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The ladies of Pop-Art play with art in the Bad Girl manner between Pin-Up and consumerism. These unconventional and powerful works are determined by female sexuality and lust, the post-war economic miracle and politics. Pop characterizes the humour and lightness of their attitude towards life. This book presents extraordinary women Pop artists. While it was mainly their male colleagues who have been celebrated up to the present, “Power Up – Female Pop Art” now casts light for the first time on prominent women artists. In the tension field between Abstract Expressionism and Minimalism, figuration and abstraction, consumerism and capitalism criticism, the works by these artists certainly resemble those by their male colleagues in terms of material, subject matter and working method. But at the same time, a specific female methodology, approach or interest is established based on exemplary works. The artists document and subjectify the post-war boom years, reflect the superficiality of consumerism and meet mass taste as pioneering feminist positions in their pithiness, monumentality, the simple vocabulary of forms as well as the gaudy choice of colours, and nevertheless remain combative, critical and extraordinary.
705.8 --- Axell, Evelyne --- De Saint Phalle, Niki --- Dichgans, Christa --- Drexler, Rosalyn --- Haworth, Jann --- Iannone, Dorothy --- Kogelnik, Kiki --- Marisol --- Sister Corita --- pop art --- vrouwen --- kunstgeschiedenis, 20e eeuw --- Exhibitions --- de Saint Phalle, Niki
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At 18, Corita Kent (1918-86) entered the Roman Catholic order of Sisters of the Immaculate Heart of Mary in Los Angeles, where she taught art and eventually ran the art department. After more than 30 years, at the end of the 1960s, she left the order to devote herself to making her own work. Over a 35-year career she made watercolors, posters, books and banners--and most of all, serigraphs--in an accessible and dynamic style that appropriated techniques from advertising, consumerism and graffiti. The earliest, which she began showing in 1951, borrowed phrases and depicted images from the Bible; by the 1960s, she was using song lyrics and publicity slogans as raw material. Eschewing convention, she produced cheap, readily available multiples, including a postage stamp. Her work was popular but largely neglected by the art establishment--though it was always embraced by such design luminaries as Charles and Ray Eames, Buckminster Fuller and Saul Bass. More recently, she has been increasingly recognized as one of the most innovative and unusual Pop artists of the 1960s, battling the political and religious establishments, revolutionizing graphic design and making some of the most striking--and joyful--American art of her era, all while living and practicing as a Catholic nun. This first study of her work, organized by Julie Ault on the 20th anniversary of Kent's death, with essays by Ault and Daniel Berrigan, is the first to examine this important American outsider artist's life and career, and contains more than 90 illustrations, many of which are reproduced for the first time, in vibrant, and occasionally Day-Glo, color.Bron : https://www.amazon.com/Come-Alive-Spirited-Sister-Corita/dp/0954502523
Corita, --- 766.07 --- 76.07 --- Grafische vormgevers ; 20ste eeuw ; Sister Corita --- Sister Corita (Frances Elizabeth Kent) 1918-1986 (° Fort Dodge, Iowa, Verenigde Staten) --- Kent, Frances Elizabeth --- Grafiek ; zeefdrukken --- Grafische vormgeving ; reclame ; affiches ; 1960-1970 --- Posters ; billboards ; kleur ; tekst ; beeld --- Pop-Art --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators A-Z --- Grafische kunst ; grafische kunstenaars A-Z --- kunst --- 75.071 CORITA --- 76.071 CORITA --- 766.071 CORITA --- 7.071 CORITA --- Sister Corita --- Kent Corita --- activisme --- affiches --- posters --- zeefdruk --- reclamevormgeving --- reclame --- katholicisme --- kunst en religie --- pop art --- sixties --- kunst en politiek --- grafische vormgeving --- grafisch ontwerp --- grafisch design --- grafiek --- schilderkunst --- tekenkunst --- twintigste eeuw --- Verenigde Staten --- poetry --- street cries --- Pop [fine arts styles] --- Kent, Corita --- anno 1900-1999 --- Rooms-Katholieke Kerk --- Non --- Religieuze kunst --- Vormgeving --- Vrouw --- Vormgever --- Typografie --- Graffiti --- Zeefdruk
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She-Bam Pow Pop Wizz ! retrace l'histoire ouverte d'une génération de femmes européennes et nord-américaines qui ont contribué avec audace et flamboyance au pop international. Leurs oeuvres, à l'image des bandes dessinées, regorgent de couleurs arc-en-ciel et vibrantes. Par des voies plurielles, elles envisagent un monde autre, aux formes rêvées, et parient sur la construction d'un monde meilleur. Love is all we need !
Pop'art. --- Femmes artistes --- Pop art --- Women artists --- 7.038 --- Kunst ; 20ste eeuw ; Pop-Art --- Vrouwelijke kunstenaars --- Kunstgeschiedenis ; 1950 - 2000 --- Exhibitions --- kunst --- twintigste eeuw --- 7.038/038 --- eenentwintigste eeuw --- feminisme --- pop art --- vrouwen --- Axell Evelyne --- Barbarella --- Bardot Brigitte --- Baruch Marion --- Boty Pauline --- Canneel Martine --- Castro Lourdes --- Chicago Judy --- Chryssa --- Cristini France --- Dichgans Christa --- Drexler Rosalyn --- Fioroni Giosetta --- Fonda Jane --- Francken Ruth --- García Ángela --- Haworth Jann --- Iannone Dorothy --- Jodelle --- De Jong Jacqueline --- Kent Sister Corita --- Kogelnik Kiki --- Kurt Kay --- L. Nicola --- La Rocca Ketty --- LL Natalia --- Maglione Milvia --- Marcucci Lucia --- Menken Marie --- Monroe Marilyn --- Nevelson Louise --- Olivier Cuevas Isabel --- Ono Yoko --- Ottinger Ulrike --- Peel Emma --- Rosler Martha --- Saint Phalle Niki de --- Schneemann Carolee --- Strider Marjorie --- Sturtevant --- Wilke Hannah --- Wilson May
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Art --- Corillon, Patrick --- Starling, Simon --- Cleijne, Edgar --- Wuyts, Hans --- Tuerlinckx, Joëlle --- Becker, Jochen --- Bircken, Alexandra --- Buckminster Fuller, Richard --- Deleu, Luc --- Opsomer, Els --- Theys, Hans --- Dekyndt, Edith --- Wagner, Silke --- Robyns, Gert --- Althamer, Paweł --- Attia, Hamdi --- Colson, Vaast --- AMO --- Schraenen, Stéphane --- Buth, Peggy --- Corbusier, Le --- Black, Karla --- Arocha, Carla --- Theys, Koen --- Opałka, Roman --- Art & Language --- kunst --- Biënnale van Brussel --- Alimpiev Victor --- stedelijkheid --- kunst en stedelijkheid --- Zhunin Mariam --- Althamer Pawel --- Koolhaas Rem --- de Graaf Reinier --- Arocha Carla --- Schraenen Stéphane --- Art& Language --- Attia Hamdi --- Becker Jochen --- Bircken Alexandra --- Black Karla --- Fuller Richard Buckminster --- Buth Peggy --- Cleijne Edgard --- Colson Vaast --- Contact Press Images --- Convents Cherika --- Corillon Patrick --- Dabernig Josef --- Dekyndt Edith --- Deleu Luc --- Denny Simon --- Dockx Nico --- Vanpevenaege Yves --- Engh Marius --- Esber Ninar --- Farrell Seamus --- Farmer Geoffrey --- fatmi mounir --- Faust Daniel --- Gajaani --- Garber Pablo --- GIlje HC --- Gillam Adam --- Gomez-Egana Pedro --- Goyvaerts Nick --- Goto Masaru --- Haliti Flaka --- Hamza Agon --- Hohenbild Sonja --- Holloway David --- IRWIN --- Jodice Francesco --- Jouve Valérie --- Kelm Annette --- Früger Peter --- La cantine populaire --- Lambri Luisa --- Le Corbusier --- Leiderman Yuri --- Martens Renzo --- Matta-Clark Gordon --- Meisner Christine --- Metzel Olaf --- Micanovic Danijela --- Ming Jerome --- Monastirsky Andrei --- Mrkus Pavel --- Müller Andreas --- Fezer jesko --- Mustafa-carlo Fatmir --- Nayak Swapan --- Newby Kate --- Ntsoma Neo --- Opalka Roman --- Opsomer Els --- Orenli Fahrettin --- Otlet Paul --- Ots Jürgen --- Ottinger Ulrike --- Peljhan Marko --- Pisano Falke --- Pistoletto Michelangelo --- Cittadellarte --- Potential Estate --- Pumhösl Florian --- Robijns Gert --- Schaber Ines --- Pente Stefan --- Schillemans Juliaan --- Schmidt Dierk --- Schneider Florian --- Schneider Stefan --- Schuppli Susan --- S'Himi Batoul --- Sister Corita --- Starling Simon --- Steylaerts Roger --- Stilinovic Mladen --- Taller popular de serigrafia --- Al-Ghoussein Tarek --- Kienke Chris --- Tevet Nahum --- Theys Hans --- Theys Koen --- Tuerlinckx Joëlle --- Uriburu Nicolas --- Velonis Kostis --- Vermeersch Pieter --- Voss Jeronimo --- Votsis Stelios --- Wagner Silke --- Wuyts Hans --- 7.039 --- Exhibitions --- Fuller, Richard Buckminster --- Corbusier, le --- AMO [Mechelen] --- 700 --- hedendaagse kunst --- art contemporain --- kunst algemeen --- art généralités
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Art [Pop ] --- Neo-Dadaism --- New super-realism --- Pop art --- Edited by Mark Francis ; Survey by Hal Foster --- kunst --- twintigste eeuw --- pop art --- beeldhouwkunst --- schilderkunst --- literatuur --- fotografie --- installaties --- Adam Ken --- Alloway Lawrence --- Anger Kenneth --- film --- Antonioni Michelangelo --- Arbus Diane --- d'Arcangelo Allan --- Archizoom & Superstudio --- Arman --- Artschwager Richard --- Ashton Dore --- Bailey David --- Banham Reyner --- Barker Clive --- Barthes Roland --- Battcock Gregory --- Baudrillard Jean --- Ben --- Vautier Ben --- Bengston Billy Al --- Berman Wallace --- Blake Peter --- Boshier Derek --- Boty Pauline --- Boyle Mark --- Hills Joan --- Brecht George --- Broodthaers Marcel --- Buchloh Benjamin H.D. --- Buckminster Fuller R. --- Burckhardt Rudy --- Cage John --- Cammell Donald --- Roeg Nicolas --- Caulfield Patrick --- César --- Chamberlain John --- Cohn Nick --- Conner Bruce --- Coplans John --- Sister Corita --- Corita Sister --- Corman Roger --- Crumb Robert --- Danto Arthur C. --- Debord Guy --- Dine Jim --- Walt Disney Imagineering --- Disney Walt --- Drexler Rosalyn --- Duchamp Marcel --- Dylan Bob --- Eco Umberto --- Eggleston William --- Erro --- Falhström Öyvind --- Fletcher Allan --- Frank Robert --- Fried Michael --- Friedlander Lee --- Geldzahler Henry --- Ginsberg Allen --- Godard Jean-Luc --- Goldfinger Ernö --- Goode John --- Graham Dan --- Gunn Thom --- Grooms Red --- Hains Raymond --- Hamilton Richard --- Hanson Duane --- Henderson Nigel --- Hockney David --- Hollein Hans --- Hopper Dennis --- Huyssen Andreas --- Indiana Robert --- Jacquet Alain --- Jess --- Joannes Gérard --- Johns Jasper --- Johnson Ellen H. --- Johnston Jill --- Johnson Ray --- Jones Allen --- Jorn Asger --- Judd Donald --- Katz Alex --- Kelley Mike --- Kienholz Edward --- Kitaj R.B. --- Klein William --- Klüver Billy --- Kramer Hilton --- Kunitz Stanley --- Kusama Yayoi --- Laing Gerald --- Lennon John --- kunst en politiek --- Lichtenstein Roy --- Lueg Konrad --- MacDonald Ian --- McCartney Paul --- McHale John --- McLuhan Marshall --- Marcus Greil --- Mekas Jonas --- Moore Charles --- Morley Malcolm --- Mulvey Laura --- O'Doherty Brian --- O'Hara Frank --- Oldenburg Claes --- Paolozzi Eduardo --- Peenbaker D.A. --- Perkins Carl --- Phillips Peter --- Pistoletto Michelangelo --- Polke Sigmar --- Price Cedric --- Quarmby Arthur --- Ramos Mel --- Rauschenberg Robert --- Raysse Martial --- Reichardt Jasia --- Resatny Pierre --- Rice Ron --- Richter Gerhard --- Rivers Larry --- Rosenblum Robert --- Rosenquist James --- Rotella Mimmo --- Ruscha Ed --- Samaras Lucas --- Saul Peter --- Schneemann Carolee --- Schwitters Kurt --- Segal George --- Self Colin --- Selz Peter --- Sharp Martin --- Smith Jack --- Smith Richard --- Smithson Alison --- Smithson Peter --- Sontag Susan --- Spoerri Daniel --- Steinberg Leo --- Swenson G.R. --- Tashlin Frank --- Thek Paul --- Thiebaud Wayne --- Thompson Hunter S. --- Tilson Joe --- Tinguely Jean --- Velvet Underground --- Venturi, Scott Brown & Associates --- De la Villegleé Jacques --- Vostell Wolf --- Warhol Andy --- Watts Robert --- Wesley John --- Wesselmann Tom --- Whitman Robert --- Winogrand Garry --- Wolfe Tom --- 7.038 --- hedendaagse kunst --- pop-art --- Pop [fine arts styles] --- Contemporary [style of art] --- Art --- anno 1900-1999 --- Buchloh Benjamin H.D --- Buckminster Fuller R --- Danto Arthur C --- Johnson Ellen H --- Kitaj R.B --- Peenbaker D.A --- Swenson G.R --- Thompson Hunter S
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