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Arms and armor --- Costume --- Kostuums. --- Fancy dress --- Motion pictures --- Opera --- Stage costume --- Theater --- Theatrical costume --- Decorative arts --- Clothing and dress --- History --- Ethnology. Cultural anthropology
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For anyone producing costumes on a small budget, whether for schools, colleges or amateur, semi-professional or professional groups, this basic introduction offers practical advice for every kind of play, together with drawings, diagrams and patterns from which to work. It includes sections onm Greek plays, medieval miracles and mysteries, Shakespeare, 17th-century, 18th-century, Victorian and Edwardian costume. each section covers the details of men's and women's clothes and accessories, as well as methods for adapting and simplifying the style of the period.
Performing arts. --- Show business --- Arts --- Performance art --- Costume. --- Fancy dress --- Motion pictures --- Opera --- Stage costume --- Theater --- Theatrical costume --- Decorative arts --- Clothing and dress --- Costume --- Dance & other performing arts
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What does it mean to people around the world to put on costumes to celebrate their heritage, reenact historic events, assume a role on stage, or participate in Halloween or Carnival? Self-consciously set apart from everyday dress, costume marks the divide between ordinary and extraordinary settings and enables the wearer to project a different self or special identity. Pravina Shukla offers richly detailed case studies from the United States, Brazil, and Sweden to show how individuals use costumes for social communication and to express facets of their personalities.
Identity (Psychology) --- Costume --- Personal identity --- Personality --- Self --- Ego (Psychology) --- Individuality --- Fancy dress --- Motion pictures --- Opera --- Stage costume --- Theater --- Theatrical costume --- Decorative arts --- Clothing and dress --- Social aspects. --- History.
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Costume --- -Fashion --- -Style in dress --- Clothing and dress --- Fancy dress --- Motion pictures --- Opera --- Stage costume --- Theater --- Theatrical costume --- Decorative arts --- History --- -History --- -Clothing and dress --- Style in dress --- Fashion
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Costume --- -Fancy dress --- Motion pictures --- Opera --- Stage costume --- Theater --- Theatrical costume --- Decorative arts --- Clothing and dress --- -Costume --- Apparel --- Clothes --- Clothing --- Clothing and dress, Primitive --- Dress --- Dressing (Clothing) --- Garments --- Beauty, Personal --- Manners and customs --- Fashion --- Undressing --- Europe --- Costume folklorique --- Folklore scandinave
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Costume --- Silk --- Textile fabrics --- Cloth --- Fabrics --- Textile industry and fabrics --- Textiles --- Decorative arts --- Dry-goods --- Weaving --- Textile fibers --- Animal fibers --- Fancy dress --- Motion pictures --- Opera --- Stage costume --- Theater --- Theatrical costume --- Clothing and dress --- Conservation and restoration
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drama [literature] --- Theatrical science --- Japan --- No --- Exhibitions --- Kyogen --- Theater --- Costume --- Masks --- Nō masks --- Nō --- Noh --- Shimai --- Fancy dress --- Motion pictures --- Opera --- Stage costume --- Theatrical costume --- Decorative arts --- Clothing and dress --- drama [discipline] --- Kyogen [volk] --- kyogen
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In a book full of playful irony and striking insights, the controversial social philosopher Gilles Lipovetsky draws on the history of fashion to demonstrate that the modern cult of appearance and superficiality actually serves the common good. Focusing on clothing, bodily deportment, sex roles, sexual practices, and political rhetoric as forms of "fashion," Lipovetsky bounds across two thousand years of history, showing how the evolution of fashion from an upper-class privilege into a vehicle of popular expression closely follows the rise of democratic values. Whereas Tocqueville feared that mass culture would create passive citizens incapable of political reasoning, Lipovetsky argues that today's mass-produced fashion offers many choices, which in turn enable consumers to become complex individuals within a consolidated, democratically educated society.Superficiality fosters tolerance among different groups within a society, claims Lipovetsky. To analyze fashion's role in smoothing over social conflict, he abandons class analysis in favor of an inquiry into the symbolism of everyday life and the creation of ephemeral desire. Lipovetsky examines the malaise experienced by people who, because they can fulfill so many desires, lose their sense of identity. His conclusions raise disturbing questions about personal joy and anguish in modern democracy.
Costume --- -Fashion --- -Style in dress --- Clothing and dress --- Fancy dress --- Motion pictures --- Opera --- Stage costume --- Theater --- Theatrical costume --- Decorative arts --- History --- -History --- -Costume --- Fashion --- Political philosophy. Social philosophy --- Sociology of culture
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Costume --- -Costume --- -Jewelry, Rustic --- -Rustic jewelry --- Folk art --- Fancy dress --- Motion pictures --- Opera --- Stage costume --- Theater --- Theatrical costume --- Decorative arts --- Clothing and dress --- History --- -History --- -Catalogs --- Applied arts. Arts and crafts --- juweelkunst --- Germany --- Austria --- Switzerland --- -Fancy dress --- Rustic jewelry
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Disguise devices figure in many early modern English plays and an examination of them clearly affords an important reflection on the growth of early theatre as well as on important aspects of the developing nation. In this study, Hyland examines various conceptual and practical issues that provide a background to theatrical disguise and goes on to consider a range of plays under three broad headings: moral issues, social issues, and aesthetic issues.
Theater --- Disguise --- Costume --- Fancy dress --- Motion pictures --- Opera --- Stage costume --- Theatrical costume --- Decorative arts --- Clothing and dress --- Deception --- History --- History. --- Stage design. Scenography --- anno 1500-1599 --- anno 1600-1699 --- Great Britain
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