Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

sound art --- Julius, Rolf

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Soundwalking brings together a diverse group of contemporary scholars, artists and activists in one of the first comprehensive studies of soundwalking - the practice of moving through space while carefully listening to what it has to say - to address urgent challenges and concerns of an environmental, ethical, social, and technological nature. Besides gaining insight into the historical development of soundwalking as a scholarly method and artistic genre, the reader will have a chance to learn from emerging voices concerned with this practice, of many different backgrounds and positionalities. Soundwalking demonstrates how attentive listening and walking might help with more careful and responsible navigation through the complex dimensions of our shared environments and entangled histories, often imperceptible on a day-to-day basis. The book encourages scholars, artists and also those unfamiliar with the concept, to engage with it in their respective fields and subjects of interest as an interdisciplinary method of critical inquiry and a creative mode of communication. This book inspires readers to discover anew the potential of walking and listening and will be of interest to students, researchers and practitioners in the areas of studies directly concerned with sound and beyond, including environmental humanities, landscape architecture, media, and cultural studies.

Sound --- Sound art. --- Sound. --- Social aspects. --- Sound art --- Listening --- Walking

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Sound art has long been resistant to its own definition. Emerging from a liminal space between movements of thought and practice in the twentieth century, sound art has often been described in terms of the things that it is understood to have left behind: a space between music, fine art, and performance. This handbook surveys the practices, politics, and emerging frameworks of thought that now define this previously amorphous area of study. Throughout the handbook, artists and thinkers explore the uses of sound in contemporary arts practice. Imbued with global perspectives, chapters are organized in six overarching themes of Space, Time, Things, Fabric, Senses and Relationality. Each theme represents a key area of development in the visual arts and music during the second half of the twentieth century from which sound art emerged.

Sound art --- History and criticism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art --- mail art --- sound art --- Schraenen, Guy

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Music --- sound art --- Art --- Helvacioğlu, Erdem --- Helvacioglu, Erdem