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Steiner, Ralph

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"Active from 1940 to 1948, PM was a progressive New York City daily tabloid newspaper committed to the politics of labor, social justice, and antifascism--and it prioritized the intelligent and critical deployment of both pictures and their perception as paramount in these campaigns. With PM as its main focus, Artist as Reporter offers a substantial intervention into the literature on American journalism, photography, and modern art. The book considers the journalistic contributions to PM of such signal American modernists as the curator Holger Cahill, the abstract painter Ad Reinhardt, the photographers Weegee and Lisette Model, and the filmmaker, photographer, and editor Ralph Steiner. Each of its five chapters explores one dimension of the tabloid's complex journalistic activation of modernism's potential, showing how PM inserted into daily print journalism the most innovative critical thinking in the fields of painting, illustration, cartooning, and the lens-based arts. Artist as Reporter promises to revise our own understanding of midcentury American modernism and the nature of its relationship to the wider media and public culture."--Provided by publisher.

Arts --- Arts --- Photojournalism --- Photojournalism. --- Press coverage --- History --- Press coverage. --- History --- Weegee, --- Weegee, --- Cahill, Holger, --- Cahill, Holger, --- Model, Lisette, --- Model, Lisette, --- Reinhardt, Ad, --- Reinhardt, Ad, --- Steiner, Ralph, --- Steiner, Ralph, --- Criticism and interpretation. --- Criticism and interpretation. --- Criticism and interpretation. --- Criticism and interpretation. --- Criticism and interpretation. --- PM (New York, N.Y.) --- History. --- New York (State)

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A broad historical study of the provocative innovations of European and American photography between the World Wars. Presents more than 160 images from the Ford Motor Company Collection of photographs.

Photography, Artistic --- 761 --- 760.5 --- fotogeschiedenis --- Europa --- Verenigde Staten --- Abbott, Berenice --- Adams, Ansel --- Albergamo, Giuseppe --- Albers, Josef --- Atget, Eugene --- Bayer, Herbert --- Bellmer, Hans --- Berman, Mieczyslaw --- Bourke-White, Margaret --- Blossfeldt, Karl --- Brancusi, Constantin --- Brandt, Bill --- Brassaï --- Bruehl, Anton --- Bruguière, Francis --- Cartier-Bresson, Henri --- Coburn, Alvin Langdon --- Cunningham, Imogen --- De Meyer, Adolf --- De Meyer, Baron Adolph --- Domela, Cesar --- Doolittle, James --- Dubreuil, Pierre --- Duchamp, Marcel (1887-1968) --- Edgerton, Harold --- El Lissitsky --- Evans, Walker --- Feininger, Lux --- Feist, Werner --- Fitz, Grancel --- Gropius, Walter --- Gilpin, Laura --- Gutmann, John --- Heartfield, John --- Hagemeyer, Johan --- Hausmann, Raoul --- Henri, Florence --- Hine, Lewis --- Höch, Hannah --- Hoff, Charles --- Hoyningen-Huene, George --- Kertész, André --- Kesting, Edmund --- Krull, Germaine --- Lange, Dorothea --- Laughlin, Clarence John --- Levitt, Helen --- List, Herbert --- Maar, Dora --- Magritte, René (1898-1967) --- Man Ray --- Mantz, Werner --- Martin, Ira --- Mendelsohn, Erich --- Miller, Lee --- Model, Lisette --- Modotti, Tina --- Moholy, Lucia --- Moholy-Nagy, Laszlo --- Munkacsi, Martin --- Nizzoli, Marcello --- Outerbridge, Paul --- Parry, Roger --- Parsons, Sara --- Petschow, Robert --- Platt Lynes, George --- Ray, Man (Man Ray) --- Renger-Patzsch, Albert --- Riefenstahl, Leni --- Rodtchenko, Aleksandr Michajlovitsj (1891-1956) --- Roh, Franz --- Sander, August --- Schad, Christian --- Schamberg, Morton --- Shahn, Ben --- Scheeler, Charles --- Siegel, Arthur --- Steiner, Ralph --- Steichen, Edward --- Stieglitz, Alfred --- Strand, Paul --- Sturtevant Lincoln, Fay --- Tabard, Maurice --- Tato --- Tschichold, Jan --- Ubac, Raoul --- Umbo --- Weegee --- Weston, Edward --- White, Clarence H --- Wulz, Wanda --- fotografie --- fotografie, geschiedenis --- fotografie, verzamelen - musea - tentoonstellingen --- Ford Motor Company --- Photograph collections --- Exhibitions --- 779 --- 77 <064> --- 77 "19" --- 77 "19" Fotografie--20e eeuw. Periode 1900-1999 --- Fotografie--20e eeuw. Periode 1900-1999 --- 77 <064> Fotografie--Tentoonstellingscatalogi. Museumcatalogi --- Fotografie--Tentoonstellingscatalogi. Museumcatalogi --- 779 Fotografie--Fotoverzamelingen. Collecties --- Fotografie--Fotoverzamelingen. Collecties

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What key concerns are reflected in documentaries produced in and about the United States? How have documentaries engaged with competing visions of US history, culture, politics, and national identity? This book examines how documentary films have contributed to the American public sphere - creating a kind of public space, serving as sites for community-building, public expression, and social innovation. Geiger focuses on how documentaries have been significant in forming ideas of the nation, both as an imagined space and a real place. Moving from the dawn of cinema to the present day, this is the first full-length study to focus on the extensive range and history of American non-fiction filmmaking. Combining comprehensive overviews with in-depth case studies, Geiger maps American documentary's intricate histories, examining the impact of pre- and early cinema, travelogues, the avant-garde, 1930s social documentary, propaganda, direct cinema, postmodernism, and 'new' documentary. Offering detailed close analyses and fresh insights, this book provides students and scholars with a stimulating guide to American documentary, reminding us of its important place in cinema history. Key Features * Historical overview of major documentary forms and practices in the USA * Case studies, including Nanook of the North, The Plow that Broke the Plains, Grey Gardens, and Fahrenheit 9/11 * Analysis of critical debates relating to filmic representations of reality

Documentary films --- National characteristics, American --- History. --- In motion pictures. --- United States --- Blacksmith Scene (Film) --- Blacksmith Scene (Motion picture) --- Buffalo Dance (Film) --- Buffalo Dance (Motion picture) --- Caractéristiques nationales américaines dans le cinéma --- Etats-Unis -- Au cinéma --- Etats-Unis au cinéma --- Fahrenheit 9/11 (Film) --- Fahrenheit 9/11 (Motion picture) --- Grey Gardens (Film) --- Grey Gardens (Motion picture) --- Grey gardens (Film) --- Manhatta (Film) --- Manhatta (Motion picture) --- Memphis Belle, The (Film) --- Memphis Belle, The (Motion picture) --- Mess Call (Film) --- Mess Call (Motion picture) --- Mess call (Film) --- Nanook of the North (Film) --- Nanook of the North (Motion picture) --- National characteristics [American ] in motion pictures --- Plow that Broke the Plains, The (Film) --- Plow that Broke the Plains, The (Motion picture) --- Tongues Untied (Film) --- Tongues Untied (Motion picture) --- United States -- In motion pictures --- United States in motion pictures --- Verenigde Staten -- In de film --- Verenigde Staten in de film --- Volkskarakters [Amerikaanse ] in de film --- film --- filmgeschiedenis --- Verenigde Staten --- negentiende eeuw --- twintigste eeuw --- eenentwintigste eeuw --- documentaire film --- Flaherty Robert --- Maysles Albert --- Maysles David --- film en propaganda --- experimentele film --- Léger Fernand --- Sheeler Charles --- Strand Paul --- Lorentz Pare --- Ivens Joris --- Capra Frank --- Steiner Ralph --- Van Dyke Willard --- Riefenstahl Leni --- Ford John --- Wyler William --- direct cinema --- Leacock Richard --- Pennebaker D.A. --- Wiseman Frederick --- Davis Peter --- Morris Robert --- Riggs Marlon T. --- McElwee Ross --- Moore Michael --- 791.43 --- National characteristics, American, in motion pictures. --- Documentaires --- Caractéristiques nationales américaines dans le cinéma --- History and criticism --- Histoire et critique --- Etats-Unis au cinéma --- National characteristics [American ] in literature --- Film --- National characteristics, American, in motion pictures --- Pennebaker D.A --- Riggs Marlon T --- Motion pictures --- Nonfiction films --- Nonstory films --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Actualities (Motion pictures) --- History and criticism. --- United States of America --- Films documentaires --- Caractère national américain --- Nationalisme --- États-Unis

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"In the mid-1960s, The Minneapolis Institute of Arts was in the vanguard of museums that recognized the importance of photography as a fine art--an art that demanded to be collected and exhibited for a wider audience. While major institutions, such as The Museum of Modern Art and the Art Institute of Chicago, had created formidable photography collections and exhibition programs, few other, smaller institutions had followed their lead. The Minneapolis Institute of Arts was an exception. Its decisive turn, in 1964, toward establishing a permanent place for photography was a major shift that reflected the changing position that photography held in the inner sanctum of museum art. For a relatively young medium with no real history, beginning a collection was, in part, contributing to its evolving history. Entrusted to the supervision of a young, then untried curator, Carroll T. Hartwell, the museum began to acquire photographs that, in the aggregate, would reflect both photography's greatest traditions, as embodied in the pioneering works of Frederick H. Evans, Hill and Adamson, and Julia Margaret Cameron; its modern giants of this century, including Walker Evans, Robert Frank, and Lee Friedlander; and its boldest forays, as revealed in the works of the contemporary photographers Reed Estabrook, Frank Gohlke, Marsha Burns, Nicholas Nixon, William Eggleston, and many others. Minneapolis's attention to current photographers is dramatically reflected in this volume. While the significance of the medium's traditions has always been a recurrent thread through the collection, its broader character reflects a modern sensibility that refers to the distinct aesthetic character and value of picture making, the camera, and camera vision. The Making of a Collection documents the creation of a truly remarkable collection of photographs and the simultaneous development of the curatorial mind and eye."--Amazon.com.

Minneapolis Institute of Arts --- fotografie --- museumcollecties --- 19de eeuw --- 20ste eeuw --- Photography, Artistic --- 760.5 --- fotogeschiedenis --- Verenigde Staten --- Europa --- Fox Talbot, William Henry --- Frith, Francis --- Hill, David Octavius --- Adamson, Robert --- Thomson, John --- Evans, Frederick H --- Cameron, Julia Margaret --- Pirou, Eugène --- Tourtin, Emile --- Muybridge, Eadweard --- Gurney, Jeremiah --- Atget, Eugene --- Sommer, Giorgio --- Curtis, Edward S --- Russell, Andrew Joseph --- Jackson, William Henry --- Watkins, Carleton E --- Eakins, Thomas --- Coburn, Alvin Langdon --- Bellocq, E. J --- Hine, Lewis --- Van DerZee, James --- Stieglitz, Alfred --- Newman, Arnold --- Cunningham, Imogen --- Strand, Paul --- Brandt, Bill --- Sander, August --- Telberg, Vel --- Alvarez Bravo, Manuel --- Brassaï --- Lartigue, Jacques-Henri --- Steichen, Edward --- Abbott, Berenice --- Kertész, André --- Steiner, Ralph --- Renger-Patzsch, Albert --- Evans, Walker --- Bros, Clarence K --- Adams, Ansel --- Chiarenza, Carl --- Weston, Brett --- Weston, Edward --- Bullock, Wynn --- Siskind, Aaron --- White, Minor --- Callahan, Harry --- Faurer, Louis --- Liebling, Jerome --- Palfi, Marion --- Frank, Robert --- Welpott, Jack --- Meatyard, Ralph Eugene --- Wilcox, Robert Gene --- Uelsmann, Jerry N --- Davidson, Bruce --- Wessel Jr., Henry --- Krims, Leslie --- Cohen, Mark --- Mertin, Roger --- Swedlund, Charles --- Gowin, Emmet --- Crane, Arnold --- Weegee --- Klein, William --- Arbus, Diane --- Avedon, Richard --- Dovydenas, Jonas --- Selkirk, Neil --- Snyder, Joel --- Mayes, Elaine --- Nixon, Nicolas --- Olsenius, Richard --- Burns, Marsha --- Goin, Peter --- Moss, Joan --- Muxter, Ramon J --- Dickey, Michael --- Fink, Larry --- Coplans, John --- Holmgren, Robert --- Arndt, Thomas F --- Lanzano, Louis --- DeLory, Peter --- Donneman, Eve --- Lang, Gerald --- Jensen, Mark E --- Tice, George A --- Jachna, Joseph D --- Levinson, Joel D --- Friedlander, Lee --- Simon, Michael --- Myers, Joan --- McFarland, Lawrence --- Deal, Joe --- Agar, Will --- Barrow, Thomas F --- Swerdlove, Allen --- Gohlke, Frank W --- Smith, Michael A --- MacWeeney, Alen --- Tuckerman, Jane --- Winogrand, Garry --- Papageorge, Tod --- Meyerowitz, Joel --- Lyons, Joan --- Eggleston, William --- Callis, Jo Ann --- Neimanas, Joyce --- Golden, Judith --- James, Christopher P --- Estabrook, Reed --- Henkel, James --- Merill, Lawrence J --- Albert, Brian --- Christenberry, William --- Jenshel, Len --- Klipper, Stuart D --- fotografie, verzamelen - musea - tentoonstellingen --- Minneapolis. --- Minneapolis Society of Fine Arts. --- Minneapolis Institute of Fine Arts --- Minneapolis Institute of Art (1915-2015) --- MIA (Minneapolis Institute of Arts) --- Minneapolis Institute of Art --- Photograph collections. --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Minneapolis Institute of Arts. --- museumcollecties. --- 19de eeuw. --- 20ste eeuw.