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Performing arts --- Show business --- Arts --- Performance art
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Performing arts --- Show business --- Arts --- Performance art
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Brecht's ""Work Journals"" cover the period from 1938 to 1955, the years of exile and his return to East Berlin. The accounts of his writing practice provide insight into the creation of his dramatic works, the development of his political thinking and his theories about epic theatre.
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Russian Performances is the first volume to bring the field of Russian Studies, broadly conceived, into dialog with the field of Performance Studies. The volume has a guiding vision: to demonstrate the relevance of Performance Studies to the study of Russia, as well as the unique genealogy of Performance Studies in the Russian context, that is, to show both theory and praxis. The contributions to Russian Performances foster larger intellectual communities by showcasing new work in Russian Studies from the disciplines of anthropology, art history, dance studies, film studies, cultural and social history, literary studies, musicology, political science, theater studies, and sociology. The book contains 27 brief essays, each of which analyzes and theorizes a particular instance of performance in Russian culture.
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Moving the chronology a bit, it is possible to trace with these pieces by Miguel Castro Caldas (MCC) a narrative arc of conjugality: the first steps of a couple in the epilogue of The Killers (2011), the marriage proposal in Coal On Canvas (2012), infidelity in the Restoration of Conjugal Society (2010), life with children in Wilderness (2016), again infidelity in If I lived you would die (2016), loneliness (widowhood?) of I don't usually talk to you (2017). Why this interest in the institution of marriage? Perhaps it is precisely because it is such a conventional situation that even subversion (or betrayal) is commonplace: from "boy meets girl" to "happily ever after" or not at all, between getting married and getting tired, this is a tired subject from which all variations have been experienced. [...] Marriage is a narrative formula that MCC uses less to dismantle its ideology than to dispense with the need for a narrative itself-and so use time in another way. MCC's writing practices a certain disrespect for institutions, starting with its own writing.
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Arrasada Troia, mortos os homens, procede-se à distribuição das mulheres da Casa de Príamo entre os triunfantes chefes gregos. O fundo clássico da tragédia é ligeiramente alterado quer pelos conflitos entre os vencedores, quer por versões inesperadas do destino das mulheres, quer pela presença dos lobos que não entendem os motivos belicistas dos humanos.
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Theatrical science --- Performing arts --- Bibliography --- -Show business --- Arts --- Performance art --- -Bibliography --- Show business --- Performing arts - Bibliography
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Performing arts --- Periodicals --- Bibliography --- -Show business --- Arts --- Performance art --- -Bibliography --- -Periodicals --- Show business --- Periodicals&delete&
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Frente a una era plagada de imágenes vía satélite, esta obra busca atraer la mirada de un círculo de lectores más amplio sobre las herencias culturales y recursos escénicos alternativos de Asia y África. Las creencias, los ritos y las tradiciones de países aparentemente tan lejanos como Cuba, Brasil, México, Japón, Indonesia, China e India, representan no sólo una rica pluralidad de las manifestaciones artísticas, sino además significa la posibilidad de generar reacciones en cadena en cuanto a encuentros interculturales se refiere.
Performing arts --- Congresses. --- Show business --- Arts --- Performance art --- African history
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