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English literature --- Skin in literature. --- Human body in literature. --- History and criticism.
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Fusako Innami offers the first comprehensive study of touch and skinship-relationality with the other through the skin-in modern Japanese writing. The concept of the unreachable-that is, the lack of characters' complete ability to touch what they try to reach for-provides a critical intervention on the issue of intimacy. Touch has been philosophically addressed in France, but literature is an effective-or possibly the most productive-venue for exploring touch in Japan, as literary texts depict what the characters may be concerned with but may not necessarily say out loud. Such a moment of capturing the gap between the felt and the said-the interaction between the body and language-can be effectively analyzed by paying attention to layers of verbalization, or indeed translation, by characters' utterances, authors' depictions, and readers' interpretations. Each of the writers discussed in this book-starting with Nobel prize winner Kawabata Yasunari, Tanizaki Jun'ichirō, Yoshiyuki Junnosuke, and Matsuura Rieko-presents a particular obsession with objects or relationality to the other constructed via the desire for touch. In Touching the Unreachable, phenomenological and psychoanalytical approaches are cross-culturally interrogated in engaging with literary touch to constantly challenge what may seem like the limit of transferability regarding concepts, words, and practices. The book thereby not only bridges cultural gaps beyond geographic and linguistic constraints, but also aims to decentralize a Eurocentric hegemony in its production and use of theories and brings Japanese cultural and literary analyses into further productive and stimulating intellectual dialogues. Through close readings of the authors' treatment of touch, Innami develops a theoretical framework with which to examine intersensorial bodies interacting with objects and the environment through touch.
Japanese literature --- Touch in literature. --- Skin in literature. --- History and criticism. --- Popular culture
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In Victorian Skin, Pamela K. Gilbert uses literary, philosophical, medical, and scientific discourses about skin to trace the development of a broader discussion of what it meant to be human in the nineteenth century. Where is subjectivity located? How do we communicate with and understand each other's feelings? How does our surface, which contains us and presents us to others, function and what does it signify? As Gilbert shows, for Victorians, the skin was a text to be read. Nineteenth-century scientific and philosophical perspectives had reconfigured the purpose and meaning of this organ as more than a wrapping and instead a membrane integral to the generation of the self. Victorian writers embraced this complex perspective on skin even as sanitary writings focused on the surface of the body as a dangerous point of contact between self and others. Drawing on novels and stories by Dickens, Collins, Hardy, and Wilde, among others, along with their French contemporaries and precursors among the eighteenth-century Scottish thinkers and German idealists, Gilbert examines the understandings and representations of skin in four categories: as a surface for the sensing and expressive self; as a permeable boundary; as an alienable substance; and as the site of inherent and inscribed properties. At the same time, Gilbert connects the ways in which Victorians "read" skin to the way in which Victorian readers (and subsequent literary critics) read works of literature and historical events (especially the French Revolution.) From blushing and flaying to scarring and tattooing, Victorian Skin tracks the fraught relationship between ourselves and our skin.
Skin --- Realism in literature. --- Skin in literature. --- English literature --- Neorealism (Literature) --- Magic realism (Literature) --- Mimesis in literature --- Cutis --- Integument (Skin) --- Beauty, Personal --- Body covering (Anatomy) --- Social aspects --- History --- History and criticism.
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82.04 --- 82.04 Literaire thema's --- Literaire thema's --- Skin in literature. --- Human body --- Mind and body --- Skin in literature --- Skin --- Cutis --- Integument (Skin) --- Beauty, Personal --- Body covering (Anatomy) --- Body and mind --- Body and soul (Philosophy) --- Mind --- Mind-body connection --- Mind-body relations --- Mind-cure --- Somatopsychics --- Brain --- Dualism --- Philosophical anthropology --- Holistic medicine --- Mental healing --- Parousia (Philosophy) --- Phrenology --- Psychophysiology --- Self --- Symbolic aspects of the human body --- Symbolism --- Symbolic aspects --- Psychological aspects --- Mind and body. --- Symbolic aspects. --- Psychological aspects.
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History of civilization --- Philosophy and psychology of culture --- anno 500-1499 --- Skin in art. --- Skin in literature. --- Civilization, Medieval. --- Literature, Medieval --- Peau dans l'art --- Peau dans la littérature --- Civilisation médiévale --- Littérature médiévale --- Themes, motives --- Thèmes, motifs --- Peau dans la littérature --- Civilisation médiévale --- Littérature médiévale --- Thèmes, motifs
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First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
American fiction --- Skin in literature. --- Identity (Psychology) in literature. --- Human skin color in literature. --- Human body in literature. --- Touch in literature. --- Body, Human, in literature --- Human figure in literature --- History and criticism. --- Acker, Kathy, --- Woolf, Virginia, --- Pynchon, Thomas --- Ellison, Ralph. --- Pinchon, Tomas --- Fear, Clay, --- Black Tarantula, --- Criticism and interpretation. --- Acker, Kathy
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Love in literature --- Amour dans la littérature --- Ovid, --- Epistolary poetry, Latin --- Didactic poetry, Latin --- Erotic poetry, Latin --- Love poetry, Latin --- Separation (Psychology) in literature --- Mythology, classical, in literature --- Seduction in literature --- Women in literature --- Skin in literature --- History and criticism --- Criticism and interpretation --- -Love poetry, Latin --- -Epistolary poetry, Latin --- -Erotic poetry, Latin --- -Mythology, Classical, in literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Latin erotic poetry --- Latin poetry --- Latin epistolary poetry --- Latin love poetry --- Latin didactic poetry --- Ovid --- -Criticism and interpretation --- Mythology, Classical, in literature. --- Seduction in literature. --- Separation (Psychology) in literature. --- Skin in literature. --- Women in literature. --- History and criticism. --- Criticism and interpretation. --- -Ovid --- Ovide --- Amour dans la littérature --- Mythology, Classical, in literature --- Nasó, P. Ovidi, --- Naso, Publius Ovidius, --- Nazon, --- Ouidio, --- Ovide, --- Ovidi, --- Ovidi Nasó, P., --- Ovidiĭ, --- Ovidiĭ Nazon, Publiĭ, --- Ovidio, --- Ovidio Nasón, P., --- Ovidio Nasone, Publio, --- Ovidios, --- Ovidiu, --- Ovidius Naso, P., --- Ovidius Naso, Publius, --- Owidiusz, --- P. Ovidius Naso, --- Publiĭ Ovidiĭ Nazon, --- Publio Ovidio Nasone, --- Ūvīd, --- אוביד, --- Epistolary poetry, Latin - History and criticism --- Didactic poetry, Latin - History and criticism --- Erotic poetry, Latin - History and criticism --- Love poetry, Latin - History and criticism --- Ovid, - 43 BC-17 AD or 18 AD - Criticism and interpretation --- Ovid, - 43 BC-17 AD or 18 AD
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