale Notre-Dame de Strasbourg (France) --- Cathédrale Notre-Dame (Strasbourg, France) --- Notre-Dame de Strasbourg (Cathedral) --- Strasbourg Cathedral --- Strassburger Münster --- Sculpture, French - France - Strasbourg --- Sculpture, Gothic - France - Strasbourg
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Church architecture --- Architecture, Gothic --- Architecture chrétienne --- Architecture gothique --- Cathédrale de Strasbourg --- Strasbourg (France) --- Buildings, structures, etc --- Architecture chrétienne --- Cathédrale de Strasbourg --- Cathédrale de Strasbourg. --- Cathédrale Notre-Dame de Strasbourg (France) --- Cathédrale Notre-Dame (Strasbourg, France) --- Notre-Dame de Strasbourg (Cathedral) --- Strasbourg Cathedral --- Strassburger Münster --- Pictorial works. --- Strateburgum (France) --- Stratisburgium (France) --- Istrāsbūrg (France) --- Strassburg (Germany) --- Strasbourg (Free imperial city) --- Buildings, structures, etc. --- Strossburi (France) --- Strossburig (France) --- Strasbourg (France) - Buildings, structures, etc
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Gothic revival (Architecture) --- Goethe, Johann Wolfgang von, --- Cathédrale de Strasbourg --- Goethe, Johann Wolfgang von --- Cathedrale de Strasbourg --- Notre-Dame de Strasbourg (Cathedral) --- Strasbourg Cathedral --- Cathédrale Notre-Dame de Strasbourg (France) --- Cathédrale Notre-Dame (Strasbourg, France) --- Strassburger Münster --- Cathédrale de Strasbourg. --- Gothic revival (Architecture). --- Architecture, Gothic --- Architecture, Victorian --- Gothic revival (Art) --- Revival movements (Art) --- Cathédrale de Strasbourg. --- Goethe, Johann Wolfgang von, - 1749-1832. - Von deutscher Baukunst
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La grâce de la cathédrale de Strasbourg, c'est tout à la fois son élégante silhouette unique au monde, sa beauté architecturale à couper le souffle et la dentelle de son grès rose. C'est aussi une prodigieuse leçon d'histoire européenne, brillante et tourmentée, un symbole de liberté, une présence bienfaisante au cœur de la ville et, vibrant d'émotion, le pur mystère du sacré. Voici le Grand Livre de la Cathédrale de Strasbourg, somme de savoirs et de documentation sans aucun équivalent éditorial : histoire, architecture, vie religieuse, plus de six cents photographies et illustrations, des informations inédites ou peu connues. Au centre de ce projet aussi ambitieux que rigoureux, vingt-trois auteurs, historiens, chercheurs, historiens d'art, théologiens : ensemble, ils révèlent le corps et l'âme de l'une des plus exceptionnelles créations du génie européen. Entrons avec bonheur dans cette " cathédrale-monde " née il y a mille ans : elle nous délivre aujourd'hui comme hier un message de paix et de lumière.
Church architecture --- Church decoration and ornament --- Cathédrale de Strasbourg --- Strasbourg (France) --- Buildings, structures, etc --- Cathédrale de Strasbourg. --- 726.6 <44 STRASBOURG> --- Kathedralen. Domkerken--Frankrijk--STRASBOURG --- 726.6 <44 STRASBOURG> Kathedralen. Domkerken--Frankrijk--STRASBOURG --- Cathédrale de Strasbourg. --- Church ornament --- Ecclesiastical decoration and ornament --- Decoration and ornament --- Interior decoration --- Religious articles --- Christian art and symbolism --- Ecclesiastical architecture --- Rood-lofts --- Religious architecture --- Architecture, Gothic --- Church buildings --- Cathédrale Notre-Dame de Strasbourg (France) --- Cathédrale Notre-Dame (Strasbourg, France) --- Notre-Dame de Strasbourg (Cathedral) --- Strasbourg Cathedral --- Strassburger Münster --- Strateburgum (France) --- Stratisburgium (France) --- Istrāsbūrg (France) --- Strassburg (Germany) --- Strasbourg (Free imperial city) --- Buildings, structures, etc. --- Architecture chrétienne --- Eglises --- Décoration et ornement --- Church history --- Constructions --- Histoire religieuse --- Strossburi (France) --- Strossburig (France) --- Church architecture - France - Strasbourg --- Church decoration and ornament - France - Strasbourg --- Strasbourg --- Cathédrale --- Strasbourg (France) - Buildings, structures, etc
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"Today, architectural plans and drawings are always signposted with colors: pink for poché, or exterior walls, yellow for certain interior elements, and blue for details and ornament. How and why did this practice begin? The craft of architectural drawing-plans, sections, and details-was originally developed during the Italian Renaissance under the influence of engravers. The results were correspondingly monochromatic, relying on representation through line and perspective. But in the 1800s, an influx of painters-turned-architects in Holland and Germany brought color into their designs. This innovation eventually spread throughout Europe, inspiring French architectural engineers to adopt a common color system in order to more clearly communicate their designs across the kingdom, and giving architects another tool with which to impress academic juries and the public. In this book, author Basile Baudez argues that color was not an essential feature of architectural drawing until European architects adopted a precise system of representation in response to political and artistic rivalry between countries, as well as the needs of public exhibitions. He shows that French engineers learned to use color from the Dutch colleagues they worked with and then fought against during the Dutch War (1672-78), demonstrating that a color-based system was published in French manuals for military engineers and used by royal architects, and that architects who wanted to compete with paintings for the public's attention needed to use the familiar language of color. This history reveals that color came to have three functions: to imitate architectural materials, to establish concise representational conventions that could span large geographic distances, and to seduce the public, including tourists. The book will feature a large number of fascinating, previously unpublished archival drawings, and will contribute to growing interest in the origins and professionalization of architecture, as well as the history of drawing as a medium"--
Color in art. --- Architectural drawing --- History. --- Architecture --- Drawing --- Graphic arts --- architectural drawings [visual works] --- prints [visual works] --- color [perceived attribute] --- anno 1500-1799 --- Europe --- Couleur dans l'art --- Dessin d'architecture --- Histoire --- ARCHITECTURE / History / Renaissance. --- Colors in art --- Art --- Monochrome art --- Drawing, Architectural --- Plans --- Architectural design --- Communication in architectural design --- Mechanical drawing --- History --- 72.017 --- 72.02 --- Europa --- Kleur (architectuur) --- Architectuurtekeningen --- Architectuurtekenen --- Couleur (art). --- Dessins et plans. --- Couleur (art) --- Accademia di San Luca. --- Agostino Veneziano. --- Amiens. --- Andrea Palladio. --- Arbitrariness. --- Architectural Design. --- Architectural drawing. --- Architectural historian. --- Architectural painting. --- Architectural style. --- Architectural theory. --- Archive. --- Avery Architectural and Fine Arts Library. --- Boarding school. --- Canaletto. --- Carlo Maderno. --- Cartography. --- Checker shadow illusion. --- Civil engineer. --- Color engraving. --- Color of water. --- Color wash. --- Country of origin. --- Croome Court. --- Ditchley. --- Drafter. --- Drawing. --- Ealing. --- Earned income tax credit. --- Engraving. --- Explanation. --- Facsimile. --- Francesco Algarotti. --- Francesco Borromini. --- Francesco da Volterra. --- Funding. --- General Idea. --- Geographer. --- Gerard de Lairesse. --- Giorgio Vasari. --- Giotto. --- Gouache. --- Guideline. --- Henry IV of France. --- Hybrid image. --- Immigration policy. --- Infrastructure. --- Inigo Jones. --- Jacques-Germain Soufflot. --- Jagodina. --- James Wyatt. --- Jean-Baptiste Le Prince. --- La Chaise-Dieu. --- Le Mans Cathedral. --- Lighting. --- Masonry. --- National Gallery of Art. --- National Policy. --- Nicholas Hawksmoor. --- North Africa. --- Of Education. --- Officer and Laughing Girl. --- Orthographic projection. --- Palace. --- Parchment. --- Paul Sandby. --- Pierre Crozat. --- Pilaster. --- Pink and Blue (Renoir). --- Populuxe. --- Print culture. --- Proportion (architecture). --- Racialization. --- Refugee. --- Renaissance architecture. --- Result. --- Rood screen. --- Rosin. --- Royal Institute of British Architects. --- Santa Maria Antiqua. --- Social capital. --- Sociology. --- Spanish Army. --- Stippling. --- Strasbourg Cathedral. --- Suburb. --- Tempio Malatestiano. --- Trajectory. --- Trapping. --- Treatise. --- Triumphal arch. --- Ugo da Carpi. --- Vellum. --- Welfare state. --- William L. Clements Library. --- Woodcut. --- Woodworking. --- Workplace. --- Writing. --- Yale Center for British Art. --- Color in art
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