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The search for meaning: the literature of Canadians of South Asian origin
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ISBN: 0662160320 9780662160328 Year: 1988 Publisher: Ottawa: Department of the Secretary of State,

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Hanif Kureishi
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ISBN: 0719055350 9780719055355 Year: 2001 Publisher: Manchester : Manchester university press,

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Home truths : fictions of the South Asian diaspora in Britain
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ISBN: 033367006X Year: 2002 Publisher: Houndmills, Basingstoke, Hampshire Palgrave

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This text places individual works of world famous writers within a diverse tradition of immigrant writing that has evolved in Britain since World War II. It locates their work within an historical, cultural and aesthetic framework.

Hanif Kureishi
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ISBN: 1403920575 1403920567 9781403920560 9781403920577 Year: 2005 Publisher: Basingstoke ; New York : Palgrave Macmillan,

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Hanif Kureishi is one of the most exciting and controversial British writers who has produced significant work in a range of forms: plays, essays, novels, short stories and film. This Guide introduces and sets in context the key debates about his work, and discusses his writing in relation to such issues as gender, postcolonial theory and British identity today. By exploring Kureishi's own statements and a wide range of critical perspectives, the Guide provides a comprehensive resource for the study of one of the most important critical figures in contemporary culture.


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Mythologies of Migration, Vocabularies of Indenture
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ISBN: 1442697806 9781442697805 9780802099648 0802099645 Year: 2009 Publisher: Toronto

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Pirbhai uses the critical paradigm of 'indenture history' to examine the local literary and cultural histories that have influenced and shaped the development of novel-length fiction by writers of the South Asian diaspora in national contexts as diverse as Mauritius, South Africa, Guyana, and Fiji.

Impossible desires : queer diasporas and South Asian public cultures
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ISBN: 0822335018 0822335131 9780822335139 Year: 2005 Publisher: Durham : Duke University Press,

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"By bringing queer theory to bear on ideas of diaspora, Gayatri Gopinath produces both a more compelling queer theory and a more nuanced understanding of diaspora. Focusing on queer female diasporic subjectivity, Gopinath develops a theory of diaspora apart from the logic of blood, authenticity, and patrilineal descent that she argues invariably forms the core of conventional formulations. She examines South Asian diasporic literature, film, and music in order to suggest alternative ways of conceptualizing community and collectivity across disparate geographic locations. Her agile readings challenge nationalist ideologies by bringing to light that which has been rendered illegible or impossible within diaspora: the impure, inauthentic, and nonreproductive.Gopinath juxtaposes diverse texts to indicate the range of oppositional practices, subjectivities, and visions of collectivity that fall outside not only mainstream narratives of diaspora, colonialism, and nationalism but also most projects of liberal feminism and gay and lesbian politics and theory. She considers British Asian music of the 1990s alongside alternative media and cultural practices. Among the fictional works she discusses are V. S. Naipaul’s classic novel A House for Mr. Biswas, Ismat Chughtai’s short story “The Quilt,” Monica Ali’s Brick Lane, Shyam Selvadurai’s Funny Boy, and Shani Mootoo’s Cereus Blooms at Night. Analyzing films including Deepa Mehta’s controversial Fire and Mira Nair’s Monsoon Wedding, she pays particular attention to how South Asian diasporic feminist filmmakers have reworked Bollywood’s strategies of queer representation and to what is lost or gained in this process of translation. Gopinath’s readings are dazzling, and her theoretical framework transformative and far-reaching." --


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Saclit : an introduction to South-Asian Canadian literature
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Year: 1996 Publisher: Madras : EastWest Books,


Book
Black and Asian theatre in Britain : a history
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ISBN: 9781134216895 1134216890 Year: 2011 Publisher: Taylor & Francis

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Black and Asian Theatre in Britain is an unprecedented study tracing the history of ‘the Other’ through the ages in British theatre. The diverse and often contradictory aspects of this history are expertly drawn together to provide a detailed background to the work of African, Asian, and Caribbean diasporic companies and practitioners. Colin Chambers examines early forms of blackface and other representations in the sixteenth century, through to the emergence of black and Asian actors, companies, and theatre groups in their own right. Thorough analysis uncovers how they led to a flourishing of black and Asian voices in theatre at the turn of the twenty-first century. Figures and companies studied include: Ira Aldridge Henry Francis Downing Paul Robeson Errol John Mustapha Matura Dark and Light Theatre The Keskidee Centre Indian Art and Dramatic Society Temba Edric and Pearl Connor Tara Arts Yvonne Brewster Tamasha Talawa. Black and Asian Theatre in Britain is an enlightening and immensely readable resource and represents a major new study of theatre history and British history as a whole.

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