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Sound in art.

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Arts, Modern --- Sound in art.

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For nearly two decades, Polish-born, UK-based artist Magda Stawarska has explored the threshold of memory, the sanctioned shape of history, and the active experience of listening. Through sound and performance, moving image, photography, painting, and printmaking, the artist unfolds overlooked and contested narratives of the past through her practice of inner listening. Stawarska's distinct approach to artmaking often begins with explorations of cities. Traversing self-directed routes, the artist has often been compared to a flaneur--moving through each site, cultivating a rhythmic score that reveals a densely layered urban topography. These situated scenes become the basis for a distinct form of language--one of conjured imaginaries. The artist and her carefully chosen collaborators unbuckle the seams of the aural landscape, using personal reflection and language, which the artist uses to create installations that constellate active feelings. These processes evolve, layer upon layer, in the studio and in the public realm, illuminating a palimpsest of dissonance: A discordant score that pierces the very concept of time. In this book, author and curator Omar Kholeif, offers an introductory field guide into the artist's practice. Structured as a travelogue through Stawarska's various journeys, readers will venture from the streets of Istanbul to the canal sides of Venice to the waters of Zanzibar. The second volume in the Imagine Otherwise series, Kholeif argues that in Magda Stawarska's art, one can find the specificity and detail of the ocular in the field and tempo of listening. Concluded with an afterword by Turner-Prize winning artist, Lubaina Himid CBE RA. Published by Sternberg Press in collaboration with artPost21.

Sound in art --- Women artists --- Stawarska, Magda.

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Au regard de la programmation historique d’œuvres d’art sonore, notamment dans le cadre de sa galerie La Box, l’École nationale supérieure d’art de Bourges a, depuis plus de trente ans, régulièrement considéré la musique, le son, le bruit, le silence ou la voix comme des objets de recherche artistique, visuelle ou plasticienne. Aussi, forte de ses multiples ateliers et collaborations entre professeur.e.s, et de ses nombreux projets d’étudiant.e.s, l’École nationale supérieure d’art de Bourges a proposé, du 27 au 29 avril 2022, Les Journées du son, un événement qui a présenté l’état des lieux des différentes pratiques sonores conduites, notamment, dans le cadre des ateliers pédagogiques de l’École, et des projets artistiques ou théoriques de ses professeur.e.s. Les Cahiers du son en dressent l’inventaire tout en invitant à découvrir la stimulante inventivité qui, aujourd’hui, anime la création sonore dans le champ des arts plastiques, et au sein d’une École d’art. Avec des propositions monographiques de : Benjamin L. Aman, Carla Beaumatin, Neal Beggs, Érik Bullot, Alexandre Castant, Ambre Charpagne, Florence Chevallier, Cécile Colle}{Ralf Nuhn, Magali Desbazeille, Anaïs Dunn et Stéphane Joly, Ferenc Gróf, Stéphanie Jamet, Jérôme Joy, Tatiana Komaroff, Aurélien Krafft, LASSO (Association étudiante de l’École nationale supérieure d’art de Bourges), Ingrid Luche, Jean-Michel Ponty, Myriam Pruvot, Punkte (post-diplôme Arts & créations sonores), Nina Queissner, Sofia Quintero, Talla Thiam, Antonin Verhulst, Li Xinran et Sonia Gassemi, Liu Yaonan, Jonathan Zwaenepoel.

Son --- Dans l'art. --- Sound in art --- Art and music

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"A critique of immersive aesthetics in the arts, with particular emphasis placed upon sound and new media art"--

Sound in art --- Arts, Modern --- Immanence (Philosophy) --- Philosophy