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Music --- Music --- Musique --- Son (Philosophie). --- Sound (Philosophy). --- Sound (Philosophy). --- Sound --- Philosophy and aesthetics. --- Philosophy and aesthetics. --- Philosophie et esthétique. --- Social aspects.
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Sound (Philosophy) --- Sounds --- Noise --- Son (Philosophie) --- Son --- Bruit --- Social aspects --- Case studies. --- Social aspects --- Case studies. --- Aspect social --- Etudes de cas --- Aspect social --- Etudes de cas
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"The introduction lays out the basic theoretical framework for acoustic profiling, a method for listening to films by way of acoustic ecology (and vice-versa). This method is based on a double critical movement. On the one hand, a sound ecology of the cinema entails the application of acoustic ecology's prescribed listening practices to film sound studies. On the other hand, a new way of thinking about acoustic ecology is born of film studies, a way to consider acoustic ecology's practice through film studies' long history of dealing with problems of fidelity and realism through recording technologies. This intersection of fields offers a necessary critical discourse for handling the challenges inherent in navigating acoustic ecology's media practices. The four dimensions of acoustic ecology are described as documentation, analysis, prescription, and composition, and it is explained how these dimensions can intersect with a variety of standard concepts in film sound theory. In turn, this introduction explains how the set of films to be analyzed across the book will demonstrate, enact, and challenge these dimensions through their mediality, defined here as a mode of reflexivity that emphasizes the role of media technologies in engaging with, rather than acting as barrier to, real-world space. The films expose the myth of vanishing mediation and invite audiences to reflect upon their approaches to the audiovisual construction of space so that we may carry this reflection out to the world beyond the frame of the screen and its surrounding walls. The intersection of acoustic ecology and film sound studies can make films work as both extensions of acoustic ecology and means for critically re-thinking the field"--
Bandes sonores (Cinéma) --- Film soundtracks --- Film soundtracks. --- Film, Musique de --- Motion picture music --- Motion picture music. --- Son (Philosophie). --- Sound (Philosophy). --- Histoire et critique. --- History and criticism.
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The Routledge Companion to Sounding Art presents an overview of the issues, methods, and approaches crucial for the study of sound in artistic practice. Thirty-six essays cover a variety of interdisciplinary approaches to studying sounding art from the fields of musicology, cultural studies, sound design, auditory culture, art history, and philosophy. The companion website hosts sound examples and links to further resources.
Music --- Sound (Philosophy) --- Avant-garde (Music) --- Sound --- Philosophy and aesthetics --- Psychological aspects --- Bioacoustics --- Experimental music --- Musical avant-garde --- Avant-garde (Aesthetics) --- Philosophy --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Philosophy and aesthetics. --- Psychological aspects. --- Musique --- Musique expérimentale --- Son --- Philosophie et esthétique --- Aspect psychologique --- Son (Philosophie) --- Musique expérimentale --- Philosophie et esthétique --- beeldende kunst --- Affective and dynamic functions --- muziekgeschiedenis --- sound [acoustics] --- elektronische muziek --- anno 2000-2099 --- Music - Philosophy and aesthetics --- Sound - Psychological aspects
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Interest in sensory atmospheres and architectural and urban ambiances has been growing for over 30 years. A key figure in this field is acclaimed German philosopher Gernot Böhme whose influential conception of what atmospheres are and how they function has been only partially available to the English-speaking public. This translation of key essays along with an original introduction charts the development of Gernot Böhme's philosophy of atmospheres and how it can be applied in various contexts such as scenography, commodity aesthetics, advertising, architecture, design, and art.The phenomenological analysis of atmospheres has proved very fruitful and its most important, and successful, application has been within aesthetics. The material background of this success may be seen in the ubiquitous aestheticization of our lifeworld, or from another perspective, of the staging of everything, every event and performance. The theory of atmospheres becoming an aesthetic theory thus reveals the theatrical, not to say manipulative, character of politics, commerce, of the event-society. But, taken as a positive theory of certain phenomena, it offers new perspectives on architecture, design, and art. It made the spatial and the experience of space and places a central subject and hence rehabilitated the ephemeral in the arts. Taking its numerous impacts in many fields together, it initiated a new humanism: the individual as a living person and his or her perspective are taken seriously, and this fosters the ongoing democratization of culture, in particular the possibility for everybody to participate in art and its works.
Aesthetics. --- Nature (Aesthetics) --- Architecture --- Light. --- Sound (Philosophy) --- 7.01 --- 111.852 --- 72.01 --- Kunsttheorie ; over sfeer, atmosfeer in kunst, architectuur en natuur --- Philosophy --- Electromagnetic waves --- Light sources --- Spectrum analysis --- Architectural aesthetics --- Aesthetics, Architectural --- Aesthetics --- Art and nature --- Nature and art --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Kunst ; theorie, filosofie, esthetica --- Filosofie ; Kunstfilosofie. Esthetica --- Architectuur ; theorie, filosofie, esthetica --- Psychology --- Esthétique --- Nature (Esthétique) --- Lumière --- Son (Philosophie) --- Light --- Radio broadcasting Aesthetics --- Affective and dynamic functions
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