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How do the writings of Verlaine, Baudelaire, and Mallarmé speak to our time? Why should we continue to read these poets today? How might a contemporary reading of their poetry differ from readings delivered in previous centuries? Twenty-First-Century Symbolism argues that Verlaine, Baudelaire, and Mallarmé prefigure a view of human subjectivity that is appropriate for our times: we cannot be separated from the worlds in which we live and evolve; human beings both mediate and are mediations of the environments we traverse and that traverse us, whether these are natural, urban, linguistic, or technological environments. The ambition of the book is therefore twofold: on the one hand, it aims to offer new readings of the three poets, demonstrating their continued relevance for contemporary debates, putting them into dialogue with a philosophical corpus that has not yet played a role in the study of nineteenth century French poetry; on the other, the book relies on the three poets to establish an understanding of human subjectivity that is in tune with our twenty-first century concerns.
Charles Baudelaire --- Paul Verlaine --- Stéphane Mallarmé --- human subjectivity --- technological developments --- ecological changes --- contemporary philosophy --- 19th Century Poetry --- Ecopoetry --- Affect --- Non-anthropocentric ontology
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Wagner, Richard --- D'Annunzio, Gabriele --- Wagner, Richard --- Bayreuth --- Venedig --- (Produktform)Electronic book text --- Bayreuth italiana --- Cola di Rienzo --- D´Annunzio Das Feuer --- D´Annunzio und Débussy --- D´Annunzio und Eleonora Duse --- D´Annunzio und Fortuny --- D´Annunzio und Puccini --- Emv Heufler --- Festspielidee und Frankreich --- Festspielidee und Italien --- Giuseppe Primoli --- Joseph Goebbels und Deutschland --- Kirche und Intellektuelle --- Konstruktion nationaler Identität --- Kunst und Politik --- Multimedialität D´Annunzio --- Musikgeschichte --- Parsifal und Martyre de Saint Sébastien --- Revue Wagneriénne --- Richard Wagner europäischer Einfluss --- Richard Wagner und Eleonora Duse --- Richard Wagner und Gabriele D´Annunzio --- Richard Wagner und Italien --- Richard Wagner und Mariano Fortuny --- Rienzi --- Selbstinszenierung D´Annunzio --- Stéphane Mallarmé --- Teatro di Festa --- Theater von Albano --- Theater von Orange --- Théâtre de Fête --- Trionfo della morte Tristan --- Tristan und Isolde D´Annunzio --- Was ist deutsch --- Wolkoff Muronzoff --- (VLB-WN)9593
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