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Remix Theory: The Aesthetics of Sampling is an analysis of Remix in art, music, and new media. Navas argues that Remix, as a form of discourse, affects culture in ways that go beyond the basic recombination of material. His investigation locates the roots of Remix in early forms of mechanical reproduction, in seven stages, beginning in the nineteenth century with the development of the photo camera and the phonograph, leading to contemporary remix culture. This book places particular emphasis on the rise of Remix in music during the 1970s and '80s in relation to art and media at the beginning

Music and technology. --- Music --Instruction and study --Technological innovations. --- Rock music -- History and criticism. --- Art, Architecture & Applied Arts --- Fine Arts - General --- Appropriation (Art) --- Sampling (Sound) --- Remixes. --- Mashups (World Wide Web) --- Aesthetics, Modern --- Aesthetics --- World Wide Web --- Club mixes --- Dance mixes --- Mixes (Music) --- Electronic music --- Electronic dance music --- Sound recordings --- Digital sound sampling --- Sound sampling --- Computer sound processing --- Appropriated imagery --- Appropriated images --- Appropriationism (Art) --- Postmodernism --- Imitation in art --- History --- Remixing