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grafisch ontwerp --- grafisch design --- grafische vormgeving --- social design --- België --- Turkije --- rituelen --- 766.024

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Das Designfeld ist im Umbruch. Sowohl die Theorie als auch die Praxis suchen ›neue‹ Betätigungsfelder und streben nach einem anderen Selbstverständnis. Man will politisches Design machen, will als Akteur gesellschaftlicher Veränderungen wahrgenommen werden, zuweilen wohl gar die neue Leitdisziplin des urbanen Wandels werden. Unter einem erweiterten Designbegriff stellt sich daher die Frage: Was heißt es, im Sinne eines öffentlichen Interesses zu gestalten? Und vielleicht noch mehr: Was heißt es, das öffentliche Interesse selbst zu gestalten? Die Beiträge des Bandes gehen dieser Frage nach und zeigen: Ein solcher Anspruch ist eine Anmaßung - ob es eine wohltuende Anmaßung ist, hängt in erster Linie von der kritischen Hinterfragung der Grundidee ab. Mit Beiträgen von unter anderem Gernot Böhme, Friedrich von Borries, Bazon Brock, Heike Delitz und Jesko Fezer. »Ein beeindruckender Sammelband.« Anne Haeming, www.spiegel-online.de, 13.01.2019 Besprochen in: RKW Bücherdienst, 1 (2019)

Industrial / commercial art & design --- Design. --- Participation. --- Politics. --- Social Design. --- Society. --- Space. --- Urban Design. --- Urban Studies. --- Öffentliches Interesse; Gesellschaft; Design; Politik; Politisches Design; Partizipation; Social Design; Urban Design; Transformationsdesign; Urban Studies; Raum; Public Interest; Society; Politics; Participation; Space

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a Exploring how design can be used for good--prompting self-reflection, igniting the imagination, and affecting positive social change. Good design provides solutions to problems. It improves our buildings, medical equipment, clothing, and kitchen utensils, among other objects. But what if design could also improve societal problems by prompting positive ideological change In this book, Bruce and Stephanie Tharp survey recent critical design practices and propose a new, more inclusive field of socially minded practice: discursive design. While many consider good design to be unobtrusive, intuitive, invisible, and undemanding intellectually, discursive design instead targets the intellect, prompting self-reflection and igniting the imagination. Discursive design (derived from "discourse") expands the boundaries of how we can use design--how objects are, in effect, good(s) for thinking. Discursive Design invites us to see objects in a new light, to understand more than their basic form and utility. Beyond the different foci of critical design, speculative design, design fiction, interrogative design, and adversarial design, Bruce and Stephanie Tharp establish a more comprehensive, unifying vision as well as innovative methods. They not only offer social criticism but also explore how objects can, for example, be used by counselors in therapy sessions, by town councils to facilitate a pre-vote discussions, by activists seeking engagement, and by institutions and industry to better understand the values, beliefs, and attitudes of those whom they serve. Discursive design sparks new ways of thinking, and it is only through new thinking that our sociocultural futures can change.

770.6 --- ontwerpmethodiek --- ontwerpproces --- productdesign, filosofie, esthetiek en kritiek --- design --- productdesign --- designtheorie --- ontwerpmethodologie --- social design --- ontwerppraktijk --- designpraktijk --- 745.01

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"The designer, author and design activist Victor J. Papanek anticipated an understanding of design as a tool for political change and social good that is more relevant today than ever. He was one of the first designers in the mainstream arena to critically question design's social and ecological consequences, introducing a new set of ethical questions into the design field.Victor Papanek: The Politics of Design presents an encompassing overview of Papanek's oeuvre, at the heart of which stood his preoccupation with the socially marginalized and his commitment to the interests of areas then called the Third World, as well as his involvement in the fields of ecology, bionics, sustainability and anti-consumerism. Alongside essays and interviews discussing Papanek's relevance in his own era, this book also presents current perspectives on his enduring legacy and its influence on contemporary design theory. Original Papanek family photographs, art and design work, drawings, correspondence and countless materials from the Victor J. Papanek Foundation archive at the University of Applied Arts Vienna are reproduced here for the first time, alongside work by both Papanek's contemporaries and designers working today." -- Amazon.com

770.7 --- 770.6 --- social design --- ontwerpmethodiek --- ecologie --- sustainable design --- Papanek, Victor --- productdesign --- designtheorie --- interaction design, participatory design, social design --- productdesign, filosofie, esthetiek en kritiek --- 614.61 --- milieubeheer --- milieubeheer, milieubeleid algemeen --- Museology --- design [discipline] --- graphic design --- 749.07 --- Papanek, Victor 1923 - 1998 (°Wenen, Oostenrijk) --- Social design ; ontwerptheorie en praktijk --- Duurzaam ontwikkelde technieken en producten --- Product design ; duurzame ; ecologische materialen --- Architecten. Stedenbouwkundigen A - Z

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This book tells the story of critical avant-garde design in Japan, which emerged during the 1960s and continues to inspire designers today. The practice communicates a form of visual and material protest drawing on the ideologies and critical theories of the 1960s and 1970s, notably feminism, body politics, the politics of identity, and ecological, anti-consumerist and anti-institutional critiques, as well as the concept of otherness. It also presents an encounter between two seemingly contradictory concepts: luxury and the avant-garde. The book challenges the definition of design as the production of unnecessary decorative and conceptual objects, and the characterisation of Japanese design in particular as beautiful, sublime or a product of 'Japanese culture'. In doing so it reveals the ways in which material and visual culture serve to voice protest and formulate a social critique.

Design --- Avant-garde (Aesthetics) --- Material culture --- Avant-garde. --- Comme des Garçons. --- Critical design. --- Digital design. --- Japan. --- Material culture. --- Mujirushi Ryohin. --- Postmodern design. --- Social design. --- Visual culture.