Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Sound --- Son --- Psychological aspects --- Aspect psychologique --- Sound. --- Acoustique --- Acoustique appliquée --- Physique --- Psychological aspects. --- Villes --- Son. --- Ondes sonores --- Acoustique musicale. --- Music --- City sounds. --- Sons. --- Diffusion. --- Sound - Psychological aspects

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Communicatie --- Communication --- Comportement --- Gedragswetenschap --- Keel-, neus- en oorgeneeskunde --- Oto-rhino-laryngologie --- 534.7 --- 534.7 Physiological acoustics. Medical acoustics --- Physiological acoustics. Medical acoustics --- Sound --- Psychological aspects --- Communication - Psychological aspects --- Sound - Psychological aspects

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Sound leaves no ruins and no residues, even though it is experienced constantly. It is ubiquitous but fleeting. Even silence has sound, even absence resonates. Sound and the Ancient Senses aims to hear the lost sounds of antiquity, from the sounds of the human body to those of the gods, from the bathhouse to the Forum, from the chirp of a cicada to the music of the spheres. Sound plays so great a role in shaping our environments as to make it a sounding board for thinking about the self and its connection to others, as well as about space and ecology, emotions and experience, mortality and the divine, orality and textuality. From antiquity to the present day, poets and philosophers have strained to hear the ways that sounds structure our world and identities. This volume looks at theories and practices of hearing and producing sounds in ritual contexts, medicine, mourning, music, poetry, drama, erotics, philosophy, rhetoric, linguistics, vocality, and on the page, and shows how ancient ideas of sound still shape how and what we hear today. As the first comprehensive introduction to the soundscapes of antiquity, this volume makes a significant contribution to the burgeoning fields of sound and voice studies and is the final volume of the Senses in Antiquity series.

Sound --- Senses and sensation --- Senses and sensation. --- Psychological aspects. --- Religious aspects. --- History. --- Oïda. --- So. --- Grècia. --- Roma. --- Psychological aspects --- Religious aspects --- History --- Sound in literature. --- Senses and sensation in literature. --- Classical literature --- Social aspects --- History and criticism. --- Sound - Psychological aspects --- Sound - Religious aspects --- Senses and sensation - History

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The Routledge Companion to Sounding Art presents an overview of the issues, methods, and approaches crucial for the study of sound in artistic practice. Thirty-six essays cover a variety of interdisciplinary approaches to studying sounding art from the fields of musicology, cultural studies, sound design, auditory culture, art history, and philosophy. The companion website hosts sound examples and links to further resources.The collection is organized around six main themes: 1- Sounding Art: The notion of sounding art, its relation to sound studies, and its evolution and possibilities. 2- Acoustic Knowledge and Communication: How we approach, study, and analyze sound and the challenges of writing about sound. 3- Listening and Memory: Listening from different perspectives, from the psychology of listening to embodied and technologically mediated listening. 4- Acoustic Spaces, Identities and Communities: How humans arrange their sonic environments, how this relates to sonic identity, how music contributes to our environment, and the ethical and political implications of sound. 5- Sonic Histories: How studying sounding art can contribute methodologically and epistemologically to historiography. 6- Sound Technologies and Media: The impact of sonic technologies on contemporary culture, electroacoustic innovation, and how the way we make and access music has changed. With contributions from leading scholars and cutting-edge researchers, The Routledge Companion to Sounding Art is an essential resource for anyone studying the intersection of sound and art.

Music --- Sound (Philosophy) --- Avant-garde (Music) --- Sound --- Philosophy and aesthetics --- Psychological aspects --- Bioacoustics --- Experimental music --- Musical avant-garde --- Avant-garde (Aesthetics) --- Philosophy --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Philosophy and aesthetics. --- Psychological aspects. --- Musique --- Musique expérimentale --- Son --- Philosophie et esthétique --- Aspect psychologique --- Son (Philosophie) --- Musique expérimentale --- Philosophie et esthétique --- beeldende kunst --- Affective and dynamic functions --- muziekgeschiedenis --- sound [acoustics] --- elektronische muziek --- anno 2000-2099 --- Music - Philosophy and aesthetics --- Sound - Psychological aspects

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Contrôle raconte la fascinante histoire d'une autre modernité sonore. Une modernité incarnée à l'origine par un seul homme, figure majeure mais méconnue du XX e siècle : Harold Burris-Meyer. Ingénieur, homme de théâtre, il fut surtout inventeur de dispositifs sonores et expérimentateur en sciences du comportement. Depuis les années 1930, période de déchaînement propagandiste, fasciste comme capitaliste, il est au cœur de ce récit des premières tentatives de manipuler les masses au moyen du son.Contrôle raconte la fascinante histoire d'une autre modernité sonore. Une modernité incarnée à l'origine par un homme, figure majeure mais méconnue du XXe siècle : Harold Burris-Meyer. Ingénieur et homme de théâtre, il fut inventeur de dispositifs sonores et expérimentateur en sciences du comportement.À travers les trois grands chapitres de son histoire –; le théâtre, l'industrie, la guerre –; s'écrit celle des premières tentatives de manipulation des masses au moyen du son. Divertir ou terrifier, apaiser ou piéger, guérir ou perturber, nulle différence pour l'ingénieur illusionniste. De l'acoustique théâtrale à la musique dans l'industrie en passant par l'élaboration de leurres sonores employés pendant la Seconde Guerre mondiale contre les troupes allemandes et italiennes, il s'employa toute sa vie à montrer l'influence profonde du son sur les réactions et les émotions de l'homme.L'écriture de Juliette Volcler est portée par le double objectif de peindre de manière vivante l'époque, son contexte social et culturel, ses rêves échoués, ses expérimentations réussies, et de donner des outils critiques face à l'environnement sonore en pleine mutation du XXIe siècle.

Son -- Enregistrement et reproduction --- Enregistrement et reproduction --- Burris-Meyer, Harold --- Theaters --- Auditoriums --- Sound --- Music --- Nonlethal weapons --- Sound engineers --- Psychoacoustics --- Acoustical engineering --- Theater --- Tactics --- Electronic sound control --- Psychological aspects --- Acoustics and physics --- Social aspects --- History --- Sound effects --- Burris-Meyer, Harold, --- Bell Telephone Laboratories --- Son --- Recording and reproducing --- Bruit --- Musique --- Environnement sonore --- Histoire de l'art --- Théâtre --- Auditorium --- Acoustique --- Theaters - Electronic sound control --- Auditoriums - Electronic sound control --- Sound - Psychological aspects --- Music - Acoustics and physics --- Sound - Social aspects --- Sound engineers - United States - Biography --- Psychoacoustics - History - 20th century --- Acoustical engineering - United States - History - 20th century --- Theater - Sound effects --- Tactics - History - 20th century --- Burris-Meyer, Harold, - 1902-1984 --- Burris-Meyer, Harold, 1902-1984