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Mittels des Begriffs der »Lebensform« reflektiert Marion Leuthner Performance-Kunst nicht als »Live Art«, sondern als eine Ausweitung der Kunst auf die Lebensdauer der Künstler. Zur exemplarischen Darstellung dieser Perspektive dienen ihr drei existenzielle Fragestellungen und drei Performance-Künstler: Alltag und Religion/Linda Montano, Ich und Anderer/Genesis P-Orridge, Mensch und Maschine/Stelarc. Anhand von Theorien aus unterschiedlichen Gebieten wie Kunst, Religion, Philosophie, Psychologie, Kybernetik und Medientheorie stellt die Studie diese Performance-Künstler in Verbindung zu modernen Denktraditionen, denen gegenüber es den Künstlern gelingt, Theorie und Praxis im Leben zu vereinen. »Eine Studie, die für die theoretische wie praktische Theaterpädagogik einen hohen Grad an Anschlussfähigkeit aufweist.« Pierre-Carl Link, Zeitschrift für Theaterpädagogik, 4 (2018)

Performance-Kunst; Montano; P-Orridge; Stelarc; Theorie; Praxis; Theater; Kunst; Theaterwissenschaft; Politische Kunst; Cultural Studies; Lebensstil; Performance-art; P-orridge; Theory; Practice; Theatre; Art; Theatre Studies; Political Art; Lifestyle; --- Montano, Linda, --- P-Orridge, Genesis, --- Stelarc, --- Art. --- Cultural Studies. --- Lifestyle. --- Montano. --- P-orridge. --- Political Art. --- Practice. --- Stelarc. --- Theatre Studies. --- Theatre. --- Theory.

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Raaijmakers, Dick --- Stelarc --- Vasulka, Steina --- Vasulka, Woody --- Weibel, Peter --- Ascott, Roy --- Adilkno --- Hobijn, Erik --- Hess, Felix --- Spuybroek, Lars --- Eshun, Kodwo --- Lovink, Geert --- Shimoda, Seiji

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Billingham, Richard ; Brothers Chapman ; Brus, Günter ; ten Cate, Ritsaert ; Dijkstra, Rineke ; Dubuffet, Jean ; de Haas, Aad ; Kamphuis, Ivo ; Kiefer, Anselm ; Mulders, Marc ; Nitsch, Hermann ; Ophuis, Ronald ; Rainer, Arnulf ; Stelarc ; van Warmerdam, Marijke

sacrifices --- Film --- drawing [image-making] --- Drawing --- Painting --- photography [process] --- Iconography --- Photography --- painting [image-making] --- Homo sapiens [species] --- motion pictures [visual works] --- Billingham, Richard --- ten Cate, Ritsaert --- Haas, de, Aad --- Ophuis, Ronald --- Warmerdam, van, Marijke --- Rainer, Arnulf --- Kiefer, Anselm --- Chapman, Jake --- Kamphuis, Ivo --- Brus, Günther --- Dubuffet, Jean --- Stelarc --- Dijkstra, Rineke --- Nitsch, Hermann --- anno 1900-1999 --- human figures [visual works] --- Cate, ten, Ritsaert --- sacrifices [religious ceremonies]

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Internet --- virtual reality --- art [fine art] --- Homo sapiens [species] --- Architecture --- Iconography --- architecture [discipline] --- Art --- Nature --- computer art [visual works] --- eroticism --- Stelarc --- Virillio, Paul --- Decostere, Stefaan --- Knowbotic Research --- anno 1900-1999 --- ed. Joke Brouwer, Carla Hoekendijk --- nieuwe media --- cyberspace --- computers --- technologie --- gender studies --- virtuele realiteit --- cultuurfilosofie --- economie --- politiek --- lichamelijkheid --- kunst en technologie --- technomorfisering --- stedenbouw --- cyborgs --- waarneming --- artificiële intelligentie --- natuurwetenschappen --- cybercultuur --- Decostere Stefaan --- squids --- ecologie --- 791.5 --- 130.2 --- Knowbotiq [Zurich] --- human figures [visual works] --- art [discipline] --- mass media --- kunstsociologie

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Computers and civilization. --- Cyberspace --- Cyberspace in literature. --- Ordinateurs et civilisation --- Cyberespace --- Social aspects. --- Aspect social --- cybercultuur --- cyberspace --- wetenschap --- kunst en wetenschap --- technologie --- kunst en technologie --- naslagwerk --- gender studies --- filosofie --- cultuurfilosofie --- architectuur --- artificiële intelligentie --- cybernetica --- cyborgs --- computers --- virtual reality --- virtuele realiteit --- Stelarc --- Post-Human --- 791.5 --- 130.2 --- 72.01 --- 7.01 --- Computers and civilization --- Cyberspace in literature --- Space and time --- Computers --- Telematics --- Civilization and computers --- Civilization --- Social aspects