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Statue de Saint Sébastien.
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St. Sébastien consolé par des anges après son martyre, par Pierre Thys (Le Vieux).

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Heiliger Sebastian : A splendid readiness for death (Ausstellung Wien, Kunsthalle, 14.11.2003 - 15.02.2004)
Authors: --- --- --- --- --- et al.
ISBN: 3936646449 Year: 2003 Publisher: Wien Bielefeld : Kunsthalle (Wenen) Kerber Verlag,

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Geschiedenis van de Koninklijke gilde van Sint Sebastiaan te Wetteren
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Year: 1962 Publisher: Dendermonde : Van Lantschoot,

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[Statuten van de Sint-Sebastiaanbroederschap]
Publisher: Place of publication unknown

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Materiaaltechnisch onderzoek van het schilderij De heilige Sebastiaan verzorgd door de Romeinse weduwe Irene en haar dienares (MSK Gent) van de Vlaamse Caravaggist Melchior de la Mars (c. 1585-1650).

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Fiona Tan : Akte 1
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ISBN: 9074529194 Year: 2002 Publisher: Tilburg De Pont

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Sebastiaan : martelaar of mythe : [catalogue de l'exposition tenue aux Markiezenhof, Bergen op Zoom : Limburgs Museum, Venlo : Haags Historisch Museum, 's-Gravenhage]
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ISBN: 9066304251 9789066304253 Year: 1993 Publisher: Zwolle: Waanders,


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Juan de Pareja : Afro-Hispanic Painter in the Age of Velázquez (exhibition New York, The Metropolitan Museum of Art, 03.04 - 16.07.2023)
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ISBN: 9781588397560 1588397564 Year: 2023 Publisher: New York City : The Metropolitan Museum of Art,

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"This exhibition offers an unprecedented look at the life and artistic achievements of seventeenth-century Afro-Hispanic painter Juan de Pareja (ca. 1608-1670). Largely known today as the subject of The Met's iconic portrait by Diego Velázquez, Pareja was enslaved in Velázquez's studio for over two decades before becoming an artist in his own right. This presentation is the first to tell his story and examine the role of enslaved artisanal labor and a multiracial society in the art and material culture of Spain's so-called "Golden Age." Representations of Spain's Black and Morisco populations in works by Francisco de Zurbarán, Bartolomé Esteban Murillo, and Velázquez join works that chart the ubiquity of enslaved labor across media, from sculpture to silver. The Met's portrait, executed by Velázquez in Rome in 1650, is contextualized by his other portraits from this period and the original document whereby Pareja was freed upon return to Madrid. The exhibition culminates in the first gathering of Pareja's rarely seen paintings, some of enormous scale, which engage with the canons of Western art while reverberating throughout the African diaspora. Harlem Renaissance collector and scholar Arturo Schomburg was vital to the recovery of Pareja's work and serves as a thread connecting seventeenth-century Spain with twentieth-century New York, providing a lens through which to view the multiple histories that have been written about Pareja."--

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