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A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Beyond the Movie Theater excavates the history of non-theatrical cinema before 1920, exploring where and how moving pictures of the 1910s were used in ways distinct from and often alternative to typical theatrical cinema. Unlike commercial cinema, non-theatrical cinema was multi-purpose in its uses and multi-sited in where it could be shown, targeted at particular audiences and, in some manner, sponsored. Relying on contemporary print sources and ephemera of the era to articulate how non-theatrical cinema was practiced and understood in the US during the 1910s, historian Gregory A. Waller charts a heterogeneous, fragmentary, and rich field that cannot be explained in terms of a master narrative concerning origin or institutionalization, progress or decline. Uncovering how and where films were put to use beyond the movie theater, this book complicates and expands our understanding of the history of American cinema, underscoring the myriad roles and everyday presence of moving pictures during the early twentieth century.
Motion pictures --- Sponsored films --- History --- Sponsored videos --- Sponsoring films --- Promotional films
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First full-length book, anthology, and annotated bibliography to explore the industrial film and its remarkable history.
Industrial films --- History and criticism. --- Films d'entreprise --- History and criticism --- Histoire et critique --- Documentary films. --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Nonfiction films --- Actualities (Motion pictures) --- Business films --- Industry-sponsored films --- Motion pictures --- Motion pictures in business --- Motion pictures in industry --- Moving-pictures in industry --- Documentary films --- Industrial applications --- 791.43 --- documentaires --- film --- film en sociologie --- industriële film --- sociologie --- twintigste eeuw
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Wie kann eine kollektive Identität der europäischen Bürger/innen geschaffen werden? Mit dieser Frage befassen sich Geschichts- und Filmwissenschaftler anhand der in den 1950er und 1960er Jahren produzierten Werbefilme für Europa. Der europäische Integrationsprozess wurde von Beginn an von einer breit angelegten, politisch motivierten und gesteuerten Öffentlichkeitsarbeit begleitet. Ziel war es, die europäischen Bürger über die neu geschaffenen Institutionen zu informieren und ihre Identifikation mit dem Projekt Europa zu erreichen. Aufgrund seiner hohen Suggestivkraft spielte der Film dabei eine zentrale Rolle. Mit den von transatlantischen, supranationalen und nationalen Akteuren produzierten Werbefilmen wurde seit dem Ende der 1940er Jahre eine großangelegte mediale Mobilisierung der europäischen Bürger in Gang gesetzt. Mit welchen Bildern versucht wurde, Europa als gemeinsamen Erfahrungs- und Identifikationsraum zu konstituieren und ein europäisches »Wir-Gefühl« zu erzeugen, wird anhand dieser erstmals umfassend recherchierten »Europafilme« untersucht.
E-books --- Promotional films --- Nationalism in motion pictures --- Motion pictures --- National characteristics, European --- History --- Political aspects --- Europe --- In motion pictures --- Economic integration --- Economic integration. --- European national characteristics --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Advertising films --- Promo films --- Promotional videos --- Sales films --- Advertising --- Nonfiction films --- Sponsored films --- History and criticism --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Promotional films - Europe - History - 20th century --- Nationalism in motion pictures - History - 20th century --- Motion pictures - Political aspects - Europe - History - 20th century --- National characteristics, European - History - 20th century --- Europe - In motion pictures - History - 20th century --- Europe - Economic integration --- Sociology of culture --- Film
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"Cinema and the Wealth of Nations explores how media principally in the form of cinema was used during the interwar years by elite institutions to establish and sustain forms of liberal political economy beneficial to their interests. It examines the media produced and circulated by institutions such as states, corporations, and investment banks, as well as the emergence of a corporate media industry and system supported by state policy and integral to the establishment of a new consumer system. Lee Grieveson sketches a genealogy of the use of media to encode liberal political and economic power across the period that saw the United States eclipse Britain as the globally hegemonic power and the related inauguration of new forms of liberal economic globalization. But this is not a distant history. Cinema and the Wealth of Nations examines a foundational conjuncture in the establishment of media forms and a media system instrumental in, and structural to, the emergence and expansion of a world system that has been--and continues to be--brutally violent, unequal, and destructive."--Provided by publisher.
Capitalism and mass media. --- Motion pictures and globalization. --- Motion pictures in propaganda --- Industrial films --- Motion pictures --- Business films --- Industry-sponsored films --- Motion pictures in business --- Motion pictures in industry --- Moving-pictures in industry --- Documentary films --- Moving-pictures in propaganda --- Propaganda in motion pictures --- Propaganda --- Globalization and motion pictures --- Globalization --- Mass media and capitalism --- Mass media --- Political aspects --- Industrial applications --- Motion pictures and globalization --- Capitalism and mass media --- #SBIB:309H1313 --- #SBIB:309H1331 --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- Films met een persuasieve functie (met inbegrip van de propaganda- en reclamefilm) --- american cinema. --- american film. --- american movies. --- britain. --- cinema studies. --- cinema. --- consumer. --- corporate media. --- corporate. --- economic power. --- economy. --- elite. --- film and television. --- film studies. --- film. --- globalization. --- interwar. --- liberal. --- mass media. --- media industry. --- nationalism. --- oppression. --- political. --- politics. --- post war. --- propaganda. --- state policy. --- united states. --- violence.
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