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"John Carpenter's 1978 horror hit Halloween was once considered the be-all, end-all of teen slasher cinema and was regarded as the first, the best, and the most influential American slasher film. Recent revisions in film history, however, have challenged Halloween's comfortable place in the canon of youth horror cinema. This study argues that Halloween need not be the first nor the most influential youth slasher film for it to hold a special place in the history of youth cinema. In a manner like no other film, Halloween draws from the themes, imagery, and obsessions that fuelled youth horror cinema since the 1950s - Gothic atmosphere, atomic dread, twisted psychology, and alienated teenage monsters - and ties them together in the deceptively simple story of a masked killer stalking babysitters on Halloween night. Along the way, the film delivers a savage critique of social institutions and their failure to protect young people. Halloween also depicts a cadre of compelling and complicated youth characters: teenage babysitters watching over preadolescents as a killer, who is viciously avoiding the responsibilities of young adulthood, stalks them through the shadows. This book explores all these aspects of Halloween, including the franchise it spawned"--
Halloween films. --- Horror films --- Slasher films --- Youth in motion pictures. --- History and criticism --- History and criticism --- Halloween (Motion picture : 1978).
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"The Psycho Records follows the influence of the primal shower scene within subsequent slasher and splatter films. American soldiers returning from World War II were called "psychos" if they exhibited mental illness. Robert Bloch and Alfred Hitchcock turned the term into a catch-all phrase for a range of psychotic and psychopathic symptoms or dispositions. They transferred a war disorder to the American heartland. Drawing on his experience with German film, Hitchcock packed inside his shower stall the essence of schauer, the German cognate meaning "horror." Later serial horror film production has post-traumatically flashed back to Hitchcock's shower scene. In the end, though, this book argues the effect is therapeutically finite. This extensive case study summons the genealogical readings of philosopher and psychoanalyst Laurence Rickels. The book opens not with another reading of Hitchcock's 1960 film but with an evaluation of various updates to vampirism over the years. It concludes with a close look at the rise of demonic and infernal tendencies in horror movies since the 1990s and the problem of the psycho as our most uncanny double in close quarters."--Publisher's website.
film --- filmgeschiedenis --- filmtheorie --- twintigste eeuw --- Hitchcock Alfred --- Psycho --- horror --- Verenigde Staten --- film en psychoanalyse --- 791.41 --- Thrillers (Motion pictures) --- Slasher films --- Films d'horreur --- Films à suspense --- History and criticism. --- Histoire et critique --- Histoire et critique. --- Film --- Bodycount films --- Dead teenager movies --- Slashers (Motion pictures) --- Horror films --- Film thrillers --- Movie thrillers --- Psycho thrillers (Motion pictures) --- Psychological thrillers (Motion pictures) --- Psychothrillers (Motion pictures) --- Suspense films --- Thriller films --- Thriller movies --- Thrillers (Motion pictures, television, etc.) --- Motion pictures --- Crime films --- Films à suspense
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