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essay by Dick Price --- kunst --- twintigste eeuw --- schilderkunst --- beeldhouwkunst --- installaties --- Saatchi --- Saatchi Gallery --- Groot-Brittannië --- new neurotic realism --- Gontarski Steven --- Griffiths Brian Cyril --- Hiorns Roger --- Hosking Mark --- Mueck Ron --- Noble Tim --- Webster Sue --- Schlaegel Andreas --- Takayashi Tomoko --- Wilson Keith --- Gottelier Luke --- HunterTom --- Jones Sarah --- Liebmann Katia --- Smith Paul --- Starkey Hannah --- Brooks Jason --- Brown Cecily --- Coombs Daniel --- Chalmers Victoria --- Dalwood Dexter --- Davies Peter --- Hays Dan --- Hoberman Nicky --- Joffe Chantal --- Larsson Felicia --- Maloney Martin --- Maughan Karl --- Raedecker Michael --- Reynolds Richard --- Snell Rosie --- Spencer Johnny --- Thorpe David --- 7.038 --- Art, British --- Art, Modern --- Realism in art

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Art --- assemblages [sculpture] --- installations [visual works] --- art [discipline] --- painting [image-making] --- photography [process] --- Nouveau Réalisme --- human figures [visual works] --- neurose (kunst) --- Brooks, Jason --- Brown, Celia --- Chalmers, Victoria --- Coombs, Daniel --- Dalwood, Dexter --- Davies, Peter --- Falconer, David --- Gontarski, Steven --- Gottelier, Luke --- Griffiths, Brian --- Hays, Dan --- Hiorns, Roger --- Hoberman, Nicky --- Hosking, Mark --- Hunter, Tom --- Joffe, Chantal --- Jones, Sarah --- Larsson, Felicia --- Liebmann, Katia --- Maughan, Karl --- Noble, Tim --- Reynolds, Richard --- Schlaegel, Andreas --- Snell, Rosie --- Spencer, Johnny --- Starkey, Hannah --- Takahashi, Tomoko --- Thorpe, David --- Webster, Sue --- Wilson, Keith --- Smith, Paul --- Raedecker, Michael --- Mueck, Ron --- Maloney, Martin --- anno 1990-1999 --- Great Britain --- Coombs, Dan