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For three decades, state-sponsored short filmmaking educated Danish citizens, promoted Denmark to the world, and shaped the careers of renowned directors like Carl Th. Dreyer. A book-length study in English of a national corpus of state-sponsored informational film, this work traces how Danish shorts on topics including social welfare, industry, art and architecture were commissioned, funded, produced and reviewed from the inter-war period to the 1960s.
Short films. --- Short films --- Instructional films --- Instructional films. --- How-to films --- Informational films --- Instructional videos --- Skill films --- Training films --- Motion pictures --- Short feature films --- Shorts (Motion pictures)
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"Compact Cinematics challenges the dominant understanding of cinema to focus on the various compact, short, miniature, pocket-sized forms of cinematics that have existed from even before its standardization in theatrical form, and in recent years have multiplied and proliferated, taking up an increasingly important part of our everyday multimedia environment. Short films or micro-narratives, cinematic pieces or units re-assembled into image archives and looping themes, challenge the concepts that have traditionally been used to understand cinematic experience, like linear causality, sequentiality, and closure, and call attention to complex and modular forms of cinematic expression and perception. Such forms, in turn, seem to meet the requirements of digital convergence, which has pushed the development of more compact and mobile hardware for the display and use of audiovisual content on laptops, smartphones, and tablets. Meanwhile, contemporary economies of digital content acquisition, filing, and sharing equally require the shrinking of cinematic content for it to be recorded, played, projected, distributed, and installed with ease and speed. In this process, cinematic experience is shortened and condensed as well, so as to fit the late-capitalist attention economy. The essays in this volume ask what this changed technical, socio-economic and political situation entails for the aesthetics and experience of contemporary cinematics, and call attention to different concepts, theories and tools at our disposal to analyze these changes."--Bloomsbury Publishing.
Short films --- Digital media. --- Social media. --- Cinematography. --- History and criticism. --- Film --- Photography --- Chronophotography --- Electronic media --- New media (Digital media) --- Mass media --- Digital communications --- Online journalism --- Short feature films --- Shorts (Motion pictures) --- Motion pictures --- Animated pictures
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Short films --- Motion pictures --- History and criticism --- History --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Short feature films --- Shorts (Motion pictures) --- Short films - Spain - History and criticism --- Motion pictures - Spain - History - 21th century
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Horror films. --- Short films. --- Encyclopedias and dictionaries. --- Books of knowledge --- Cyclopedias --- Dictionaries --- Encyclopedias and dictionaries, English --- Knowledge, Books of --- Subject dictionaries --- Reference books --- Short feature films --- Shorts (Motion pictures) --- Motion pictures --- Spookfests (Motion pictures) --- Haunted house films --- Monster films
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Horror films. --- Short films. --- Encyclopedias and dictionaries. --- Books of knowledge --- Cyclopedias --- Dictionaries --- Encyclopedias and dictionaries, English --- Knowledge, Books of --- Subject dictionaries --- Reference books --- Short feature films --- Shorts (Motion pictures) --- Motion pictures --- Spookfests (Motion pictures) --- Haunted house films --- Monster films
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Motion picture authorship. --- Short films. --- Cinéma --- Courts métrages --- Art d'écrire --- Pat Cooper and Ken Dancyger --- film --- scenario --- kortfilms --- dialoog --- narratologie --- Verenigde Staten --- 791.44 --- Cinéma --- Courts métrages --- Art d'écrire --- Short films --- Short feature films --- Shorts (Motion pictures) --- Motion pictures --- Authorship
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The only screenwriting book that includes a DVD that contains performances of the short films and screenplays that are featured in the book!The beauty and power of any story lies in its ability to connect to the reader, listener, or observer. Crafting Short Screenplays That Connect is the first screenwriting guide to introduce connection as an essential, although essentially overlooked, aspect of creating stories for the screen and of the screenwriting process itself. Written with clarity and humor, this book teaches the craft of writing short screenplays by gui
Motion picture authorship. --- Short films. --- Film authorship --- Film-making (Motion pictures) --- Film scriptwriting --- Filmmaking (Motion pictures) --- Motion picture plays --- Motion picture scriptwriting --- Motion picture writing --- Motion pictures --- Movie-making --- Moviemaking --- Moving-picture authorship --- Screen writing --- Screenplay writing --- Screenwriting --- Scriptwriting, Film --- Scriptwriting, Motion picture --- Authorship --- Screenwriters --- Short feature films --- Shorts (Motion pictures) --- Play-writing
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Film --- Courts métrages --- Short films --- scriptwriting --- Williams Paul Andrew --- Mulloy Daniel --- Pizzey Jack --- Final cut pro --- Final draft --- Movie magic scheduling and budgetting --- Art d'écrire --- Production and direction. --- Authorship. --- 791.42 --- belichting --- camera's --- film --- filmmuziek --- filmproductie --- filmtechniek --- kortfilms --- licht --- montage --- scenario's --- Short feature films --- Shorts (Motion pictures) --- Motion pictures --- Authorship --- Production and direction --- Direction --- Art d'écrire. --- Courts métrages --- Art d'écrire.
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Les contributeurs analysent les rapports complexes entre le texte et l'image mobile des courts métrages d'animation. ©Electre 2020 Adaptation littéraire et courts métrages d'animation souhaite évoquer le flux, la perte, l'équilibre et le déséquilibre, en un mot une complexité, celle des rapports, des affinités électives, entre l'image mobile et le texte figé, sur un terrain mouvant où se rejoignent cinéma et littérature, et dont les méandres semblent avoir été bien traversés. Cet ouvrage, fruit d'une journée d'études (2017) et d'un colloque international (2018) tenus sous l'impulsion du CELEC de l'Université Jean Monnet Saint-Etienne et en collaboration avec le Festival Ciné Court Animé de Roanne, propose, à travers des approches à la fois divergentes et convergentes, d'explorer, de réexplorer les différents aspects des liens entre image et texte en se penchant spécifiquement sur le formidable espace ouvert par le court métrage d'animation.
Film adaptations --- Animated films --- Motion pictures and literature --- Short films --- History and criticism --- Short feature films --- Shorts (Motion pictures) --- Motion pictures --- Adaptations, Film --- Books, Filmed --- Filmed books --- Films from books --- Literature --- Motion picture adaptations --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Abstract films --- Animation (Cinematography) --- Animation cels --- Adaptations --- Films d'animation. --- Courts métrages. --- Cinéma et littérature. --- Animated films - History and criticism --- Film adaptations - History and criticism --- Short films - History and criticism --- Courts métrages. --- Cinéma et littérature.
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