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This book examines the construction of adolescent girlhood across a range of genres in the closing decades of the nineteenth century. It argues that there was a preoccupation with defining, characterising and naming adolescent girlhood at the fin de siècle. These ‘daughters of today’, ‘juvenile spinsters’ and ‘modern girls’, as the press variously termed them, occupying a borderland between childhood and womanhood, were seen to be inextricably connected to late nineteenth-century modernity: they were the products of changes taking place in education and employment and of the challenge to traditional conceptions of femininity presented by the Woman Question. The author argues that the shifting nature of the modern adolescent girl made her a malleable cultural figure, and a meeting point for many of the prevalent debates associated with fin-de-siècle society. By juxtaposing diverse material, from children’s books and girls’ magazines to New Woman novels and psychological studies, the author contextualises adolescent girlhood as a distinct but complex cultural category at the end of the nineteenth century.
Philosophy --- Linguistics --- English literature --- Literature --- geletterdheid --- adolescenten --- filosofie --- literatuur --- Engelse literatuur --- Stead, William Thomas --- Dixon, Ella Hepsworth --- anno 1800-1899 --- anno 1900-1999 --- Great Britain --- Ireland
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Journalism --- Theatrical science --- English literature --- Literature --- History --- Eerste Wereldoorlog --- performances (kunst) --- theater --- geschiedenis --- journalisten --- literatuurgeschiedenis --- Engelse literatuur --- Stead, William Thomas --- Parnell, Charles Stewart --- Shaw, George Bernard --- Jack the Ripper --- anno 1800-1899 --- anno 1900-1909 --- anno 1910-1919 --- Great Britain --- Ireland
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This book explores Bernard Shaw’s journalism from the mid 1880s through the Great War—a period in which Shaw contributed some of the most powerful and socially relevant journalism the western world has experienced. In approaching Shaw’s journalism, the promoter and abuser of the New Journalism, W. T. Stead, is contrasted to Shaw, as Shaw countered the sensational news copy Stead and his disciples generated. To understand Shaw’s brand of New Journalism, his responses to the popular press’ portrayals of high profile historical crises are examined, while other examples prompting Shaw’s journalism over the period are cited for depth: the 1888 Whitechapel murders, the 1890-91 O’Shea divorce scandal that fell Charles Stewart Parnell, peace crusades within militarism, the catastrophic Titanic sinking, and the Great War. Through Shaw’s journalism that undermined the popular press’ shock efforts that prevented rational thought, Shaw endeavored to promote clear thinking through the immediacy of his critical journalism. Arguably, Shaw saved the free press.
Journalism --- Theatrical science --- English literature --- Literature --- History --- Eerste Wereldoorlog --- performances (kunst) --- theater --- geschiedenis --- journalisten --- literatuurgeschiedenis --- Engelse literatuur --- Stead, William Thomas --- Parnell, Charles Stewart --- Shaw, George Bernard --- Jack the Ripper --- anno 1800-1899 --- anno 1900-1909 --- anno 1910-1919 --- Great Britain --- Ireland
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