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One of the most popular poets of her time, Charlotte Smith revived the sonnet form in England, influencing Wordsworth and Keats. Equally popular as a novelist, she experimented with many genres, and even her children's books were highly regarded by her contemporaries. Charlotte Smith's letters enlarge our understanding of her literary achievement, for they show the private world of spirit, determination, anger, and sorrow in which she wrote.Despite her family's diligence in destroying her papers
Authors, English --- Smith, Charlotte Turner, --- Smith, Charlotte,
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Thematology --- Smith, Charlotte --- anno 1700-1799 --- Great Britain --- Authors, English --- Women and literature --- 82 --- Biography --- History --- Literatuur. Algemene literatuurwetenschap --- Smith, Charlotte, --- Smith, Charlotte Turner, --- Writers --- Book
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Narration (Rhetoric) --- Narration (Rhétorique) --- Narrative writing --- Verhaal (Retoriek) --- Women and literature --- English fiction --- Irony in literature. --- Femmes et littérature --- Roman anglais --- Narration --- Ironie dans la littérature --- History --- Women authors --- History and criticism. --- Histoire --- Femmes écrivains --- Histoire et critique --- West, --- Smith, Charlotte Turner, --- Bennett, --- Technique. --- Irony in literature --- History and criticism --- Bennett --- West --- Smith, Charlotte Turner --- Technique --- -English fiction --- -Irony in literature --- -Literature --- Narrative (Rhetoric) --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- English literature --- -History and criticism --- -Bennett Mrs --- -Smith, Charlotte Turner --- West Mrs --- -Women authors --- Femmes et littérature --- Ironie dans la littérature --- Femmes écrivains --- -Narrative (Rhetoric) --- Women authors&delete& --- Anna or the Welsh heiress, Author of, --- Auteur de Cecilia, --- Author of Anna or the Welsh heiress, --- Bennett, Agnes Maria, --- Bennett, Anna Maria, --- Cecilia, auteur de, --- 18th century --- Women and literature - England - History - 18th century --- English fiction - Women authors - History and criticism --- English fiction - 18th century - History and criticism --- Bennett - Technique --- Femmes ecrivains anglaises --- Technique narrative
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‘Labbe’s cogent, provocative, and challenging discussion offers an exciting, new way of thinking about authorial interactions. Meticulous in locating so many instances in which Austen and Smith speak to one another, Labbe persuasively argues that critical recognition of the value of Austen’s writing needs, in turn, to appreciate the forethinking present in Smith’s work.’ - Dr. Harriet Kramer Linkin, New Mexico State University, USA ‘A lively challenge to ideas of influence. It provokes and persuades. Written in a refreshing and innovative style, it never fails to interest the reader. The works of both authors are enriched by this study, which upends what we think we know to reveal so much more than we realised.’ - Professor Sharon Ruston, Lancaster University, UK ‘Thought-provoking, insightful and accessible, offering a new approach to reading women’s fiction of the Romantic period. Labbe makes a compelling case for ‘cowriting’, for dialogue and exchange. This book not only sheds fresh light on and Austen; it provides an innovative account of how women writers can productively be read as engaging in conversation rather than competition.’ - Professor Fiona Price, University of Chichester, UK This book explores what it means to read the six major works of Jane Austen, in light of the ten major works of fiction by Charlotte Smith. It proposes that Smith had a deep and lasting impact on Austen, but this is not an influence study. Instead, it argues for the possibility that two authors who never met could between them write something into being, both responding to and creating a novelistic zeitgeist. This, the book argues, can be called co-writing. This book will appeal to students and scholars of the novel, of women’s writing, and of Smith and Austen specifically.
Austen, Jane, --- Smith, Charlotte, --- Smith, Charlotte Turner, --- Ao-ssu-ting, --- Ao-ssu-ting, Chien, --- Aosiding, --- Aosiding, Jian, --- Āsṭin̲, Jēn̲, --- Austenová, Jane, --- Osten, Dzheĭn, --- Ostin, Dzhein, --- Lady, --- Author of Sense and Sensibility, --- Остен, Джейн, --- Остен, Джейм, --- אוסטן, ג׳יין --- אוסטן, ג׳יין, --- أوستن، جين، --- Criticism and interpretation. --- Influence. --- Influence (Literary, artistic, etc.) --- Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Art --- Influence (Psychology) --- Literature --- Intermediality --- Intertextuality --- Originality in literature --- Literature, Modern—18th century. --- Literature, Modern—19th century. --- Eighteenth-Century Literature. --- Nineteenth-Century Literature.
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This book examines women’s domestic occupations in the Romantic-period novel at the most intimately human level. By examining the momentary thought and feeling processes that informed the playing of a harp, the stitching of a dress, or the reading of a gothic novel, the book shifts the focus from women’s socio-cultural contributions through domestic endeavor to how women’s day-to-day tasks shaped experiences of joy, friendship, resentment, and self. Through an understanding of domestic occupations as forms of human action, the study emphasises the inherent unpredictability of quotidian activities and draws attention to their capacity for exceeding cultural parameters. Specifically, the book examines needlework, musical accomplishment, novel reading, and sensibility in the work of Charlotte Smith, Jane Austen, and Frances Burney, giving new perspectives on established canonical works while also providing the most sustained analysis of Charlotte Smith’s little studied novel, Ethelinde, to date. .
English fiction --- Women authors --- History and criticism. --- Fiction. --- Literature, Modern-20th century. --- Literature, Modern-19th century. --- Motion pictures and television. --- Contemporary Literature. --- Twentieth-Century Literature. --- Nineteenth-Century Literature. --- Screen Studies. --- Moving-pictures and television --- Television and motion pictures --- Television --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Philosophy --- Literature, Modern—20th century. --- Literature, Modern—21st century. --- Literature, Modern—19th century. --- Romance fiction --- Women in literature. --- Home in literature. --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Love --- Love stories --- Romances (Love stories) --- Romantic fiction --- Romantic stories --- Smith, Charlotte, --- Austen, Jane, --- Burney, Fanny, --- Arblay, --- D'Arblay, --- Burneĭ, --- Bi︠u︡rneĭ, --- Burney, Frances, --- D'Arblay, Fanny, --- D'Arblay, Frances Burney, --- Arblay, Frances Burney d', --- Author of Evelina, --- Evelina, Author of, --- Author of Evelina and Cecilia, --- Evelina and Cecilia, Author of, --- Author of Camilla, --- Camilla, Author of, --- Wood, --- Burney, Frances Anne, --- Ao-ssu-ting, --- Ao-ssu-ting, Chien, --- Aosiding, --- Aosiding, Jian, --- Āsṭin̲, Jēn̲, --- Austenová, Jane, --- Osten, Dzheĭn, --- Ostin, Dzhein, --- Lady, --- Author of Sense and Sensibility, --- Остен, Джейн, --- Остен, Джейм, --- אוסטן, ג׳יין --- אוסטן, ג׳יין, --- أوستن، جين، --- Smith, Charlotte Turner, --- Criticism and interpretation.
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