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departement PHL Music 09 --- zanger --- songwriter --- Engeland

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jaren 1960 --- departement PHL Music 09 --- rockmuziek --- biografieën --- zanger --- songwriter --- jaren 1960.

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In 1993, Prince infamously changed his name to a unique, unpronounceable symbol. Yet this was only one of a long string of self-reinventions orchestrated by Prince as he refused to be typecast by the music industry’s limiting definitions of masculinity and femininity, of straightness and queerness, of authenticity and artifice, or of black music and white music. Revealing how he continually subverted cultural expectations, I Wonder U examines the entirety of Prince’s diverse career as a singer, multi-instrumentalist, songwriter, producer, record label mogul, movie star, and director. It shows how, by blending elements of R&B, rock, and new wave into an extremely videogenic package, Prince was able to overcome the color barrier that kept black artists off of MTV. Yet even at his greatest crossover success, he still worked hard to retain his credibility among black music fans. In this way, Adilifu Nama suggests, Prince was able to assert a distinctly black political sensibility while still being perceived as a unique musical genius whose appeal transcended racial boundaries.

Music and race --- Sex in music --- Sexuality in music --- Music --- Race and music --- Race --- History --- Prince --- Artist Formerly Known as Prince --- Nelson, Prince Rogers --- TAFKAP --- Criticism and interpretation. --- Prince, Prince Rogers Nelson, musician, music, race, African American studies, singer, songwriter, gender, masculinity, femininity, sexuality, queer, queerness, straightness, black music, white music, music industry, cultural expectations, multi-instrumentalist, producer, record label mogul, movie star, director, R&B, rock, new wave, color barrier, MTV, guitar, microphone, drums.

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This volume shows Charles Ives in the context of his world in a number of revealing ways. Five new essays examine Ives's relationships to European music and to American music, politics, business, and landscape. J. Peter Burkholder shows Ives as a composer well versed in four distinctive musical traditions who blended them in his mature music. Leon Botstein explores the paradox of how, in the works of Ives and Mahler, musical modernism emerges from profoundly antimodern sensibilities. David Michael Hertz reveals unsuspected parallels between one of Ives's most famous pieces, the Concord Piano Sonata, and the piano sonatas of Liszt and Scriabin. Michael Broyles sheds new light on Ives's political orientation and on his career in the insurance business, and Mark Tucker shows the importance for Ives of his vacations in the Adirondacks and the representation of that landscape in his music. The remainder of the book presents documents that illuminate Ives's personal life. A selection of some sixty letters to and from Ives and his family, edited and annotated by Tom C. Owens, is the first substantial collection of Ives correspondence to be published. Two sections of reviews and longer profiles published during his lifetime highlight the important stages in the reception of Ives's music, from his early works through the premieres of his most important compositions to his elevation as an almost mythic figure with a reputation among some critics as America's greatest composer.

Ives, Charles, --- Criticism and interpretation. --- Correspondence. --- Critique et interprétation --- Correspondance --- Critique et interprétation --- Ives, Charles Edward --- Criticism and interpretation --- Correspondence --- Ives, Charles, - 1874-1954 - Criticism and interpretation. --- Ives, Charles, - 1874-1954 - Correspondence. --- Composers --- Muziekwerken. --- Aufsatzsammlung --- Ives, Charles. --- Ives, Charles --- Critique et interpretation. --- Aaron Copland. --- Alexander Scriabin. --- American Tune. --- American popular music. --- Antonín Dvorák. --- Arnold Schoenberg. --- Art music. --- Atonality. --- Bernard Herrmann. --- Career. --- Carl Ruggles. --- Charles Ives. --- Choir. --- Church music. --- Claude Debussy. --- Composer. --- Contemporary classical music. --- Creative work. --- Dissonant. --- Dudley Buck. --- E. Robert Schmitz. --- Early music. --- Entrance (musician). --- Ernest Walker (composer). --- Example (musician). --- Experimental music. --- Felix Mendelssohn. --- For Example. --- Franz Liszt. --- Gilbert and Sullivan. --- Gospel Song (19th century). --- Gustav Mahler. --- Half note. --- Harry Lauder. --- Hear the Music. --- Henry Bellamann. --- Henry Cowell. --- Horatio Parker. --- Hymn tune. --- Igor Stravinsky. --- Illustration. --- Improvisation. --- Insurance. --- Johann Sebastian Bach. --- Johannes Brahms. --- John Cage. --- La mer (Debussy). --- Leon Botstein. --- Leonard Bernstein. --- Lou Harrison. --- Ludwig van Beethoven. --- Maynard Solomon. --- Metre (music). --- Modernism (music). --- Modulation (music). --- Music Is. --- Music history. --- Music theory. --- Musical "ation. --- Musical composition. --- Musical expression. --- Musician. --- New York Philharmonic. --- Newspaper. --- Nicolas Slonimsky. --- Olin Downes. --- Orchestra. --- Organist. --- Paul Hindemith. --- Philosopher. --- Phrase (music). --- Piano Music (Louie). --- Piano. --- Polyrhythm. --- Polytonality. --- Popular music. --- Prose. --- Rhythm. --- Richard Strauss. --- Schumann. --- Singing. --- Sonata in B minor (Liszt). --- Songwriter. --- Stuart. --- Symphony No. 3 (Beethoven). --- Symphony No. 5 (Beethoven). --- The Musical Quarterly. --- The New York Times. --- The Orchestra. --- Three Places in New England. --- Time signature. --- Tonality. --- Tone cluster. --- Transcendentalism. --- Universe Symphony (Ives). --- Vachel Lindsay. --- Virgil Thomson. --- Writing. --- Yaddo. --- Yale University. --- Songwriters --- Musicians --- Muziekgeschiedenis --- Biografieën --- Brieven --- Essays --- Iconografie --- Muziekkritiek --- Recensies --- Stijlstudies --- Amerika --- Noord-Amerika --- Verenigde Staten van Amerika --- 20e eeuw --- Beiträge --- Einzelbeiträge --- Sammelwerk --- Aĭvz, Ch., --- Aĭvz, Charlʹz, --- Ives, Charles E. --- Ives, Charles Edward, --- Ives, Ch. E. --- Ajvz, Čarlz --- Komponist --- Danbury, Conn. --- New York, NY --- Ives, Harmony T. --- Ives, George E. --- 1874-1954 --- 20.10.1874-19.05.1954