Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This is a collection of the late Heda Segvic's papers in ancient moral philosophy. At the time of her death at age forty-five in 2003, Segvic had already established herself as an important figure in ancient philosophy, making bold new arguments about the nature of Socratic intellectualism and the intellectual influences that shaped Aristotle's ideas. Segvic had been working for some time on a monograph on practical knowledge that would interpret Aristotle's ethical theory as a response to Protagoras. The essays collected here are those on which her reputation rests, including some that were intended to form the backbone of her projected monograph. The papers range from a literary study of Homer's influence on Plato's Protagoras to analytic studies of Aristotle's metaphysics and his ideas about deliberation. Most of the papers reflect directly or indirectly Segvic's idea that both Socrates' and Aristotle's universalism and objectivism in ethics could be traced back to their opposition to Protagorean relativism. The book represents the considerable achievements of one of the most talented scholars of ancient philosophy of her generation.

Ethics --- History. --- Action theory (philosophy). --- Agency (philosophy). --- Akrasia. --- Alcibiades. --- Allusion. --- Ambiguity. --- Analogy. --- Ancient philosophy. --- Apology (Plato). --- Aporia. --- Aristotelian ethics. --- Aristotelianism. --- Aristotle. --- Calculation. --- Callicles. --- Cambridge University Press. --- Causality. --- Chaerephon. --- Charmides (dialogue). --- Charmides. --- Concept. --- Contradiction. --- Critias (dialogue). --- Critias. --- David Wiggins. --- Determination. --- Dianoia. --- Discernment. --- Disposition. --- Ethics. --- Eudaimonia. --- Eudemian Ethics. --- Existence. --- Explanation. --- George Grote. --- Good and evil. --- Gorgias. --- Greek mythology. --- Hedonism. --- Hexis. --- Hippias. --- Homer. --- Human Action. --- Hypothesis. --- Inference. --- Inquiry. --- Intellectualism. --- Kantian ethics. --- Logos. --- Metaphor. --- Moral relativism. --- Morality. --- Nicomachean Ethics. --- Objectivity (philosophy). --- Pericles. --- Phaedo. --- Philosopher. --- Philosophical analysis. --- Philosophy. --- Phronesis. --- Plato. --- Platonic Academy. --- Platonic realism. --- Polus. --- Potentiality and actuality. --- Practical reason. --- Prodicus. --- Prohairesis. --- Protagoras. --- Rationalism. --- Rationality. --- Reason. --- Relativism. --- Republic (Plato). --- Rhetoric. --- Self-actualization. --- Socratic dialogue. --- Socratic method. --- Socratic. --- Sophism. --- Sophist (dialogue). --- Sophist. --- Subjectivity. --- Suggestion. --- Terence Irwin. --- The Death of Socrates. --- Theaetetus (dialogue). --- Theory of Forms. --- Theory. --- Thought. --- Thucydides. --- Treatise. --- Understanding. --- Value (ethics). --- Value judgment. --- Virtue. --- Voluntariness. --- Voluntary action. --- W. D. Ross. --- Writing.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In Roman Eyes, Jas Elsner seeks to understand the multiple ways that art in ancient Rome formulated the very conditions for its own viewing, and as a result was complicit in the construction of subjectivity in the Roman Empire. Elsner draws upon a wide variety of visual material, from sculpture and wall paintings to coins and terra-cotta statuettes. He examines the different contexts in which images were used, from the religious to the voyeuristic, from the domestic to the subversive. He reads images alongside and against the rich literary tradition of the Greco-Roman world, including travel writing, prose fiction, satire, poetry, mythology, and pilgrimage accounts. The astonishing picture that emerges reveals the mindsets Romans had when they viewed art--their preoccupations and theories, their cultural biases and loosely held beliefs. Roman Eyes is not a history of official public art--the monumental sculptures, arches, and buildings we typically associate with ancient Rome, and that tend to dominate the field. Rather, Elsner looks at smaller objects used or displayed in private settings and closed religious rituals, including tapestries, ivories, altars, jewelry, and even silverware. In many cases, he focuses on works of art that no longer exist, providing a rare window into the aesthetic and religious lives of the ancient Romans.

Arts, Classical. --- Visual perception. --- Aesthetics, Roman. --- Roman aesthetics --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Classical arts --- Psychological aspects --- Adoration. --- Aelius Aristides. --- Aeschylus. --- Agalmatophilia. --- Anchises. --- Ancient Greek art. --- Ancient Rome. --- Anecdote. --- Anthropomorphism. --- Apuleius. --- Art history. --- Atargatis. --- Bathing. --- Bibliography. --- Capitoline Museums. --- Castration. --- Christian apologetics. --- Conflation. --- Cooling. --- Cult image. --- Cupid and Psyche. --- De Dea Syria. --- Deity. --- Diana and Actaeon. --- Drapery. --- Ekphrasis. --- Epigram. --- Epithet. --- Eroticism. --- Genre. --- Greco-Roman world. --- H II region. --- Hagiography. --- Hare Krishna (mantra). --- Harpocrates. --- Hellenization. --- Hierapolis. --- Hieros gamos. --- Hydrogen line. --- Iconography. --- Illustration. --- In the Water. --- Indulgence. --- Initiation. --- Ionic Greek. --- Ionization. --- Late Antiquity. --- Leucippe and Clitophon. --- Libation. --- Mimesis. --- Narrative logic. --- Narrative. --- Neo-Attic. --- Number density. --- Oculus. --- Our Choice. --- Parody. --- Philostratus. --- Photon. --- Piety. --- Poetry. --- Polytheism. --- Posture (psychology). --- Praxiteles. --- Procession. --- Pubic hair. --- Putto. --- Queen of Heaven. --- Reionization. --- Religion and sexuality. --- Religious image. --- Rite. --- Roman art. --- Satire. --- Sculpture. --- Second Sophistic. --- Self-consciousness. --- Sensibility. --- Serapis. --- Sexual intercourse. --- Sincerity. --- Social reality. --- Sophist (dialogue). --- Sophistication. --- Star formation. --- Subjectivity. --- Temperature. --- The Golden Ass. --- The Last Sentence. --- The Sea Monster. --- Theatricality. --- Venus Anadyomene. --- Verisimilitude (fiction). --- Verisimilitude. --- Viewing (funeral). --- Voluptas. --- Voyeurism. --- Vulva. --- Writing. --- Zeuxis. --- Romans --- Aesthetics. --- Religious life.