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In this encounter between reflections on Christian theology and the history of art and music, James D. Herbert considers how specific works of art establish a relation between the divine and the earthbound audiences for whom the art was created. He looks at five case studies over four centuries: the architecture and artworks that glorified Louis XIV at Versailles, the interaction of libretto and music in Richard Wagner's Ring of the Nibelung, Claude Monet's enormous paintings of water lilies mounted at the Orangerie of Paris in 1927, the inaugural performance in 1962 of Benjamin Britten's War Requiem at the new Anglican cathedral in Coventry, and Robert Wilson's recent installation based on the Passion, 14 Stations.
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"This book highlights how the diverse nature of spiritual practices are experienced and manifest through the medium of popular music. At first glance, chapters on Krishnacore, the Rave Church phenomenon and post-punk repertoire of Psychic TV may appear to have little in common; however, this book draws attention to some of the similarities of the nuances of spiritual expression that underpin the lived experience of popular music. As an interdisciplinary volume, the extensive introduction unpacks and clarifies terminology relating to the study of religion and popular music. The cross-disciplinary approach of the book makes it accessible and appealing to scholars of religious studies, cultural studies, popular music studies and theology. Unlike existing collections dealing with popular music and religion that focus on a specific genre, this innovative book offers a range of music and case studies, with chapters written by international contributors."--
Popular music --- Spirituality in music. --- Religious aspects.
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Music --- Christian spirituality --- Bruckner, Anton --- 78 BRUCKNER, ANTON --- Spirituality in music. --- Muziek--BRUCKNER, ANTON --- 78 BRUCKNER, ANTON Muziek--BRUCKNER, ANTON --- Spirituality in music --- Bruckner, Anton, --- Bible. --- Criticism, interpretation, etc.
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Musique --- Aspect symbolique --- Musique et politique --- Harmonie (esthétique) --- Théorie musicale --- Philosophie et esthétique --- Symbolism in music --- Spirituality in music --- Music --- Music theory --- History and criticism --- History
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Music --- Mysticism --- Spirituality in music --- Dark night of the soul --- Mystical theology --- Theology, Mystical --- Spiritual life --- Negative theology --- Music in worship --- Religion and music --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Philosophy and aesthetics --- Religious aspects --- Philosophy --- Christian spirituality --- 575 --- Muziekfilosofie
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Artists today are at a crossroads. With funding for the arts and humanities endowments perpetually under attack, and school districts all over the United States scrapping their art curricula altogether, the place of the arts in our civic future is uncertain to say the least. At the same time, faced with the problems of the modern world-from water shortages and grave health concerns to global climate change and the now constant threat of terrorism-one might question the urgency of this waning support for the arts. In the politically fraught world we live in, is the "felt" experience even something worth fighting for? In this soul-searching collection of vignettes, Patrick Summers gives us an adamant, impassioned affirmative. Art, he argues, nurtures freedom of thought, and is more necessary now than ever before. As artistic director of the Houston Grand Opera, Summers is well positioned to take stock of the limitations of the professional arts world-a world where the conversation revolves almost entirely around financial questions and whose reputation tends toward elitism-and to remind us of art's fundamental relationship to joy and meaning. Offering a vehement defense of long-form arts in a world with a short attention span, Summers argues that art is spiritual, and that music in particular has the ability to ask spiritual questions, to inspire cathartic pathos, and to express spiritual truths. Summers guides us through his personal encounters with art and music in disparate places, from Houston's Rothko Chapel to a music classroom in rural China, and reflects on musical works he has conducted all over the world. Assessing the growing canon of new operas performed in American opera houses today, he calls for musical artists to be innovative and brave as opera continues to reinvent itself. This book is a moving credo elucidating Summers's belief that the arts, especially music, help us to understand our own humanity as intellectual, aesthetic, and ultimately spiritual.
Spirituality in music. --- Music --- Moral and ethical aspects. --- Religious ethical aspects. --- music, art, houston grand opera, artistic director, humanities, affect theory, emotions, human spirit, joy, meaning, spirituality, catharsis, pathos, rothko chapel, classroom, china, curriculum, endowments, canon, education, nonfiction, funding, business, culture, fine arts, entertainment, creativity, technology, open access, conducting, wagner, mozart, handel, bach, classical.
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