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Motion pictures --- Socialist realism in motion pictures.

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With internationalist aspirations and wide-ranging historical perspectives, East German films about artists and their work became hotly contested spaces in which filmmakers could look beyond the GDR and debate the impact of contemporary cultural policy on the reception of their pre-war cultural heritage. Spanning newsreels, documentaries, and feature films, Screening Art is the first full-length investigation into a genre that has been largely overlooked in studies of DEFA, the state-owned Eastern German film studio. As it shows, “artist-films” played an essential role in the development of new paradigms of socialist art in postwar Europe.

Socialist realism in motion pictures. --- Motion pictures --- Socialism and motion pictures --- Aesthetics. --- History. --- Kunstlerfilm, DEFA, East German Films, Socialist Art, GDR.

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In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of Communist ideology. But beneath the surface of this fantasy, between the lines of texts and in film, lurked another figure: the wounded body of the heroic invalid, the second version of Stalin's New Man. In How the Soviet Man Was Unmade, Lilya Kaganovsky exposes the paradox behind the myth of the indestructible Stalinist-era male. In her analysis of.

Russian literature --- Motion pictures --- Masculinity in literature. --- Masculinity in motion pictures. --- Men in literature. --- Men in motion pictures. --- Socialist realism in literature. --- Socialist realism in motion pictures. --- Socialist realism --- History and criticism. --- History. --- Realism, Socialist --- Masculinity (Psychology) in literature --- Communist aesthetics --- 1900-1999 --- Sowjetunion --- Soviet Union