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'The Fundamentals of Sonic Arts & Sound Design' introduces, describes and begins the process of defining this new subject and to provide a starting point for anyone who has an interest in the creative uses of sound.
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This reference guide includes advice on getting started as a producer, dealing with artists, record companies and lawyers, and managing a career in the music business. It also looks at new technologies and techniques.
Sound recordings --- Sound recording industry --- Disques --- Production and direction. --- Vocational guidance. --- Production et réalisation --- Sound recordings direction --- Sound recordings production --- Direction
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"From Attali's 'cold social silence' to Baudrillard's hallucinatory reality, reproduced music has long been the target of critical attack. In Bytes and Backbeats, however, Steve Savage deploys an innovative combination of designed recording projects, ethnographic studies of contemporary music practice, and critical analysis to challenge many of these traditional attitudes about the creation and reception of music. Savage adopts the notion of 'repurposing' as central to understanding how every aspect of musical activity, from creation to reception, has been transformed, arguing that the tension within production between a naturalizing 'art' and a self-conscious 'artifice' reflects and feeds into our evolving notions of creativity, authenticity, and community. At the core of the book are three original audio projects, drawing from rock & roll, jazz, and traditional African music. Through these projects--and with the aid of newly imagined techniques of computer-based recording--Savage is able to target areas of contemporary practice that are particularly significant in the cultural evolution of the musical experience, from the perspective of composers, musicians, and listeners. Each audio project includes a studio study providing context for the social and cultural analysis that follows. This work stems from Savage's experience as a professional recording engineer and record producer."--Jacket.
Popular music --- Sound recordings --- Production and direction. --- Sound recordings direction --- Sound recordings production --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Direction --- Geschichte 2000-2011.
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Music and technology. --- Sound recordings --- Music --- Music trade. --- Production and direction. --- Performance. --- Cultural industries --- Music business --- Music industry --- Musical performance --- Performance of music --- Sound recordings direction --- Sound recordings production --- Technology --- Technology and music --- Direction
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Motion picture music --- Music videos --- Sound recordings --- Music trade --- 798.8 --- 665 --- film --- muziek --- filmmuziek --- audio --- geluid --- geluidsopnames --- video --- technieken --- montage --- productie --- Sound recordings direction --- Sound recordings production --- Music video direction --- Music video production --- Music business --- Music industry --- Cultural industries --- Instruction and study --- Production and direction --- film, overige onderwerpen --- audio-video --- Direction
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After a hundred years of recording, the process of making records is still mysterious to most people who listen to them. Records hold a fundamental place in the dynamics of modern musical life, but what do they represent? Are they documents? Snapshots? Artworks? Fetishes? Commodities? Conveniences? The Poetics of Rock is a fascinating exploration of recording consciousness and compositional process from the perspective of those who make records. In it, Albin Zak examines the crucial roles played by recording technologies in the construction of rock music and shows how songwriters, musicians, engineers, and producers contribute to the creative project, and how they all leave their mark on the finished work. Zak shapes an image of the compositional milieu by exploring its elements and discussing the issues and concerns faced by artists. Using their testimony to illuminate the nature of record making and of records themselves, he shows that the art of making rock records is a collaborative compositional process that includes many skills and sensibilities not traditionally associated with musical composition. Zak connects all the topics--whether technical, conceptual, aesthetic, or historical--with specific artists and recordings and illustrates them with citations from artists and with musical examples. In lively and engaging prose, The Poetics of Rock brilliantly illustrates how the musical energy from a moment of human expression translates into a musical work wrought in sound.
Rock music --- Sound recordings --- Sound --- Disk recording --- Recording of sound --- Reproducing of sound --- Sound recording and reproducing --- Sounds --- Sound recordings direction --- Sound recordings production --- History and criticism. --- Production and direction. --- Recording and reproducing. --- Recording and reproducing --- Direction --- artist. --- artistic. --- contemporary music. --- creative. --- creativity. --- engineers. --- famous music. --- famous musicians. --- modern music. --- music artist. --- music composition. --- music history. --- music industry. --- musical arrangement. --- musicians. --- poetics. --- producers. --- record artist. --- record industry. --- recording music. --- recording. --- rock and roll. --- rock music. --- songwriters. --- sound engineer. --- vinyl music. --- vinyl records.
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For over four decades, scholars have been investigating male dominance - both symbolically and numerically -within popular music. The heavier genres of popular music, metal music in particular, have been male dominated spaces, which are difficult to navigate for women participating as fans, musicians, or both. Studies on gender inequality in metal music have convincingly demonstrated how gender dynamics shape the reception of metal music and metal scenes all over the globe. Yet, they shed relatively little light on the extent of and reasons for metal music's male domination from a production perspective. This book fills this gap, offering is a systematic and large-scale overview of gender inequality in metal music production. In other words: how many women - compared to men - are participating in metal bands and what are the causes for the differences in participation?
Music trade. --- Sound recordings --- Sex discrimination against women. --- Discrimination in employment. --- Production and direction. --- Bias, Job --- Employment discrimination --- Equal employment opportunity --- Equal opportunity in employment --- Fair employment practice --- Job bias --- Job discrimination --- Race discrimination in employment --- Employment (Economic theory) --- Discrimination against women --- Subordination of women --- Women, Discrimination against --- Feminism --- Sex discrimination --- Women's rights --- Male domination (Social structure) --- Sound recordings direction --- Sound recordings production --- Music business --- Music industry --- Cultural industries --- Direction --- Affirmative action programs --- Heavy metal --- Aspect social. --- Mass media and sex. --- Heavy metal (Music) --- Social Science --- Gender studies: women. --- Gender Studies. --- Metal (Music) --- Rock music --- Sex and mass media --- Sex
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Sound studios --- Sound --- Sound recording industry --- Popular music --- Sound recordings --- Recording studios --- Studios, Recording --- Studios, Sound --- Rooms --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- History. --- Recording and reproducing --- Production and direction --- History --- Sound recordings - Production and direction - History --- Popular music - Production and direction - History --- Sound recording industry - History --- Sound - Recording and reproducing - History --- Sound studios - History
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