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Sophocles and the Language of Tragedy
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ISBN: 0199796270 0199932875 0199978824 9786613624635 1280594802 0199796327 9780199796274 Year: 2012 Publisher: Oxford University Press, USA

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The syntax of Sophocles
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ISBN: 9789004327962 9789004065994 9004065997 Year: 1982 Volume: 75 Publisher: Leiden Brill

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The language of Sophocles
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ISBN: 0521660408 0521034442 0511518374 9780521660402 9780511518379 9780521034449 Year: 2000 Publisher: Cambridge Cambridge University Press

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Abstract

This 1999 book is a wide-ranging study of Sophoclean language. From a detailed analysis of sentence-structure in the first chapter, it moves on to discuss in subsequent chapters how language shapes the perception of characters, of myths, of gods and of choruses. All chapters are united by a shared concern: how does Sophoclean language engage readers and spectators? In answering this question, The Language of Sophocles avoids the current emphasis on cultural specificity. Instead, it concentrates on those aspects of Sophoclean language which can engage a large number of different spectators and readers. With this change in emphasis, this study is able to offer various fresh observations about the workings of Sophoclean language. Although the book focuses on the original Greek, translations make it accessible to anybody interested in Greek tragedy.

Sophocles and the Greek language : aspects of diction, syntax and pragmatics
Authors: ---
ISSN: 01698958 ISBN: 9004147527 9789004147522 9047417429 Year: 2006 Volume: 269 Publisher: Leiden ; Boston : Brill,

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This volume offers an extensive overview of the various ways in which Sophocles’ use of the Greek language is currently being studied. Greatly admired in antiquity, Sophocles’ style only became a serious subject of investigation with Campbell’s Introductory essay On the language of Sophocles (1879). Fourteen chapters, divided into three sections (diction, syntax, pragmatics), discuss the linguistic register and use of gnomai in Ajax’ deception speech, Homeric intertextuality, the style of the Sophoclean satyr-plays in relation to tragedy and comedy, the relation between the repetition of words and focalization, the language of blindness, the image of ‘fire’, the use of deictic pronouns, the semantics of the middle-passive and of counterfactuals, the historic present and the constitution of the text, the suggestive power of descriptions, speech-acts, and strategies of politeness.

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