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Greek literature --- Light and darkness in literature --- God --- Sophocles - Antigone
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Vaut-il la peine de mourir pour une cause ? Vaut-il la peine de mourir pour défendre son désir ? Ce recueil interroge l'énigme suscitée par cette figure de l'extrême au féminin qui met la mort au service d'un idéal absolu : Antigone, fille d'Œdipe, veut donner une sépulture à son frère Polynice malgré l'interdiction du roi Créon. Il faut enterrer le cadavre, accomplir les rites funéraires, quitte à en mourir. Jamais elle ne renonce à son projet. Rien ne la détourne de ce qu'elle considère comme un devoir sacré. Est-elle folle ? Est-elle monstrueuse ? Est-elle sublime ? Héroïne tragique par excellence, elle incarne : dans l'imaginaire occidental la part exclue de la communauté, celle " qui ne cède pas sur son désir " (Lacan). Depuis l'Antiquité, la pièce de Sophocle ne cesse de fasciner et d'interroger mythologues et philosophes, anthropologues et historiens, dramaturges et, poètes, psychologues et psychanalystes.D'Aristote à Kant, de Kierkegaard à Hegel, de Freud à Lacan, Antigone a été considérée non seulement comme la plus grande des tragédies grecques, mais aussi comme l'une des œuvres les plus achevées que l'esprit humain ait jamais produites. Ce recueil s'inscrit dans le sillage de ces lectures ; plurielles. Provenant de divers champs théoriques et pratiques, les collaborateurs qu'il réunit s'interrogent à leur tour sur la figure complexe de l'héroïne tragique. A travers eux, le lecteur pourra sans doute rencontrer sa propre Antigone.
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Sophocles. --- Greek drama --- History and criticism --- Greek drama - History and criticism --- Sophocles. - Antigone
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Dance of Words argues for a fundamental difference in the modes of expression of actor and chorus. The chorus views the action from the perspective of dancers and singers, while the actors' understanding is shaped by the responsibility they have to make things happen. While this responsibility fashions the actors' considerations of cause and effect, linear movement through time and space, and a sense of history, the chorus' sensibilities arise out of the rhythms of its song and movements. Its mode of expression is a particular way of communicating and elaborating on man's place in the larger order, and its view of the action is bounded by the way that song and dance mirror that order.
Drama --- Théâtre (Genre littéraire) --- Chorus (Greek drama) --- Choeur de théâtre grec --- Sophocles. --- Sophocles --- Drama -- Chorus (Greek drama). --- Sophocles. Antigone. --- Sophocles. Philoctetes. --- Languages & Literatures --- Greek & Latin Languages & Literatures --- Chorus (Greek drama). --- Théâtre (Genre littéraire) --- Choeur de théâtre grec --- Chorus (Drama) --- Greek drama --- Chorus --- Carter, Elliott, --- Drama - Chorus (Greek drama) --- Sophocles - Antigone --- Sophocles - Philoctetes
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Antigone (Greek mythology) in literature --- Fathers and daughters in literature --- Politics and literature --- Natural law in literature --- Sophocles --- Antigone (Greek mythology) in literature. --- Fathers and daughters in literature. --- Natural law in literature. --- Politics and literature - Greece --- Sophocles - Antigone
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Comparative literature --- Thematology --- Classical Greek literature --- Sophocles --- Antigone (Greek mythology) in literature --- Antigone (Greek mythology) --- Tragedy --- Art --- Antigone --- Influence --- In literature --- -Antigone (Greek mythology) in literature --- Influence. --- Antigone (Greek mythology) in literature. --- Art. --- Sofokles --- Sophocle --- Sofocle --- Sophokles --- Sofocles --- Sophocles. --- Antigone (Greek mythology) - Art --- Sophocles - Antigone --- Sophocles - Influence --- Antigone - (Mythological character) - In literature --- Antigone - (Mythological character) - Art --- Antigone - (Mythological character)
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