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This book is also available as a set, together with Volume II. Please visit www.peterlang.com/view/product/84550 Patterns of Patronage in Renaissance Rome is the first full-length study of the life and works of Francesco Sperulo of Camerino (1463-1531). In a remarkable career during which the poet progressed from serving as a soldier of fortune in the service of Cesare Borgia to an Italian bishopric, Sperulo produced a significant body of Latin poetry, here presented in a critical edition for the first time. An impressive array of contemporary figures including Leonardo da Vinci, Isabella d'Este, Raphael and Baldassare Castiglione appear in his verse. By placing his work within the larger historical, literary, political and social context, this study, published in two volumes, sheds light on the role played by neo-Latin poetry at the papal court and documents the impact of classical culture in Rome during the period usually referred to as «the High Renaissance». Volume I reconstructs Sperulo's life and circle of contacts by placing the poet's works in chronological order and setting them within the political and social circumstances of their composition. Archival documents scattered across Italy, penitentiary records from the Vatican Archives and a voluminous correspondence with the Duke of Urbino and members of the Varano family of Camerino show that Sperulo was intimately involved in papal politics and intrigue; indeed, he was almost assassinated for his involvement. A selection of this correspondence is included here to supplement the poet's biography.

Italian poetry --- History and criticism. --- Sperulo, Francesco,

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Villa Madama, Raphael's late masterwork of architecture, landscape, and decoration for the Medici popes, is a paradigm of the Renaissance villa. The creation of this important, unfinished complex provides a remarkable case study for the nature of architectural invention. Drawing on little known poetry describing the villa while it was on the drawing board, as well as ground plans, letters, and antiquities once installed there, Yvonne Elet reveals the design process to have been a dynamic, collaborative effort involving humanists as well as architects. She explores design as a self-reflexive process, and the dialectic of text and architectural form, illuminating the relation of word and image in Renaissance architectural practice. Her revisionist account of architectural design as a process engaging different systems of knowledge, visual and verbal, has important implications for the relation of architecture and language, meaning in architecture, and the translation of idea into form.

Architecture, Renaissance --- Humanism in architecture --- Architecture --- Sperulo, Francesco, --- Raphael, --- Sanzio, Raffaele --- Raffaello Sanzio --- Santi, Raffaello --- Sanzio, Raffaello --- Raffael --- Raffaello --- Urbino, Raffaello da --- Raphael --- Sanctius, Raphae, --- Urbinas, Raphael Sanctius --- Rafaėlʹ --- Raffaele Sanzio --- Sanzi, Raffaello --- Speroli, --- Sperulus, Franciscus , --- Influence. --- Criticism and interpretation. --- Friends and associates. --- Villa Madama (Rome, Italy) --- Architectural practice --- Group work in architecture --- History --- Team work in architecture --- Teamwork in architecture --- Architect and client --- Architectural services --- Practice --- Vocational guidance --- Rome (Italy) --- Buildings, structures, etc.