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Sound --- Sound motion pictures --- Radio --- Television --- Son --- Télévision --- Recording and reproducing --- History. --- Enregistrement et reproduction --- Histoire --- History --- Télévision --- Sound - Recording and reproducing - History --- Sound motion pictures - History --- Radio - History --- Television - History

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À l'heure où l'industrie de la musique est engagée depuis le début des années 2000 dans une mutation historique, à l'heure où l'âge du disque est en train de se clore, cet ouvrage fournit un éclairage indispensable pour en comprendre les enjeux à la fois techniques, économiques et culturels. Mondialisation du marché, formation de grands groupes multimédias, rapports entre majors et indépendants, évolution des techniques d'enregistrement, métissages des musiques du monde entier, mutation des formes de l'écoute, autant de problèmes qui gagnent à être analysés ensemble et replacés dans une perspective de long terme qui permet de mettre en évidence les changements profonds provoqués par l'apparition du disque dans le rapport qu'entretiennent les sociétés contemporaines avec la musique. C'est pourquoi il sera question ici à la fois de l'histoire des techniques, depuis le cylindre jusqu'au MP3 en passant par le 78 tours, le microsillon et le disque compact ; de l'histoire de l'industrie du disque, avec ses studios, ses ingénieurs du son, ses directeurs artistiques, ses producteurs ; de l'histoire des musiciens, qui ont vu les conditions d'exercice de leur art bouleversées par l'apparition de l'enregistrement sonore ; de l'histoire des publics enfin, dont on oublie trop souvent à quel point leur manière d'écouter la musique a, elle aussi, beaucoup évolué depuis le phonographe à pavillon jusqu'au baladeur numérique. Cette histoire foisonnante sera évidemment l'occasion de croiser chemin faisant les nombreux artistes, qui, tous styles confondus, ont contribué à faire de l'enregistrement musical un moyen majeur de diffusion de la musique : Enrico Caruso, Michael Jackson, Glenn Gould, les Beatles, Miles Davis, Charles Trenet, Elvis Presley, et bien d'autres.

Sound --- Sound recording industry --- Recording and reproducing --- History. --- Sound - Recording and reproducing - History --- Sound recording industry - History --- Music - 20th century - History and criticism --- Phonograph --- MP3 (Audio coding standard) --- History --- Music

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Sound --- Popular music --- Recording and reproducing --- History --- Phonographes --- Son --- Musique populaire --- Phonograph --- Aspect social --- Enregistrement et reproduction --- Histoire et critique --- Social aspects --- History and criticism --- Sound recordings --- Histoire et critique. --- Sound - Recording and reproducing - History - 20th century --- Popular music - 1921-1930 --- Popular music - 1931-1940

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Representational technologies including photography, phonography, and the cinema have helped define modernity itself. Since the nineteenth century, these technologies have challenged our trust of sensory perception, given the ephemeral unprecedented parity with the eternal, and created profound temporal and spatial displacements. But current approaches to representational and cultural history often neglect to examine these technologies. James Lastra seeks to remedy this neglect.Lastra argues that we are nowhere better able to track the relations between capital, science, and cultural practice than in photography, phonography, and the cinema. In particular, he maps the development of sound recording from its emergence to its confrontation with and integration into the Hollywood film.Reaching back into the late eighteenth century, to natural philosophy, stenography, automata, and human physiology, Lastra follows the shifting relationships between our senses, technology, and representation.

Sound motion pictures --- -Sound --- -#SBIB:012.AANKOOP --- #SBIB:309H1325 --- James Lastra --- film --- Verenigde Staten --- filmtheorie --- klank --- geluid --- geluidsfilm --- klanktechniek --- klanktechnologie --- film en technologie --- narratologie --- stille film --- 791.41 --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Moving-pictures, Talking --- Talkies --- Talking motion pictures --- Motion pictures --- History --- Recording and reproducing --- -History --- Films met een amusementsfunctie en/of esthetische functie: filmmuziek --- Sound --- Son --- History. --- Enregistrement et reproduction --- Histoire --- Films sonores --- History and criticism --- Histoire et critique --- #SBIB:012.AANKOOP --- Recording and reproducing&delete& --- Recording and reproducing. --- Sound. --- Sound -- Recording and reproducing -- History. --- Sound motion pictures. --- Sound motion pictures -- History. --- Film --- Music, Dance, Drama & Film

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"The Sound Studies Reader is a groundbreaking anthology blending recent work that self-consciously describes itself as 'sound studies' with earlier and lesser known scholarship on sound. The collection begins with an introduction to welcome novice readers to the field and acquaint them with key themes and concepts in sound studies. Individual section introductions give readers further background on the essays and an extensive up to date bibliography for further reading in 'sound studies' make this an original and accessible guide to the field"

Sound --- Hearing. --- Listening. --- Son --- Ouïe --- Ecoute (Psychologie) --- Recording and reproducing --- History. --- Social aspects --- Enregistrement et reproduction --- Histoire --- Aspect social --- Hearing --- Listening --- History --- 7.01 --- Kunsttheorie ; kunstfilosofie ; over geluidskunst --- Sound Art --- Sound studies ; handboeken --- Geluid ; geluiden ; klanken --- Cultuurfilosofie ; over het luisteren ; het horen --- Audio Art --- Akoestiek --- muziek --- kunst en muziek --- geluid --- klank --- akoestiek --- gehoor --- omgevingsgeluiden --- achtergrondgeluiden --- stilte --- 78 --- Kunst ; theorie, filosofie, esthetica --- Music --- Social science --- Social aspects. --- Recording & Reproduction. --- Media Studies. --- Ouïe --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Auding --- Attention --- Comprehension --- Educational psychology --- Audition (Physiology) --- Physiological acoustics --- Bioacoustics --- Senses and sensation --- Audiology --- Auditory pathways --- Deafness --- Ear --- Recording and reproducing&delete& --- Sound - Recording and reproducing - History --- Sound - Recording and reproducing - Social aspects