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Sibelius, Jean, --- Sibelius, I︠A︡. --- Sibelius, I︠A︡n, --- Sibelius, J. --- Sibelius, Jan, --- Sibelius, Jean --- Sibelius, Jean Julius Christian, --- Sibelius, Johan Julius Christian, --- Сибелиус, Ян, --- Anniversaries, etc.
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Sibelius, Jean, --- Sibelius, I︠A︡. --- Sibelius, I︠A︡n, --- Sibelius, J. --- Sibelius, Jan, --- Sibelius, Jean --- Sibelius, Jean Julius Christian, --- Sibelius, Johan Julius Christian, --- Сибелиус, Ян, --- Criticism and interpretation. --- Sibelius, Johan Julius Christian --- Criticism and interpretation
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Composers --- -Songwriters --- Musicians --- Biography --- Sibelius, Jean. --- -Biography --- Sibelius, Johan Julius Christian --- Sibelius, Jean, --- Sibelius, I︠A︡. --- Sibelius, I︠A︡n, --- Sibelius, J. --- Sibelius, Jan, --- Sibelius, Jean --- Sibelius, Jean Julius Christian, --- Sibelius, Johan Julius Christian, --- Сибелиус, Ян,
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Sibelius, Jean --- Sibelius, Jean, --- Composers --- Biography --- Sibelius, I︠A︡. --- Sibelius, I︠A︡n, --- Sibelius, J. --- Sibelius, Jan, --- Sibelius, Jean Julius Christian, --- Sibelius, Johan Julius Christian, --- Сибелиус, Ян, --- 78.21.1 Sibelius --- Composers - Finland - Biography --- Sibelius, Jean, - 1865-1957
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Rosa Harriet Newmarch [1857-1940] was well-known in her lifetime as the leading British authority on Russian music, yet she also enjoyed a long and close friendship with the Finnish composer, Jean Sibelius [1865-1957]. This edition traces a personal and professional relationship that lasted more than three decades, as documented in more than 130 letters, notes and telegrams currently held in the National Archives of Finland. The correspondence, conducted in a mixture of French and German, reveals the intense friendship between Sibelius and Newmarch, sheds detailed light on Newmarch's contribution to the development of musical life in Britain, and provides some of Sibelius's most intimate commentary on his own works, as well as on those of other composers. This edition contains the complete extant correspondence between Newmarch and Sibelius in English translation, complemented by comprehensive commentaries on the events and personalities referred to, and is prefaced by an extensive introduction outlining Newmarch's definitive role in promoting Sibelius and his music in early twentieth-century Britain. An appendix reproduces a previously unknown programme note that Newmarch wrote for the first British performance of Sibelius's Fourth Symphony. The book's translation and publication of the letters in English is complemented by the letters' online availability in their original language. PHILIP ROSS BULLOCK is University Lecturer in Russian at the University of Oxford, and Tutor and Fellow at Wadham College, Oxford.
Composers --- Songwriters --- Musicians --- Sibelius, Jean, --- Newmarch, Rosa, --- Newmarch, R. --- Jeaffreson, Rosa, --- Sibelius, I︠A︡. --- Sibelius, I︠A︡n, --- Sibelius, J. --- Sibelius, Jan, --- Sibelius, Jean --- Sibelius, Jean Julius Christian, --- Sibelius, Johan Julius Christian, --- Сибелиус, Ян,
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Sibelius, Jean --- Sibelius, Jean, --- Sibelius, I︠A︡. --- Sibelius, I︠A︡n, --- Sibelius, J. --- Sibelius, Jan, --- Sibelius, Jean Julius Christian, --- Sibelius, Johan Julius Christian, --- Сибелиус, Ян, --- Criticism and interpretation. --- Sibelius, Johan Julius Christian --- Criticism and interpretation --- 78.21.1 Sibelius --- Sibelius, Jean, - 1865-1957
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Perhaps no twentieth-century composer has provoked a more varied reaction among the music-loving public than Jean Sibelius (1865-1957). Originally hailed as a new Beethoven by much of the Anglo-Saxon world, he was also widely disparaged by critics more receptive to newer trends in music. At the height of his popular appeal, he was revered as the embodiment of Finnish nationalism and the apostle of a new musical naturalism. Yet he seemingly chose that moment to stop composing altogether, despite living for three more decades. Providing wide cultural contexts, contesting received ideas about modernism, and interrogating notions of landscape and nature, Jean Sibelius and His World sheds new light on the critical position occupied by Sibelius in the Western musical tradition. The essays in the book explore such varied themes as the impact of Russian musical traditions on Sibelius, his compositional process, Sibelius and the theater, his understanding of music as a fluid and improvised creation, his critical reception in Great Britain and America, his "late style" in the incidental music for The Tempest, and the parallel contemporary careers of Sibelius and Richard Strauss. Documents include the draft of Sibelius's 1896 lecture on folk music, selections from a roman à clef about his student circle in Berlin at the turn of the century, Theodor Adorno's brief but controversial tirade against the composer, and the newspaper debates about the Sibelius monument unveiled in Helsinki a decade after the composer's death. The contributors are Byron Adams, Leon Botstein, Philip Ross Bullock, Glenda Dawn Goss, Daniel Grimley, Jeffrey Kallberg, Tomi Mäkelä, Sarah Menin, Max Paddison, and Timo Virtanen.
Composers - Finland. --- Sibelius, Jean - Criticism and interpretation. --- Sibelius, Jean, 1865-1957 -- Criticism and interpretation -- Congresses. --- Sibelius, Jean, 1865-1957 -- Influence -- Congresses. --- Sibelius, Jean, 1865-1957. --- Sibelius, Jean, --- Sibelius, I︠A︡. --- Sibelius, I︠A︡n, --- Sibelius, J. --- Sibelius, Jan, --- Sibelius, Jean --- Sibelius, Jean Julius Christian, --- Sibelius, Johan Julius Christian, --- Сибелиус, Ян, --- Criticism and interpretation. --- BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians. --- BIOGRAPHY & --- AUTOBIOGRAPHY --- Musicians.
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