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Star Wars films

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Rowling, Joanne K., --- Star wars.

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« Star Wars » dominates the film world. The combined box office revenue of the Star Wars movies equates to over 10 billion dollars, making it the second highest-grossing film franchise of all time. But this franchise is no blaster from the past. Its fantastically successful films have now been followed by multiple television series set in that same galaxy far, far away. The franchise's flagship television series, and likely the firmest fan favorite for some time to come, is The Mandalorian. Tracing the tale of the titular bounty hunter, traveling across the furthest reaches of that mythic galaxy, The Mandalorian has been greatly praised and highly acclaimed for creating characters with gravitas and originality, worlds with depth and impact, resulting in some of the best Star Wars content ever. Even though it's set in deep space, The Mandalorian has as much in common with Western movies as it does with science fiction. Saloons. Bandits. "Gun" duels. Bounty hunters. Outlaws with a price on their heads. Space exploration as a « final frontier ». And a wild hero who doesn't quite belong in a lawless part of the Galaxy after the fall of the Empire. The book takes you on a badass journey with a mysterious, lone gunfighter in the outer reaches of the galaxy, where your beskar armor will protect you from many things, but not the sight of a small, green, carnivorous humanoid with big black eyes and mysterious powers. This is the way.

Star Wars films. --- Space warfare. --- Space sciences. --- Cinéma et sciences. --- Guerre spatiale. --- Sciences spatiales. --- Star wars. --- Star wars --- Vulgarisation scientifique.

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Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been fans-turned-creators. Yet despite its dominant cultural and industrial positions, Star Wars has rarely been the topic of sustained critical work. 'Star Wars and the History of Transmedia Storytelling' offers a corrective to this oversight by curating essays from a wide range of interdisciplinary scholars in order to bring Star Wars and its transmedia narratives more fully into the fold of media and cultural studies. The collection places Star Wars at the center of those studies' projects by examining video games, novels and novelizations, comics, advertising practices, television shows, franchising models, aesthetic and economic decisions, fandom and cultural responses, and other aspects of Star Wars and its world-building in their multiple contexts of production, distribution, and reception. In emphasizing that Star Wars is both a media franchise and a transmedia storyworld, 'Star Wars and the History of Transmedia Storytelling' demonstrates the ways in which transmedia storytelling and the industrial logic of media franchising have developed in concert over the past four decades, as multinational corporations have become the central means for subsidizing, profiting from, and selling modes of immersive storyworlds to global audiences. By taking this dual approach, the book focuses on the interconnected nature of corporate production, fan consumption, and transmedia world-building.

Star Wars films --- History and criticism. --- History and criticism --- Star Wars, media franchising, transmedia, science fiction, popular culture. --- Star Wars films - History and criticism

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Upon its initial release in 1977, many critics regarded Star Wars as a childish retort to the mature American cinema of the seventies. Though full of sound and fury, some felt that it signified nothing. Four decades later, the significations are multiple as interpretations of the film's strange imagery and metaphoric potential continue to pile up.Interpreting Star Wars analyses and contextualises the dominant trends in Star Wars interpretation from the earliest reviews, through Lucasfilm's attempts to use its position as copyright holder to promote a single meaning, to the 21st century where the internet has rendered such authorial control impossible and new entries to the canon present new twists on old hopes.

Star Wars films --- History and criticism. --- History and criticism