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Redemption --- Conduct of life --- Romances, English. --- English literature --- Sir Gowther --- Roman de Robert le Diable --- Criticism, Textual.
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Medieval romances so insistently celebrate the triumphs of heroes and the discomfiture of villains that they discourage recognition of just how morally ambiguous, antisocial or even downright sinister their protagonists can be, and, correspondingly, of just how admirable or impressive their defeated opponents often are. This tension between the heroic and the antiheroic makes a major contribution to the dramatic complexity of medieval romance, but it is not an aspect of the genre that has been frequently discussed up. Focusing on fourteen distinct characters and character-types in medieval narrative, this book illustrates the range of different ways in which the imaginative power and appeal of romance-texts often depends on contradictions implicit in the very ideal of heroism. Dr Neil Cartlidge is Lecturer in English at the University of Durham. Contributors: Neil Cartlidge, Penny Eley, David Ashurst, Meg Lamont, Laura Ashe, Judith Weiss, Gareth Griffith, Kate McClune, Nancy Mason Bradbury, Ad Putter, Robert Rouse, Siobhain Bly Calkin, James Wade, Stephanie Vierick Gibbs Kamath
Heroes in literature. --- Romances --- Literature, Medieval --- Chivalric romances --- Chivalry --- Courtly romances --- French romances --- Medieval romances --- Romances, French --- Romans courtois --- French literature --- History and criticism. --- Alexander the Great. --- Arthurian romances. --- King Arthur. --- Medieval romance. --- Nigel Bryant. --- Robin Hood. --- Roman histories. --- Romance. --- Sir Gowther. --- Sleeping Beauty. --- chivalric civilisation. --- heroes. --- heroism. --- medieval travel writing. --- protagonists. --- villains.
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Monsters abound in Old and Middle English literature, from Grendel and his mother in Beowulf to those found in medieval romances such as Sir Gowther. Through a close examination of the way in which their bodies are sexed and gendered, and drawing from postmodern theories of gender, identity, and subjectivity, this book interrogates medieval notions of the body and the boundaries of human identity. Case studies of Wonders of the East, Beowulf, Mandeville's Travels, the Alliterative Morte Arthure, and Sir Gowther reveal a shift in attitudes toward the gendered and sexed body, and thus toward identity, between the two periods: while Old English authors and artists respond to the threat of the gendered, monstrous form by erasing it, Middle English writers allow transgressive and monstrous bodies to transform and therefore integrate into society. This metamorphosis enables redemption for some monsters, while other monstrous bodies become dangerously flexible and invisible, threatening the communities they infiltrate. These changing cultural reactions to monstrous bodies demonstrate the precarious relationship between body and identity in medieval literature.
Monsters in literature. --- English literature --- Human body in literature. --- Gender identity in literature. --- History and criticism. --- Body, Human, in literature --- Human figure in literature --- Alliterative Morte Arthure. --- Assistant Professor of English. --- Beowulf. --- DANA M. OSWALD. --- Gender. --- Grendel. --- Mandeville's Travels. --- Medieval English Literature. --- Monsters. --- Sexuality. --- Sir Gowther. --- University of Wisconsin-Parkside. --- Wonders of the East. --- body and identity. --- cultural reactions. --- gendered. --- identity. --- medieval romances. --- monstrous body. --- subjectivity.
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Pulp Fictions of Medieval England demonstrates that popular romance not only merits and rewards serious critical attention, but that we ignore it to the detriment of our understanding of the complex and conflicted world of medieval England.
Medieval rhetoric --- Middeleeuwse retorica --- Narration (Rhetoric) --- Narration (Rhétorique) --- Narrative writing --- Retorica [Middeleeuwse ] --- Rhetoric [Medieval ] --- Rhétorique médiévale --- Verhaal (Retoriek) --- English fiction -- Middle English, 1100-1500 -- History and criticism. --- Romances, English -- History and criticism. --- Romances, English --- English literature --- Literature and society --- Popular literature --- Books and reading --- Narrative poetry, English --- Rhetoric, Medieval --- English Literature --- English --- Languages & Literatures --- History and criticism --- History --- English fiction --- History and criticism. --- Romances [English ] --- Middle English, 1100-1500 --- England --- To 1500 --- Narrative poetry [English ] --- Books and reading. --- Literature and society. --- Littérature anglaise --- Littérature et société --- Livres et lecture --- Middelengels. --- Mittelenglisch. --- Mondelinge literatuur. --- Narration (Rhetoric). --- Narration. --- Narrative poetry, English. --- Paralittérature --- Popular literature. --- Poésie narrative anglaise --- Rhetoric, Medieval. --- Rhétorique médiévale. --- Roman courtois anglais --- Romancen. --- Romances, English. --- Romanze. --- Middle English. --- Histoire et critique --- Histoire --- Histoire et critique. --- To 1500. --- England. --- literature --- medieval --- romance --- Human cannibalism --- Middle English --- Sir Gowther --- Literature --- Literary Studies: Classical, Early & Medieval --- LITERARY CRITICISM / European / English, Irish, Scottish, Welsh --- Ireland
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