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"The gaze, understood as a way of looking at others that involves contemplation and the operation of power, has an extensive history of iterations such as the male gaze (Mulvey), the oppositional gaze (hooks), and the post-colonial gaze (Said). This essay collection develops a supplemental theory of what Muriel Cormican has coined the "tender gaze" and traces its occurrence in German film, theater, and literature. More than qualifying the primarily voyeuristic, narcissistic, and sexist impetus of the male gaze, the tender gaze also allows for a differentiated understanding of the role identification plays in reception, and it highlights various means of eliciting a sociopolitical critique in works of art. Emphasizing the humanizing potential of the tender gaze, the contributors argue that far from simply exciting emotional contagion, affect in art promotes an altruistic, rational, and fundamentally ethical relationship to the other. The tender gaze elucidates how perspective-taking operates in art to foster empathy and prosocial behaviors. Though the contributors identify instances of the tender gaze in artistic production since the early nineteenth century, they focus on its pervasiveness in contemporary works, corresponding to twenty-first-century concerns with implicit bias and racism"--
Affect (Psychology) in literature. --- Affect (Psychology) in motion pictures. --- Arts and society --- History --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Motion pictures --- Social aspects --- Art Analysis. --- Art and Emotion. --- Compassionate Encounters. --- Contemporary Art. --- Empathy. --- German Literature. --- German Screen. --- German Theater. --- Humanizing Potential. --- Perspective-Taking. --- Prosocial Behaviors. --- Sociopolitical Critique. --- Tender Gaze. --- Gaze in art.
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Focusing on one landmark catastrophic event in the history of an emerging modern nation--the Great Kantō Earthquake that devastated Tokyo and surrounding areas in 1923--this fascinating volume examines the history of the visual production of the disaster. The Kantō earthquake triggered cultural responses that ran the gamut from voyeuristic and macabre thrill to the romantic sublime, media spectacle to sacred space, mournful commemoration to emancipatory euphoria, and national solidarity to racist vigilantism and sociopolitical critique. Looking at photography, cinema, painting, postcards, sketching, urban planning, and even scientific visualizations, Weisenfeld argues that that visual culture has powerfully mediated the evolving historical understanding of this major national disaster, ultimately enfolding mourning and memory into modernization [Publisher description].
Arts, Japanese --- Kanto Earthquake, Japan, 1923. --- Earthquakes in art. --- Arts and society --- Earthquakes --- Quakes (Earthquakes) --- Earth movements --- Natural disasters --- Seismology --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Great Kanto Earthquake, Japan, 1923 --- Great Tokyo Earthquake, Japan, 1923 --- Tokyo Earthquake, Japan, 1923 --- Japanese arts --- Themes, motives. --- History --- Social aspects --- Kanto Earthquake, Japan, 1923 --- Earthquakes in art --- J3375 --- J3410 --- Themes, motives --- Japan: History -- Kindai, modern -- Taishō period (1912-1926) --- Japan: Geography and local history -- Kantō region, greater Tōkyō --- Kanto Earthquake (Japan : 1923) --- analytical analysis. --- asian history. --- books about japan. --- books about the environment. --- books for history lovers. --- catastrophe planning. --- catastrophic event. --- culture in tokyo. --- earthquakes. --- easy to read. --- engaging. --- environmental ecology. --- environmental history. --- great kanto earthquake. --- interesting books. --- japanese culture. --- japanese history. --- japanese nationalism. --- major historical events. --- mother nature. --- national disaster. --- natural disasters. --- nature and politics. --- page turner. --- politics and disaster. --- sociopolitical critique.
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