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Propagande dans les films --- Spectaculaire dans les films --- Theatre et le cinema

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Ce livre traite de la magie du spectacle. Le spectacle et sa séduction sont souvent considérés avec mépris (ils ne seraient pas dignes de l'art) ou avec effroi (telle la télévision, qui aurait la faculté de faire de nos enfants des criminels). S'y attacher serait à la fois faire preuve d'inconsistance intellectuelle et contribuer au retour de la barbarie. La démarche anthropologique consiste, plus sérieusement, à étudier la manière dont le spectateur peut prendre plaisir au spectacle. En imposant à l'observateur de se prendre lui-même comme objet, de s'inclure dans l'observation, elle permet de donner toute leur importance à la compétence artistique du spectateur, à sa sensibilité personnelle et à son sens de la responsabilité, à son attention aux choses et aux personnes que le spectacle touche. Adopter le point de vue de ce spectateur compétent, qui sait contrôler le plaisir du spectacle, et le transmettre à autrui, c'est rappeler la manière dont les techniques artistiques - la peinture, le théâtre, la danse, l'opéra, le roman, etc. - constituent d'abord des techniques du corps pour l'individu qui y trouve le moyen de cultiver un plaisir artistique, et la force du lien social éphémère que ces techniques permettent de nouer avec autrui. Ce livre entend ainsi contribuer à la reconnaissance du savoir ordinaire du spectacle - de l'industrie du fantôme au feuilleton gay, de l'estampe japonaise au mélodrame du Boulevard, de l'art contemporain à la comédie musicale, de la star au figurant, du corps idéalisé au corps stigmatisé - et à la manière dont il peut servir au développement d'une commune humanité.

Television play --- Ethnology. Cultural anthropology --- Visual anthropology. --- Spectacular, The. --- Amusements --- Performing arts --- Anthropologie visuelle --- Spectaculaire --- Spectacles et divertissements --- Arts du spectacle --- Social aspects --- Audiences --- Aspect social --- Publics

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Spectaculaire [Het ] --- Spectaculaire [Le ] --- Spectacular [The ] --- Royal visitors --- Rites and ceremonies --- Entrées solennelles --- Rites et cérémonies --- History. --- Histoire --- France --- Kings and rulers --- Politics and government --- Rois et souverains --- Politique et gouvernement --- Entrées solennelles --- Rites et cérémonies --- Processions --- Political aspects --- History --- ENTREES SOLENNELLES --- RITES ET CEREMONIES POLITIQUES --- FRANCE --- 16E-18E SIECLES

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this publication is based on the proceedings of the Clarck Conference "Architecture between space and use" held 29-30 april 2005 at the Sterling and Francis Clark Institute, williamstown, Massachusetts.More information www.clarkart.edu.

architectuur --- Architectuurtheorie ; spectaculaire en/of functionele architectuur ? --- Gehry, Frank O. --- Architectuur en spektakel ; architectuur en entertainment --- Frank O. Gehry --- Hans Scharoun --- concertgebouwen --- Architectuur ; theorie, filosofie, esthetica --- Architecture, Modern --- Architecture --- Aesthetics of art --- architectural theory --- 72.01 --- architectuurtheorie --- Gehry, Frank O --- Modern architecture --- architectuurtheorie, ontwerp, vormgeving --- Conferences - Meetings --- architectuur.

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Surprising spatial experiences for all senses: This book features art, interior design, architecture, and striking scenography that leave lasting impressions. It is not a paradox that today--in the era of digitalization and e-commerce--the creation of tangible spaces is gaining in importance. A personal encounter triggers profound thoughts, strong feelings, and memories that last. In other words, the foundation of a meaningful relationship between artist and audience, museum and visitor, shop and customer, or brands and their communities is based uopon an unforgettable experience. Yet all these groups are more discerning than ever before: They want a personalized moment, want to be informed and entertained, pampered, surprised, and inspired. Liquid Spaces shows the many different ways in which this desired effect can be achieved. Galleries, museums, temporary events, pop-up shops, and flagship stores provide the settings for a wide spectrum of unconventional architecture and interior design, where playfully experimental installations or complex productions can be presented. Surprising materials, colors, shapes, and surfaces provide the props, which alongside innovated smells, sounds, and lighting concepts come together in expansive, stage-like gestures with sculptural details. High-end cars are presented like works of art. Art is displayed in the laboratories. Workshops become sacred sites of authenticity. The line between art and commerce is fluid; the quality of the experience is all that matters. Artists, scenographers, and architects, as well as interior and exhibition designers create these extraordinary situations. Liquid Spaces presents the most innovative concepts, most radical designers, and most demanding clients. Those who manage to create incomparable event spaces with local and international appeal, and those responsible for adding the next destination of must-see locations to the map.

scenography [discipline] --- galleries [display spaces] --- perception --- exhibiting --- installations [visual works] --- trompe-l'oeil --- geometry --- light [energy] --- design [discipline] --- architecture [discipline] --- interactive art --- interior decoration --- 7.049 --- 7.039 --- Ingrepen in en buiten de architecturale ruimte ; 21ste eeuw --- Installaties ; met simulatie van vloeibaarheid, beweeglijkheid --- Experimentele 3D environments met licht, geluid, textuur --- Scenografie --- Beeldende kunst ; participatie van de toeschouwer --- Iconografie ; verschillende onderwerpen --- Kunstgeschiedenis ; 2000 - 2050 --- Exhibitions --- Design. --- Psychological aspects. --- Scénographie --- Installations (art) --- Spectaculaire --- Illusions d'optique --- Dans l'art. --- Scénographie --- doolhof