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Kabbale. --- Judaïsme. --- Littérature juive. --- Zohar --- Concordances. --- 296*42 --- 296*42 Zohar --- Judaïsme. --- Littérature juive. --- Book of splendor --- Midrash de-Rabbi Shimʻon ben Yoḥai --- Midrash ha-zohar --- Midrash Yehi Or --- Sefer ha-zohar --- Sii︠a︡nie --- Sohar --- Yerushalmi --- Zoğar
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296*42 --- Cabala --- #GGSB: Jodendom --- #GGSB: Wijsheidsliteratuur --- Cabbala --- Jews --- Kábala --- Kabalah --- Kabbala --- Kabbalah --- Qabalah --- Jewish literature --- Magic --- Mysticism --- 296*42 Zohar --- Zohar --- Judaism --- Zohar. --- Book of splendor --- Midrash de-Rabbi Shimʻon ben Yoḥai --- Midrash ha-zohar --- Midrash Yehi Or --- Sefer ha-zohar --- Sii︠a︡nie --- Sohar --- Yerushalmi --- Zoğar --- Cabala. --- Jodendom --- Wijsheidsliteratuur
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In the study of Judaism, the Zohar has captivated the minds of interpreters for over seven centuries, and continues to entrance readers in contemporary times. Yet despite these centuries of study, very little attention has been devoted to the literary dimensions of the text, or to formal appreciation of its status as one of the great works of religious literature. The Art of Mystical Narrative offers a critical approach to the zoharic story, seeking to explore the interplay between fictional discourse and mystical exegesis. Eitan Fishbane argues that the narrative must be understood first and foremost as a work of the fictional imagination, a representation of a world and reality invented by the thirteenth-century authors of the text. He claims that the text functions as a kind of dramatic literature, one in which the power of revealing mystical secrets is demonstrated and performed for the reading audience. The Art of Mystical Narrative offers a fresh, interdisciplinary perspective on the Zohar and on the intersections of literary and religious studies.
Mysticism --- Cabala --- 296*42 --- Cabbala --- Jews --- Kábala --- Kabalah --- Kabbala --- Kabbalah --- Qabalah --- Jewish literature --- Magic --- 296*42 Zohar --- Zohar --- Judaism --- Zohar. --- Book of splendor --- Midrash de-Rabbi Shimʻon ben Yoḥai --- Midrash ha-zohar --- Midrash Yehi Or --- Sefer ha-zohar --- Sii︠a︡nie --- Sohar --- Yerushalmi --- Zoğar
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In the Zohar, the jewel in the crown of Jewish mystical literature, the verse "A river flows from Eden to water the garden" (Genesis 2:10) symbolizes the river of divine plenty that unceasingly flows from the depths of divinity into the garden of reality. Hellner-Eshed's book investigates the flow of this river in the world of the Zoharic heroes, Rabbi Shimon bar Yohai and his disciples, as they embark upon their wondrous spiritual adventures. By focusing on the Zohar's language of mystical experience and its unique features, the author is able to provide remarkable scholarly insight into the mystical dimensions of the Zohar, namely the human quest for an enhanced experience of the living presence of the divine and the Zohar's great call to awaken human consciousness.
Cabala. --- Mysticism --- Cabbala --- Jews --- Kábala --- Kabalah --- Kabbala --- Kabbalah --- Qabalah --- Jewish literature --- Magic --- Judaism. --- Cabala --- Judaism --- Zohar. --- Book of splendor --- Midrash de-Rabbi Shimʻon ben Yoḥai --- Midrash ha-zohar --- Midrash Yehi Or --- Sefer ha-zohar --- Sii︠a︡nie --- Sohar --- Yerushalmi --- Zoğar
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As the greatest book of Jewish mysticism, the Zohar is a revered and much-studied work. Yet, surprisingly, scholarship on the Zohar has yet to pay attention to its most unique literary device- the presentation of its insights while its teachers walk on the road. In these pages, rabbi and scholar David Greenstein offers the first examination of the ""walking on the road"" motif.Greenstein's original approach hones in on how this motif expresses the struggles with spatiality and the everyday presented in the Zohar. He argues that the walking theme is
Cabala. --- Mysticism --- Walking in literature. --- Jewish literature --- Jews --- Judaica --- Hebrew literature --- Cabbala --- Kábala --- Kabalah --- Kabbala --- Kabbalah --- Qabalah --- Magic --- Judaism. --- Themes, motives. --- Literature --- Cabala --- Judaism --- Zohar. --- Book of splendor --- Midrash de-Rabbi Shimʻon ben Yoḥai --- Midrash ha-zohar --- Midrash Yehi Or --- Sefer ha-zohar --- Sii︠a︡nie --- Sohar --- Yerushalmi --- Zoğar
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This monograph discusses the Zohar, the most important book of the Kabbalah, as a late strata of the Midrashic literature. The author concentrates on the 'expanded' biblical stories in the Zohar and on its relationship to the ancient Talmudic Aggadah. The analytical and critical examination of these biblical themes reveals aspects of continuity and change in the history of the old Aggadic story and its way into the Zoharic corpus. The detailed description of this literary process also reveals the world of the authors of the Zohar, their spiritual distress, mystical orientations, and self-consciousness.
Cabala. --- Aggada --- Midrash --- Cabbala --- Jews --- Kábala --- Kabalah --- Kabbala --- Kabbalah --- Qabalah --- Jewish literature --- Magic --- Mysticism --- History and criticism. --- Cabala --- Judaism --- Zohar. --- Book of splendor --- Midrash de-Rabbi Shimʻon ben Yoḥai --- Midrash ha-zohar --- Midrash Yehi Or --- Sefer ha-zohar --- Sii︠a︡nie --- Sohar --- Yerushalmi --- Zoğar --- Aggadah. --- Kabbalah. --- Medieval Jewry. --- Midrash.
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National Jewish Book Awards Finalist for the Nahum N. Sarna Memorial Award for Scholarship, 2016.
From its first appearance, the Zohar has been one of the most sacred, authoritative, and influential books in Jewish culture. Many scholarly works have been dedicated to its mystical content, its literary style, and the question of its authorship. This book focuses on different issues: it examines the various ways in which the Zoharhas been received by its readers and the impact it has had on Jewish culture, including the fluctuations in its status and value and the various cultural practices linked to these changes. This dynamic and multi-layered history throws important new light on many aspects of Jewish cultural history over the last seven centuries.
Boaz Husshas broken new ground with this study, which examines of the reception and canonization of the Zohar as well as its criticism and rejection from its inception to the present day. His underlying assumption is that the different values attributed to the Zohar are not inherent qualities of the zoharic texts, but rather represent the way it has been perceived by its readers in different cultural contexts. He therefore considers not only the attribution of different qualities to the Zohar through time but also the people who were engaged in attributing such qualities and the social and cultural functions associated with their creation, re-creation, and rejection.
For each historical period from the beginning of Zohar scholarship to the present, Huss considers the social conditions that stimulated the veneration of the Zohar as well as the factors that contributed to its rejection, alongside the cultural functions and consequences of each approach. Because the multiple modes of the reception of the Zohar have had a decisive influence on the history of Jewish culture, this highly innovative and wide-ranging approach to Zohar scholarship will have important repercussions for many areas of Jewish studies.
Zohar. --- Book of splendor --- Midrash de-Rabbi Shimʻon ben Yoḥai --- Midrash ha-zohar --- Midrash Yehi Or --- Sefer ha-zohar --- Sii︠a︡nie --- Sohar --- Yerushalmi --- Zoğar --- Cabala. --- Jewish literature. --- Cabbala --- Jews --- Kábala --- Kabalah --- Kabbala --- Kabbalah --- Qabalah --- Jewish literature --- Magic --- Mysticism --- Cabala --- Judaism
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Nathaniel Berman’s Divine and Demonic in the Poetic Mythology of the Zohar: The “Other Side” of Kabbalah offers a new approach to the central work of Jewish mysticism, the Sefer Ha-Zohar (“Book of Radiance”). Berman explicates the literary techniques through which the Zohar constructs a mythology of intricately related divine and demonic personae . Drawing on classical and modern rhetorical paradigms, as well as psychoanalytical theories of the formation of subjectivity, Berman reinterprets the meaning of the Zohar’s divine and demonic personae, exploring their shared origins and their ongoing antagonisms and intimacies. Finally, he shows how the Zoharic portrayal of the demonic, the “Other Side,” contributes to reflecting on alterity of all kinds.
Cábala. --- Jewish mythology. --- Demonology. --- Demonology --- Demonology, Christian --- Demons --- Evil spirits --- Spirits --- Spiritual warfare --- Hebrew mythology --- Mythology, Hebrew --- Mythology, Jewish --- Mythology --- Cabbala --- Jews --- Kábala --- Kabalah --- Kabbala --- Kabbalah --- Qabalah --- Jewish literature --- Magic --- Mysticism --- Cabala --- Judaism --- Zohar. --- Book of splendor --- Midrash de-Rabbi Shimʻon ben Yoḥai --- Midrash ha-zohar --- Midrash Yehi Or --- Sefer ha-zohar --- Sii︠a︡nie --- Sohar --- Yerushalmi --- Zoğar
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Cabala --- Judaism --- Kabbale --- Judaïsme --- History --- 141.331.5 --- -Judaism --- -Jews --- Religions --- Semites --- Jews --- Cabbala --- Kábala --- Kabalah --- Kabbala --- Kabbalah --- Qabalah --- Jewish literature --- Magic --- Mysticism --- Religion --- -Kabbala --- 141.331.5 Kabbala --- -141.331.5 Kabbala --- Zohar. --- Book of splendor --- Midrash de-Rabbi Shimʻon ben Yoḥai --- Midrash ha-zohar --- Midrash Yehi Or --- Sefer ha-zohar --- Sii︠a︡nie --- Sohar --- Yerushalmi --- Zoğar --- Cabale. --- Kabbala. --- Cabala - History --- Judaism - Islamic countries
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Cabala --- Messiah --- Cabala and Christianity --- Kabbale --- Kabbale et christianisme --- History --- Judaism --- History of doctrines --- Histoire --- Zohar --- Cabala and Christianity. --- History. --- 296*42 --- Christianity and Cabala --- Christianity and other religions --- Christian interpretations --- Relations --- Christianity --- Zohar. --- Book of splendor --- Midrash de-Rabbi Shimʻon ben Yoḥai --- Midrash ha-zohar --- Midrash Yehi Or --- Sefer ha-zohar --- Sii︠a︡nie --- Sohar --- Yerushalmi --- Zoğar --- 296*42 Zohar --- Cabala - History. --- Messiah - Judaism - History of doctrines - Middle Ages, 600-1500.
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