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Wereldoorlog I --- Slade School of Fine Art (Londen) --- Schwabe, Randolph
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museumcollecties Londen --- schilderijen --- Slade School of Fine Art (Londen) --- University College London Art Collections --- Londen
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Wereldoorlog I --- post-impressionisme --- modernisme --- Slade School of Fine Art (Londen) --- Spencer, Stanley
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Slade School of Fine Art (Londen) --- Bloomsbury Group --- landschappen --- Orpen, William --- Everett, John --- Dorset --- Wessex
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Wereldoorlog I --- Slade School of Fine Art (Londen) --- Nash, Paul --- Nevinson, C.R.W. --- Gertler, Mark --- Carrington, Dora --- Bomberg, David --- 1908 - 1922 --- 20ste eeuw
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Spanning a century, this beautifully illustrated history encompasses a diverse but related group of painters, mostly based in London, who focused on the depiction of the human figure and the everyday landscape they inhabited. Despite their great differences, these artists all shared a similarly intense and scrutinizing gaze, and remained loyal to their pursuit of using paint to capture intimate and powerful representations of reality. Focusing on painters active in the second half of the twentieth century (including Michael Andrews, Frank Auerbach, R.B. Kitaj, Leon Kossoff, Paula Rego, F.N. Souza and Euan Uglow) the book begins by looking at their predecessors, who set a new path for portraying an intimate, subjective and tangible reality artists such as Walter Richard Sickert, David Bomberg, Alberto Giacometti, Chaïm Soutine, Stanley Spencer and William Coldstream. It addresses the relationship between image-making, painting and photography, and also features works by contemporary artists such as Jenny Saville, Cecily Brown and Lynette Yiadom-Boakye, artists who paint figures in a manner that feels true to their personal experience of life.
portretschilderkunst --- Painting --- portraits --- anno 2000-2009 --- anno 1900-1999 --- England --- Bacon, F. --- Freud, L. --- Slade School of Fine Art (Londen) --- dagelijks leven --- identiteit --- menselijk lichaam --- modernisme --- Andrews, Michael --- Auerbach, Frank --- Bacon, Francis --- Bomberg, David --- Coldstream, William --- Deakin, John --- Freud, Lucian --- Giacometti, Alberto --- Kitaj, Ronald B. --- Kossoff, Leon --- Rego, Paula --- Souza, Francis Newton --- 20ste eeuw --- Groot-Brittannië --- identity --- human figures [visual works] --- Brown, Cecily --- Yiadom-Boakye, Lynette --- Newton Souza, Francis --- Saville, Jenny --- modernisme. --- Slade School of Fine Art (Londen). --- identiteit. --- menselijk lichaam. --- dagelijks leven. --- Bacon, Francis. --- Freud, Lucian. --- Souza, Francis Newton. --- Giacometti, Alberto. --- Coldstream, William. --- Bomberg, David. --- Auerbach, Frank. --- Kossoff, Leon. --- Deakin, John. --- Andrews, Michael. --- Rego, Paula. --- 20ste eeuw. --- Groot-Brittannië.
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Drawing on untapped archives, as well as aggregating a wide range of existing published sources, this book recalibrates the understanding of women artists’ roles, outputs and receptions in London during what was indubitably a vibrant and innovative period in the history of British art, and in which the work of their male contemporaries is so well understood. The book takes its starting point from Alicia Foster’s article “Gwen John’s Self-Portrait: Art, Identity and Women Students at the Slade School,” published in 2000, where the expression “a talented and decorative group” was coined to describe common attitudes towards women artists in the late 19th and early 20th century London. This pejorative attribution strongly implied a status less significant to that of their male counterparts. The author challenges this statement's basic tenet by casting a wide net in examining women’s art education from the Slade School of Fine Art, through to the role of its graduates within a selection of London’s exhibition groups, societies and publications. This book also reconstructs ‘from scratch’ the role of the Women’s International Art Club (WIAC), hitherto entirely overlooked in art historical studies of the era. This book will be of interest to students and researchers in art and cultural history, gender studies,and in sociological studies of pre-War World War Britain. .
Women artists --- History --- Slade School of Fine Art --- History. --- Artists, Women --- Women as artists --- Artists --- London. --- University College, London. --- Arts. --- Civilization—History. --- Women. --- Culture. --- Gender. --- Social history. --- Cultural History. --- Women's Studies. --- Culture and Gender. --- Social History. --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Descriptive sociology --- Social conditions --- Social history --- Sociology --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Social aspects --- Art --- Study and teaching --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Visual --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art, Primitive
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sculpting --- Sculpture --- beeldhouwkunst --- Caro, Anthony --- Paolozzi, Eduardo --- King, Philip --- Moore, Henry --- Gilbert and George --- Great Britain --- Sculpture, English --- Sculpture anglaise --- Exhibitions. --- Expositions --- Dictionnaire --- Nouvelle sculpture --- Histoire de la sculpture --- 20e siècle --- Royaume-Uni --- public art --- outdoor sculpture --- sculpture [visual work] --- assemblages [sculpture] --- Kneale, Bryan --- Drury, Alfred --- de Monchaux, Cathy --- Latham, John --- Skeaping, John Rattenbury --- Flanagan, Barry --- Chadwick, Helen --- Epstein, Jacob --- Underwood, Leon --- Plackman, Carl --- Long, Richard --- Kapoor, Anish --- Boyle, Mark --- Hill, Anthony --- Allington, Edward --- Mistry, Dhruva --- Gill, Eric --- Head, Tim --- Martin, Kenneth --- McWilliam, Frederick Edward --- Jagger, Sargeant --- McLean, Bruce --- Nicholson, Ben --- Harris, Richard --- Onslow Ford, Edward --- Wilding, Alison --- Frink, Elisabeth --- Lambert, Maurice --- Blacker, Kate --- Pomeroy, Frederick William --- Cox, Stephen --- Dalwood, Hubert --- Whiteread, Rachel --- Barker, Clive --- Nash, David --- Thornycroft, Hamo --- Holden, Charles Henry --- Mach, David --- Kennington, Eric --- Hepworth, Barbara --- Hirst, Damien --- Goldsworthy, Andy --- Finlay, Ian Hamilton --- Gilbert, Alfred --- Gaudier-Brzeska, Henri --- Foulkes, Glyn --- Witkin, Isaac --- Scott, Tim --- Armitage, Kenneth --- Sandle, Michael --- Culbert, Bill --- Butler, Reginald --- Davey, Grenville --- Deacon, Richard --- Opie, Julian --- Cragg, Tony --- Meadows, Bernard --- Rodin, Auguste --- Gormley, Antony --- Bolus, Michael --- Bates, Harry --- Wentworth, Richard --- Davies, John --- Tremlett, David --- Craig-Martin, Michael --- Pye, William --- Smith, Kate --- Woodrow, Bill --- Frampton, George --- Smith, David --- Martin, Mary --- Chadwick, Lynn --- Clarke, Geoffrey --- Brock, Thomas --- Annesley, David --- Tucker, William --- Naylor, Martin --- Hesse, Eva --- Medalla, David --- Mason, Raymond --- Houshiary, Shirazeh --- Adams, Robert --- Turnbull, William --- Wilson, Richard --- Hall, Nigel --- Hilliard, John --- Quinn, Marc --- Dobson, Frank --- Saint Martin's School --- Art & Language --- Royal College of Art [London] --- Slade School of Fine Art --- Royal Academy School --- anno 1900-1999 --- comm. Daniel Abadie ; ass. d'Anthony Spira --- Groot-Brittannië --- naslagwerk --- twintigste eeuw --- kunst --- Epstein Jacob --- Hepworth Barbara --- Nicholson Ben --- Moore Henry --- Paolozzi Eduardo --- Caro Anthony --- King Philip --- Gilbert & George --- Long Richard --- land art --- Kapoor Anish --- Gormley Antony --- Whiteread Rachel --- Hirst Damien --- kunstonderwijs --- Goldsworthy Andy --- Flanagan Barry --- Woodrow Bill --- Cragg Tony --- Deacon Richard --- Craig-Martin Michael --- Mason Raymond --- 73.036 --- sculpture [visual works] --- Monchaux, de, Cathy --- Skeaping, John --- Jagger, Charles Sargeant --- Ford, Edward Onslow --- English sculpture --- King, Phillip --- Sculpture, English - 20th century - Exhibitions
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