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Stage combat --- Theater --- Stage combat. --- Theater.
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Stage combat --- Theater --- Stage combat. --- Theater.
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Stage combat --- Theater
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This collection from The Voice and Speech Trainers Association focuses on the voice in stage violence, addressing such questions as: * How does one scream safely? * What are the best ways to orchestrate voices in complex battle scenes? * How to voice coaches work collaboratively with fight directors and the rest of the creative team? * What techniques are used to re-voice violent stunt scenes on film? * How accurate are actor presentations of extreme emotion? * What is missing from many portrayals of domestic violence? Written by leading theatre voice and speech coaches, the volume contains 63 articles, essays, interviews and reviews covering a wide variety of professional concerns.
Voice culture --- Acting --- Stage combat
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Violence in the theater. --- Drama --- Violence in literature. --- History and criticism. --- Criticism --- Theater --- Stage combat
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Learning stage combat from a book is a bit like learning how to drive from a book: one understands the concepts, but the book is no substitute for experience and a good teacher. DuVal (Univ. of Utah) understands this, and so he goes beyond the simple teaching of stage violence techniques and supplements the volume with a number of videos (available through Vimeo.com) designed to aid the reader in understanding and learning the techniques. The volume blends Fitzmaurice Voicework, aikido, and Western stage combat training, admittedly an arbitrary mixing of methods but one that aims toward a totalizing approach for actor training. In sum, this book is a workbook designed to guide acting teachers through Duval?s approach to the teaching of stage violence. Strengths of the volume include the author's discussion of safety and his effective integration of stage violence into the larger context of performance. The volume is further enhanced by consistent formatting across chapters and the inclusion of boxed teaching tips, advice from numerous teachers of stage violence, and the video supplement. The art of armed and unarmed stage combat thrills actors and audiences alike the world over. This book details many of the foundational techniques used by actors studying stage combat and actor-movement disciplines. A variety of specific training exercises are described that connect the actor's imagination to a cohesive and meaningful actor-training curriculum - integrating stage combat with the actor's process of developing a fully embodied awareness of the physical life of the character. Developing physical awareness and dexterity is an essential component of an actor's training and rehearsal processes. Engagement, connection, the ability to listen and respond with authenticity, clarity, flexibility, intentionality, tactical response, variety are all helpful aspects for the actor studying combat movement. With practical exercises and expert advice, Stage Combat Arts allows the actor to further hone their emotional connection and extension, breath and voice, intention and focus, movement and freedom, and their ability to connect physically to imagery and text - disciplines that are at the foundation of actor-training - all through the art of combat movement.
Stage combat --- Acting --- Combat sur scène --- Art dramatique --- Technique --- Technique --- Technique --- Technique
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Gender Matters opens the debate concerning violence in literature and the arts beyond a single national tradition and engages with multivalent aspects of both female and male gender constructs, mapping them onto depictions of violence. By defining a tight thematic focus and yet offering a broad disciplinary scope for inquiry, the present volume brings together a wide range of scholarly papers investigating a cohesive topic—gendered violence—from the perspectives of French, German, Italian, Spanish, English, and Japanese literature, history, musicology, art history, and cultural studies. It interrogates the intersection of gender and violence in the early modern period, cutting across national traditions, genres, media, and disciplines. By engaging several levels of discourse, the volume advances a holistic approach to understanding gendered violence in the early modern world. The convergence of discourses concerning literature, the arts, emerging print technologies, social and legal norms, and textual and visual practices leverages a more complex understanding of gender in this period. Through the unifying lens of gender and violence the contributions to this volume comprehensively address a wide scope of diverse issues, approaches, and geographies from late medieval Japan to the European Enlightenment. While the majority of essays focus on early modern Europe, they are broadly contextualized and informed by integrated critical approaches pertaining to issues of violence and gender.
Sociology of literature --- Thematology --- Iconography --- Violence in literature. --- Sex role in literature. --- Violence in the theater. --- Sex role in the theater. --- Theater --- Stage combat --- Gendered violence
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Violence in the theater. --- Spanish drama --- Theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Stage combat --- History and criticism.
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In der Kunst der Moderne kommt den vielfältigen Erfahrungen von physischer und psychischer Gewalt eine zentrale Bedeutung zu. Die sich daraus ergebende Frage nach den Formen der Präsentation von Gewalt und nach den Gründen für das Vergnügen an tragischen Gegenständen stellt sich jedoch bereits in der griechischen Klassik in durchaus vergleichbarer Weise. Die Studien des Bandes, die aus einem Symposion des Sonderforschungsbereichs "Ästhetische Erfahrung im Zeichen der Entgrenzung der Künste" hervorgegangen sind, untersuchen nach einem Blick auf die an Gewalterfahrungen reiche Geschichte des 5. Jahrhunderts v. Chr. das Spannungsfeld von Gewalt und Ästhetik in den Bereichen von Mythos und Kult, Literatur mit dem Schwerpunkt auf der Tragödie und bildender Kunst. In modern art, central importance is accorded to the diverse experiences of physical and mental violence. The resultant question of the forms of presentation of violence and the reasons for taking pleasure in tragic objects is however one which was already posed in Classical Greece in a comparable fashion. The studies in this volume arose from a symposium run by the Collaborative Research Centers on "Esthetic experience and the dissolution of artistic limits". After reviewing the history of the 5th century B.C. with its intensive experience of violence, they examine the tension between violence and aesthetics in the fields of myth, cult, and literature with particular reference to tragedy and visual art.
Greek literature, Hellenistic --History and criticism --Congresses. --- Violence in art --Congresses. --- Violence in literature --Congresses. --- Violence in the theater --Congresses. --- Greek literature, Hellenistic --- Violence in literature --- Violence in art --- Violence in the theater --- Greek & Latin Languages & Literatures --- Languages & Literatures --- History and criticism --- Hellenistic Greek literature --- Theater --- Stage combat --- Antiquity. --- Greece. --- arts. --- literature. --- pottery.
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